The LEGO Movie 2: The Second Part
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All Critics (11)
| Fresh (11)
| Rotten (0)
BALIBO is a gritty political thriller, based on a hardly spoken international incident which held strong repercussions in Australia, and is sure to hit a raw nerve upon its release.
...intriguing but problematic melodrama
This is as good as cinema gets - the story may be devastating but as a cinematic accomplishment, Balibo is something to be celebrated.
Despite Balibo's structural instability, Connolly still manages to find plenty of poignancy and to gather an emotional head of steam
Robert Connolly has made a brave and deeply disturbing film.
Balibo is a strong film, and Connolly's best to date. Despite the plaudits of many of my fellow critics, it's not a perfect film...but it's a bloody good one.
Despite [the] drawbacks, Balibo still tells a very powerful story, one that needed to be told.
An incredible film with a well crafted script, beautiful cinematography and a touching story that exposes a deep anger and sorrow.
What makes Balibo essential viewing is that, on top of its past and present political significance, it also happens to be one of the most captivating and thrilling films in years.
The occasional misstep does not blunt this gripping thriller's impact. Or its fierce anger.
The worst cliche in Australian cinema is that we have so many Australian stories that need to be told. Normally it is tripe. In the case of Balibo, they actually found one.
This truly riveting and important political thriller exposes without any concessions a horrendous episode in History that has been kept in silence for a long time, and it is always fluid in the way it shows us what happened to Roger East in parallel with the tragic fate of the Balibo Five.
I'd no idea what the movie is about before watching it except that it's based on real events. And based was it!! Clarifying so at the very outset when it instead chooses to mention "This is a true story." wouldn't have helped much though. While taking inspirations from real events, the movie gets incredibly, & more importantly, unnecessarily melodramatic. It seems as if reality takes a back stage for a scripted drama, thereby rendering the main story far less interesting. I reckon that fictionalization is essential at times, but here it's overdone. Better than general Lifetime Movie, but not good enough. Of course, it's not a TV movie, but that shouldn't quite matter. While not good enough, it's tolerable enough. My experience might have been different had I not known that it's based on real events (ignorance may have adjusted my expectations), but then if it wasn't based on real events, I doubt I'd have gone for it. All talks. Give it a go or let it go. Whatever.
This truly is inspired filmmaking!
Australian writer/director Robert Connoly's political thriller Balibo sheds light on war crimes that have been covered up for more than 30 years. Boldly political and unashamedly provocative, it tells the true story of 1975 and the murder of five Australian journalists in East Timor in the lead-up to the invasion by Indonesia.
In November 1975, four weeks after five journalists are reported missing in East Timor, veteran Australian foreign correspondent Roger East (La Paglia) is approached by 25 year old Jose Ramos-Horta (Isaac) and offered a job as head of East Timor's news agency. Refusing to accept the official reports that his colleagues were killed in crossfire, East sees the job as an opportunity to uncover the truth and travels with Ramos-Horta to East Timor.
Intercut with their journey is the story of how the five Australian journalists, four weeks earlier, made their way to Balibo determined to film the impending Indonesian invasion.
The Indonesian assault is particularly compelling and marks one of the most shattering finales in Australian film history. This film engages a new audience who knows nothing of this extraordinary piece of history. Regardless of historical knowledge, more powerful is the feeling of pride for the Balibo Five who rushed to East Timor's side when the world turned its back.
It is very hard to criticize a movie with such a sensitive subject but I am here to give an honest opinion about movie quality not a statement for a political satisfaction of the governments. Three quarters of the movie are so slow that few people left the cinema, and the director was hoping that with the last quarter can have an impact on the audience to forget the first three boring parts and at the end receives a positive mark… but he couldn’t do that! The total experience was a lack of aesthetically recognizable value of any kind. As a history lesson this film has some value, as an art work, I’ll rather forget it!
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