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Critics Consensus: Everybody Knows is somewhat less than the sum of its parts despite the efforts of an outstanding cast - and a disappointing step back for writer-director Asghar Farhadi.
Critic Consensus: Everybody Knows is somewhat less than the sum of its parts despite the efforts of an outstanding cast - and a disappointing step back for writer-director Asghar Farhadi.
The movie doesn't seem to be playing near you.
All Critics (92) | Top Critics (23) | Fresh (65) | Rotten (27)
Farhadi ameliorates the sense of familiarity by bringing in more surprises.
"Everybody Knows" is a reminder that sometimes we just want to go to movies to watch pretty people screw up their lives.
If this is a "B" Asghar Farhadi film, it's still better than the "A" efforts of many other filmmakers.
It's a look in philosophical harmony with Farhadi's intense but humane gaze. And the actors are superb...
Think of it this way: If this were a book, it would be described as a page-turner.
Is "Everybody Knows" as searing and devastating a film as Farhadi's best work? Probably not, but it is surely one of his most relatable.
...doesn't let us make easy judgements even when we think some of the behaviour is tragic and terrible. The film is both hopeful and dark, which is just like human nature - inherently contradictory.
The pieces don't all come together as they should, despite a game cast led by husband and wife duo of Javier Bardem and Penelope Cruz.
In true Hitchcockian fashion, Everybody Knows is an absorbing film filled with twists and turns and the mesmerizing ambiguity of "who dunnit".
Everybody Knows stands out as Farhadi's most interesting film to date.
After a muddled beginning, the deliberately paced film ties together its characters and disparate genre elements in mostly unexpected ways.
Farhadi explores the problems of privilege and need, the realities of resentment and tribalism and how they poison what appears to be a happy family.
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