The Omen (1976)

The Omen (1976)

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: No consensus yet.

The Omen Photos

Movie Info

The young son of an American diplomat and his wife, living in London, turns out to be marked with the sign of Satan, the infamous "666". It soon becomes apparent that he could be the Anti-Christ incarnate and possesses the evil powers to stop anyone who stands in his way.
Rating:
R
Genre:
Classics , Horror , Mystery & Suspense
Directed By:
Written By:
In Theaters:
 wide
On DVD:
Runtime:
Studio:
20th Century Fox

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Cast

Gregory Peck
as Robert Thorn
Lee Remick
as Kathy Thorn
David Warner
as Keith Jennings
Billie Whitelaw
as Mrs. Baylock
Patrick Troughton
as Father Brennan
Leo McKern
as Bugenhagen
Martin Benson
as Father Spiletto
Anthony Nicholls
as Dr. Becker
Holly Palance
as Young Nanny
John Stride
as Psychiatrist
Robert MacLeod
as Mr. Horton
Sheila Raynor
as Mrs. Horton
Tommy Duggan
as Priest
Ronald Leigh-Hunt
as Gentleman
Roy Boyd
as Reporter
Bruce Boa
as Thorn's Aide
Don Fellows
as Thorn's Second Aide
Patrick McAlinney
as Photographer
Miki Iveria
as First Nun
Betty McDowall
as Secretary
Burnell Tucker
as Secret Service Man
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Critic Reviews for The Omen

All Critics (43) | Top Critics (6)

Richard Donner directs more for speed than mood, but there are a few good shocks.

Full Review… | October 9, 2012
Chicago Reader
Top Critic

Richard Donner's direction is taut. Players all are strong.

Full Review… | March 25, 2009
Variety
Top Critic

This apocalyptic movie mostly avoids physical gore to boost its relatively unoriginal storyline with suspense, some excellent acting (especially from Warner and Whitelaw), and a very deft, incident-packed script.

Full Review… | January 25, 2006
Time Out
Top Critic

No excerpt available.

July 7, 2005
St. Louis Post-Dispatch
Top Critic

A member of the Exorcist family, it is a dreadfully silly film, which is not to say that it is totally bad.

Full Review… | May 8, 2005
New York Times
Top Critic

As long as movies like The Omen are merely scaring us, they're fun in a portentous sort of way.

Full Review… | October 23, 2004
Chicago Sun-Times
Top Critic

Audience Reviews for The Omen

A rare type of horror film that is more about the mystery and building an ominous feel of danger than trying to scare us, and it works quite well when it is not too silly - as for instance with the ridiculous priest who babbles Catholic prophecies and could never be taken seriously.

Carlos Magalhães
Carlos Magalhães

Super Reviewer

½

One of the more iconic and popular horror films of recent history, "The Omen" takes all the unholiest of attitudes towards horror and amplifies them to compound scares. Not only is this film scary at times and freakish at others, but when you watch the premise, the reveals, and deaths, they hold significant weight. Several days later certain parts of this film roll around in your brain and you keep working out its genius. Much of what makes this film so engrossing seems to be the premise. An ambassador (Peck) and his wife (Remick) are told their child is stillborn, and the husband is prompted into adopting another child who has become orphaned. The child, Damien (Stephens), is actually the son of Satan and thanks to a prophecy, a priest knows to tell him that he must murder the child before he himself and everyone he loves, are killed. Of course the ambassador finds all of this ridiculous, but eventually goes on a mighty quest with a photographer (Warner) to find the truth before it's too late. There are also protectors to the child, including a satanic nanny (Whitelaw) and a Rottweiler who remains the boy's terrifying hellhound. Harvey Stephens as Damien is quite creepy, taking direction from Richard Donner quite well and giving a performance that eerily transcends any other demonic child in horror film history. His and Peck's performances greatly overshadow almost everyone else's, because they remain the hero and villain within the story. It's gruesome to think a child has to be killed, or that a child has that evil nested within themselves. Even at the very end you're not sure how everything will work itself out, and that is difficult since horror films are usually so cut and dry. This is a masterpiece of horror, and even today has some moments that will make you question whether you believe in the devil.

Spencer S.
Spencer S.

Super Reviewer

A man and his wife discover that their adopted son is the spawn of Satan. In this addition to the genre of Devil movies, all the normal conventions appear: religion is imbued with a mysterious ethos, evil is perceived as something outside man, and sex and science are demonized (although, it must be said that this facet of devil movies is less pronounced in The Omen than in other films). All this is not to say that The Omen is a bad film, just that it works to normalize a controversial cultural ideology. On the contrary, the film is well-made. The plot unfolds deftly, with few heavy-handed "must-happens," and Gregory Peck gives a strong performance. Richard Donner's direction is clever: most of the evil occurs around Damien rather than because of him, and this reduces most audiences' reticence about seeing a child involved in violence. Overall, this film remains a classic in the Devil movie genre and is well worth a critical eye.

Jim Hunter
Jim Hunter

Super Reviewer

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