George Roy Hill

George Roy Hill

Highest Rated: 100% Thoroughly Modern Millie (1967)

Lowest Rated: 40% Toys in the Attic (1963)

Birthday: Dec 21, 1921

Birthplace: Minneapolis, Minnesota, USA

Not to be confused with early-1930s MGM director George Hill (many historians do mix up the names, even though the earlier Hill died in 1934), American director George Roy Hill started out as a musician. He studied both at Yale and Trinity College in Dublin; it was there that Hill began an acting career with Cyril Cusack's company. After World War II, Hill shifted his interest to stage directing, and after further military service in Korea, he moved into TV as both director and writer. Hill directed for various live anthologies of the 1950s, including Kraft Television Theater, The Kaiser Aluminum Hour and Studio One. He came to films relatively late, directing his first feature, Period of Adjustment, in 1962. Hill rapidly built up a reputation for being commercially reliable after such hits as The World of Henry Orient (1964) and Hawaii (1967); even relative misfires like Thoroughly Modern Millie (1966) were at least attractively assembled. All the same, Hill was no Hollywood bootlicker; he was fired during post-production of both Millie and Hawaii due to heated arguments over the editing. Thus, no one was certain what the mood on the set would be when Hill was contracted to direct Paul Newman in Butch Cassidy and the Sundance Kid (1969). Hill's first move turned out to be the film's lifesaver: he vetoed several co-starring choices, including Steve McQueen and Warren Beatty, in favor of Robert Redford, and the resultant chemistry between Newman and Redford was sheer box office nirvana. Hill received an Oscar nomination for his direction, which doubtless compensated for the back injury that forced him to do much of his directing in a supine position. Butch Cassidy had built-in audience appeal -- more than can be said for Hill's next project, a filmization of Kurt Vonnegut's almost unfilmable novel Slaughterhouse Five (1971). It was a noble failure, but Hill was feted by the Cannes Film Festival for the effort. The director reunited Newman and Redford for The Sting (1973), which did even better than Butch Cassidy and copped a Best Picture Academy Award. The Sting stars demonstrated their thanks to Hill by entrusting him with many later projects: the director guided Redford through The Great Waldo Pepper (1973) and Newman through Slap Shot (1977). Not all of George Roy Hill's subsequent projects were as successful, though there are excellent moments in the first twenty minutes of The Little Drummer Girl (1981) once we get past Diane Keaton's miscasting as a Vanessa Redgrave-type activist; and Hill's Funny Farm (1988) makes up for its misfire slapstick set-pieces involving nature-lover Chevy Chase with a rousing comedy climax.

Highest Rated Movies



No Score Yet Real Bullets Actor 1990
65% Funny Farm Director 1988
71% The Little Drummer Girl Director 1984
74% The World According to Garp Director Pilot (uncredited) Producer 1982
71% A Little Romance Producer Director 1979
85% Slap Shot Director 1977
67% The Great Waldo Pepper Producer Screenwriter Director 1975
94% The Sting Director 1973
81% Slaughterhouse-Five Director 1972
No Score Yet Who Says I Can't Ride a Rainbow! (Barney) Actor 1971
90% Butch Cassidy and the Sundance Kid Screenwriter 1969
100% Thoroughly Modern Millie Director 1967
67% Hawaii Director 1966
91% The World of Henry Orient Director 1964
40% Toys in the Attic Director 1963
71% Period of Adjustment Director 1962
No Score Yet Walk East on Beacon Wilben 1952


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