Critic Consensus: With towering performances and an unflinching script from Michael Haneke, Amour represents an honest, heartwrenching depiction of deep love and responsibility.
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Critic Reviews for Amour
Now at the end of the year comes a masterpiece, not just the best of the year, but one of the best ever: Michael Haneke's Amour.
Trintignant perfectly captures the resolve that eventually borders on obsession, as the woman he loves gradually, maddeningly, disappears before his eyes, and he does whatever he can to prevent it, though he knows it's impossible.
Many viewers will find echoes of their grandparents, parents, or even themselves in these characters.
A movie that is utterly worthy of its all-encompassing title.
Audience Reviews for Amour
It is always impressive to see how Haneke can be so subtle and forceful as with this magnificent and devastating oeuvre about aging, devotion, love and death - a film that surprises us for its deep tenderness and honesty while striking us with an overwhelming emotional power.
Good lord....the pace of this movie was excruciating!! I get that it was emotional, moving, and the entire idea very heartfelt. HOWEVER, it was sooooo long, and soooooo slow. I couldn't take it. After the first 40 min, I ended up watching the rest on slow fast forward. Oh you French movie lovers! How do you sit through these?? sigh...
An intimate, delicate portrayal of an older couple and how the wife (Emmanuelle Riva) begins to fail in health, and how her husband (Jean-Louis Trinitgnant) struggles to keep up with her many needs and she slips further into depression and poor health. Director Michael Haneke has acquired the reputation of a director who is not afraid to pull out tricks out of his sleeve, and he does so here at one big moment, but ultimately this is a mostly straightforward, realistic look at getting older and the slippery slope keeping in good health becomes over time. It is a sad, somber, pretty slow-moving story, but one that needs to be in order to get the message across correctly. The twist that occurs is definitely unsettling, but also one that is not predictable at all given the nature of the story. It is a hard-hitting look at love and seeing someone die in front of you in a quick, alarming way, but it is all handled phenomenally well by a master behind the camera in Haneke.
|Anne:||It's beautiful. Life. Long.|
|Anne:||You don't have to hold my hand all the time. I can take care of myself, you know.|
|Georges:||Things will go on as they have done up until now. They'll go from bad to worse. Things will go on, and then one day it will all be over.|