Mary Poppins Returns
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All Critics (11)
| Top Critics (3)
| Fresh (7)
| Rotten (4)
| DVD (3)
An unsettling if not entirely successful social-cum-psychological drama.
What gives the film a chilly authenticity is the creepy performance of Arno Frisch in the title role.
In some ways, the portrait of his parents is even more chilling.
The desensitising nature of popular culture is a theme that recurs throughout most of Michael Haneke's films, but rarely has it been more chillingly debated than in this almost nonchalant study of dysfunction and death.
The second panel in Haneke's trilogy (preceded by Seventh Continent and followed by 71 Fragments) offers a chilling and haunting postmodern look at isolation, alienation and violence, with a critique of mass media effects on actual behavior.
To Benny, and to us, too (at least for the duration of the film) the mediated image - blinkered, manipulable, vicarious - is the 'reality' of choice.
[Makes] arguments that Haneke delivers with frosty menace but, alas, an also typically pedantic, haranguing tenor.
Similar to The Seventh Continent, this film's objective is to analyze and deconstruct the effects rather than senselessly guess their causes
in the end, with a character that repellent and a message so heavy handed, there is no need to commit ourselves to this bitter, merciless film.
Pregnant with awful possibilities, this frightening, finger-pointing film feels less a provocation, more an attempt to eviscerate the medium from within.
A smug, contemptuous, passive-aggressive attack on the dehumanizing effects of media.
Like The Seventh Continent, this is a disturbing film that wants to probe into the glacial apathy of modern society (and also the sociopaths it creates), even though Haneke seems a bit too categorical in his criticism of mass media as something inherently alienating and damaging.
"Benny's Video" starts with Evi(Stephanie Brehme) holding a party at her parents'(Ulrich Muhe & Angela Winkler) apartment without permission. Their son Benny(Arno Frisch) hardly notices as he is in his room watching videos as usual. One day at the video store, he encounters a girl(Ingrid Stassner) his age who is just waiting outside. They go back to his place where he seeks to impress her with a piggy snuff video he made at a farm and shows her the weapon used to kill the pig. He even dares her to shoot him. She refuses. Then, he shoots her.
So, Michael Haneke, you have our attention. Now what do you plan on doing with it?
As it happens, not a heck of a lot with a movie that feels influenced by Atom Egoyan's earlier video inflected films and also works as a line to Haneke's future with "Cache." At least with "Benny's Video," he is not blaming violent movies so much, as he takes a slightly less simplistic route by blaming the parents with Benny being a classic latchkey kid with minimal supervision while enabling him with all the electronic equipment they buy him. Don't believe me? Then, check out the pyramid scheme that Evi is running.
'Benny's Video' is a genuinely unsettling film whose premise concerns a scene that is particularly disturbing and visceral. The film concentrates on Benny, a seemingly sociopathic teenager, and his regimented, staid parents known simply as 'Mother' and 'Father'. Benny lives a materially charmed life, having an array of electronics bought for him by his affluent middle class parents. This technology allows him to indulge in his interest, or rather obsession, with videos, both watching and recording them.
The film's message is a relevant one, it suggests that the media has a detrimental, and in this case fatal, desensitising effect. However, it suggests this in a rather hyperbolic fashion. The film loses its credibility through how explicitly and rather insularly it conveys its message. In my opinion, it's clear that Benny is a warped individual with an innate lack of remorse, no film or news report can rid someone of their senses to the point of sociopathy. Benny is a contemptible person, and he's purposely constructed that way, but he isn't someone who's the product of desensitisation, his cold, empathy devoid persona is that of genealogically tarnished mind.
Narratively speaking, the film's first hour or so engrosses you with its unpleasantness and realism. The film places the viewer in a 'What If?' situation that's somewhat reminiscent of films such as 'Deliverance', however it isn't even half as resonant owing to the abhorrence of the film's events, the callousness of Benny and the steely reserve of his parents. During the last 40 minutes of the film, there is something of a pacing problem, I felt the film lost the edge and tension it had created; this isn't a particularly pressing issue, but the film certainly felt longer than 105 minutes.
I found 'Benny's Video' to be a fundamentally flawed film; it would've worked if it had a more balanced, rational message at its core. Many lobbyists, in the haze of their ignorance and typically political agendas, would vehemently agree with this film. I am of the opinion that there is a substantial difference between watching something and doing something. Violent media can, at the very, very most, be a mere substitutional factor amongst many factors that could somewhat exacerbate the pace of an unhinged, unwell mind.
This movie is as slow as slow can be but the handfull of times that it is interesting are...well...very, very interesting. I had almost turned it off at 23 min into it, then at 28 min into it I was absolutely stunned and frozen in my seat! This movie is disturbing, but I also will never forget it. Ever. It definitely is worth sticking it out till the end.
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