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Critics Consensus: In Between Days is a moving, artistic slice-of-life indie film.
Critic Consensus: In Between Days is a moving, artistic slice-of-life indie film.
All Critics (29) | Top Critics (14) | Fresh (25) | Rotten (4) | DVD (1)
This superb debut feature by Korean-American director So Yong Kim seems to be constructed entirely of the ineffable and intangible, those fleeting moments that most movies treat as throwaways.
This artfully muted film pays off with a desperate act of eloquence.
Kim keeps dialogue to a minimum and provides the barest of story arcs, using a handheld camera to probe subtle shifts of emotion in her nonprofessional actors.
A quiet specimen of personal storytelling at its most exciting.
In Between Days plays like a teen movie with all the narration removed.
While Kim is unable to keep us riveted on her near-silent performance, the script and direction have a gentle sensitivity, subtly addressing cultural divisions while reminding us that angst, at least, is universal.
Centering on a young immigrant Korean girl in Toronto, this Sundance indie marks the feature debut of a gifted female director.
There's an authenticity about this work that gives it a chilling flavor.
In Between Days is a wise and beautiful study of yearning and repression.
The film has an admirable humanist agenda, but good intentions don't matter much when you can't care for the humans on the screen.
A touching and personal story that captures the swirling emotions of adolescence and the immigrant experience - and the heartbreak of being in the middle of both.
[It] feels honest and direct, which is more than you can say about a lot of movies these days.
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