Mary Poppins Returns
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All Critics (60)
| Top Critics (13)
| Fresh (44)
| Rotten (16)
| DVD (5)
Stillman unfolds disco's vectors of power with a historian's insight and a novelist's eye for satirical nuance.
Sharp-eyed and charming.
In its last hour, the picture becomes more clumsy and tiresome, but the stray laugh and the disco sound keep it pulsing.
The combination of sharply-realized dialogue and infectiously energetic dance sequences keeps The Last Days of Disco from losing steam.
The pleasures in The Last Days of Disco come when the friends rant and quarrel and sulk and circle each other with an unstable mixture of need and resentment.
[Stillman] nails his characters with perfectly heard dialogue and laconic satire.
Bittersweet, slow-moving period piece has sex, drugs.
The Last Days of Disco is a feast for clever, loaded dialogue, delivered with zip by its fantastic cast, chief among them Chloe Sevigny and the divine Kate Beckinsale.
Quirky, acerbic, romantic comedy set in Manhattan during the early 1980s.
Not only are the characters in The Last Days of Disco embarrassingly earnest about their love for spectacular nightclubs and thumping dance music, but they're also completely transparent about their desires, even when they think they're being clever.
If it had been Stillman's swan song, a director could hardly hope to be prouder of such a strong exit.
Stillman skips the snark in favor of a sincere appreciation of his slightly lost characters.
Both Whit Stillman movies I've now seen (the other being Damsels in Distress) have produced a similar reaction in me: within the first moments, I find the dialogue completely jarring and think "No one talks like that." Before long, though, I find myself completely wrapped up in it. I preferred this film to Damsels because of its aesthetic and soundtrack--and no, I wouldn't call myself a disco fan--and also because it doesn't end with a meaningless dance scene like Damsels did. Last Days of Disco turns on human relationships that encounter almost insurmountable challenges and that happen to coincide with the doom of the titular musical genre. It aggrandizes a little story, but not in a bad way. Quite worth the watch.
Whit Stillman's subtle but profound take on the fallacy of indulgent self importance. Don't let the title put you off, The Last Days of Disco is an underrated gem!
In "The Last Days of Disco," Alice(Chloe Sevigny) and Charlotte(Kate Beckinsale) are two comely editorial assistants who are admitted into a trendy club every night on looks alone. Des(Chris Eigeman), a manager at the club, is under pressure not to admit Jimmy(Mackenzie Astin) because he is in advertising and therefore scum. Des also thinks he is gay after watching an episode of Wild Kingdom.(Not "Animal Kingdom" which I'll be reviewing next.) Regardless, Josh(Matt Keeslar, of "The Middleman"), an ADA, thinks the whole scene is cool. At the end of the night, Alice goes home with Tom(Robert Sean Leonard).
Writer-director-producer Whit Stillman tries in vain with "The Last Days of Disco" to have something intelligent to say about the transition stage from college to first job, as these characters are in the process of moving on from friends they barely like to spouses they tolerate just enough to not kill them in their sleep. The movie is set in the waning days of disco, a party that was about to end for all.(By the way, we make fun of John Travolta for all the bad movies he has made while Olivia Newton-John is still cool because she has been on "Glee" twice.) I could have tolerated the movie's sour tone if it had not been so excessively talky on every single subject under the sun and there had been more of a plot which sneaks in just under the wire.
This Movie is from Criterion Collection, most movies from this collection are pretty good, but this one is not. It Sucks. Its about the Eighties Time Frame, and shows the lives of a number of people throughout the Movie. To me the movie made little sense, and had about every disco song in it. 1 1/2 stars for effort.
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