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Kyle Logan

Tomatometer-approved critic
Biography:

Kyle Logan is a film and television critic and general pop culture writer who has written for Alternative Press, Cultured Vultures, Fangoria, Screen Anarchy, and more. Kyle is particularly interested in horror and animation, as well as genre films written and directed by queer people and women. Along with writing, Kyle organizes a Queer Film Challenge on Letterboxd.

Reviews

Movies TV Shows
Assault on Precinct 13 (1976) 94% 5/5 EDIT “John Carpenter’s Assault on Precinct 13 has become a beloved cult classic, and for good reason.” – Allergic to the 21st Century Feb 12, 2026 Full Review By Design (2025) 69% 4/5 EDIT “A truly magical piece of filmmaking, a visually stunning movie made for anyone who has ever collapsed in on themselves because of others.” – ScreenAnarchy Feb 12, 2026 Full Review Dracula (2025) 53% EDIT “It's not the most daringly original cinematic take on Stoker's novel, but its aesthetic pleasures (both of production design and seeing hot people kiss), emotional earnestness, and unexpected silliness make it a welcome addition.” – ScreenAnarchy Feb 11, 2026 Full Review Good Luck, Have Fun, Don't Die (2025) 86% EDIT “The selling point...is the ensemble, and seeing charming actors interact charmingly isn’t the worst way to spend time at the movies. Be warned, though, it’s a lot of time, as Good Luck clocks in at an entirely unwarranted 134 minutes.” – Chicago Reader Feb 11, 2026 Full Review Mercy (2026) 24% EDIT “A can’t-miss event for the subset of viewers fascinated by the screenlife format. For those who aren’t part of that group, Mercy will either be a solid, by-the-numbers program...or a migraine-provoking nightmare.” – Chicago Reader Feb 11, 2026 Full Review Send Help (2026) 94% EDIT “Send Help works as comedy every so often, whether it's because of Raimi's penchant for making violence downright goofy or the stars' charisma, but it's so overlong and stagnant as anything else that the majority of it is just a slog.” – ScreenAnarchy Jan 26, 2026 Full Review The Plague (2025) 97% EDIT “Rather than deliver any sense of tension and release or thematic heft, The Plague remains a sometimes beautifully realized but ultimately hollow and frustrating hour and a half spent with selfish tween boys.” – Chicago Reader Jan 21, 2026 Full Review Return to Silent Hill (2026) 18% EDIT “As an adaptation of one of the best video games ever made from a filmmaker who successfully translated the games' world to film before, it's a major disappointment. As a movie, it's just bad. ” – ScreenAnarchy Jan 21, 2026 Full Review The Housemaid (2025) 74% EDIT “While not every aspect is entirely successful, The Housemaid's big swings at fucked-up fun land far more than they miss.” – ScreenAnarchy Dec 18, 2025 Full Review Rosemead (2025) 89% 3/5 EDIT “Liu and Shou's performances sell the emotional reality of this two-person family...but the movie would be much stronger if it centered just one of those two family members.” – ScreenAnarchy Dec 8, 2025 Full Review Young Blondes, Stalked and Murdered (2025) EDIT “Reminiscent of the best cosmic horror that sticks in your mind because there's always something beyond the screen. But there's nothing fantastical here, no lore that's not filled in...which makes Young Blondes all the more beguiling.” – ScreenAnarchy Dec 3, 2025 Full Review Little Trouble Girls (2025) 98% EDIT “One of the best and most promising directorial debuts of the 21st century.” – ScreenAnarchy Dec 3, 2025 Full Review King Ivory (2024) 71% 3/5 EDIT “King Ivory [is] a solid riff on Sicario and a collection of almost all the cliches of Traffic (including the anti-drug crusader with an addict child) with none of the visual flair.” – Chicago Reader Nov 23, 2025 Full Review Violent Ends (2025) 67% 3/5 EDIT “As effective and good looking as Violent Ends may be, it’s just too generic to be something special.” – Chicago Reader Nov 23, 2025 Full Review Predator: Badlands (2025) 86% 4/5 EDIT “Bursting with astonishing blends of practical and digital effects, thrilling action, beautifully shot vistas, and equally heartfelt and humorous character dynamics.” – Chicago Reader Nov 23, 2025 Full Review Chainsaw Man - The Movie: Reze Arc (2025) 96% 4/5 EDIT “It has flaws but is such a marvel of animation and such a raucous blast of fun that it's hard to see any fans being (too) vocally angry about it on the internet.” – ScreenAnarchy Oct 22, 2025 Full Review Good Boy (2025) 90% 3.5/5 EDIT “It’s pretty common stuff narratively, but the striking look and Leonberg’s ability to develop and sustain atmospheric suspense make Good Boy better than it needs to be. It also helps that Indy’s extremely cute and a very good boy.” – Chicago Reader Oct 10, 2025 Full Review TRON: Ares (2025) 53% 2/5 EDIT “There are some cool scenes within the Grid, and Nine Inch Nails’ music turns those scenes into great music videos stuck inside a mediocre if not outright bad movie.” – Chicago Reader Oct 10, 2025 Full Review Roofman (2025) 87% 3.5/5 EDIT “The vast majority of Roofman registers as authentic in its retelling of this story, which is why it's such a success overall.” – ScreenAnarchy Oct 10, 2025 Full Review Plainclothes (2025) 83% 3/5 EDIT “Emmi’s willingness to play with form is welcome...and hopefully in future projects, he’s able to calibrate it better and write a more interesting script.” – Chicago Reader Oct 3, 2025 Full Review One Battle After Another (2025) 94% 3.5/5 EDIT “In the time between preproduction in 2023 and release in 2025, One Battle After Another has only become more relevant and suspect in equal measure. Hopefully, in time it will be less relevant and easier to enjoy, because there is a lot to enjoy.” – ScreenAnarchy Sep 22, 2025 Full Review A Big Bold Beautiful Journey (2025) 37% 3.5/5 EDIT “Whether the big swings work or not...it’s a welcome surprise to see a colorful, midbudget studio film that’s willing to take them.” – Chicago Reader Sep 18, 2025 Full Review Preparation for the Next Life (2025) 97% 3/5 EDIT “A film that's firmly divided into a half that works and a half that doesn't.” – ScreenAnarchy Sep 5, 2025 Full Review Honey Don't! (2025) 45% 3/5 EDIT “The slight twinge of too-cruel violence and a somewhat disappointing finale can’t take away from the film’s general success as a fast-paced crime comedy that’s full of laugh-out-loud scenes. ” – Chicago Reader Aug 28, 2025 Full Review Caught Stealing (2025) 85% 3/5 EDIT “Caught Stealing never gets near the best of its genre or its director's earlier work, but there's something to be said for watching great actors light up a screen. Oh, and there's a really good cat.” – ScreenAnarchy Aug 28, 2025 Full Review
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