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Da 5 Bloods
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I May Destroy You
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Release date: Nov 6, 2020
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All Critics (29) | Top Critics (5) | Fresh (16) | Rotten (13)
Yet another dreary entry in the overly serious superhero genre, where brooding and brown cinematography add a false veneer of importance to the proceedings. November 6, 2020 | Rating: 1/4 | Full Review…
Yet another dreary entry in the overly serious superhero genre, where brooding and brown cinematography add a false veneer of importance to the proceedings.
Odie Henderson
Øvredal's lopsided sense of humor has deserted him entirely: The sillier the story gets, the more glumly and earnestly the film trudges through it. November 6, 2020 | Full Review…
Øvredal's lopsided sense of humor has deserted him entirely: The sillier the story gets, the more glumly and earnestly the film trudges through it.
Guy Lodge
The title "Mortal" wouldn't seem to require much explanation, but this Norway-set fantasy film leads with a handy definition ("mortal [mawr-tl] n. A human being"). Its estimation of viewers' intelligence doesn't improve from there. November 5, 2020 | Full Review…
The title "Mortal" wouldn't seem to require much explanation, but this Norway-set fantasy film leads with a handy definition ("mortal [mawr-tl] n. A human being"). Its estimation of viewers' intelligence doesn't improve from there.
Ben Kenigsberg
Wolff, given virtually nothing to work with, never figures out what to do with Eric, resorting to an all-purpose glower that makes him look like a very constipated Shia LaBoeuf. November 4, 2020 | Rating: D+ | Full Review…
Wolff, given virtually nothing to work with, never figures out what to do with Eric, resorting to an all-purpose glower that makes him look like a very constipated Shia LaBoeuf.
Mike D'Angelo
The modest visual effects, which mostly consist of distant lighting bolts and gathering storm clouds, can do little to elevate this potty-training-for-the-patriarchy narrative. August 5, 2020 | Rating: 2/5 | Full Review…
The modest visual effects, which mostly consist of distant lighting bolts and gathering storm clouds, can do little to elevate this potty-training-for-the-patriarchy narrative.
Ellen E Jones
It's damn solid filmmaking and an unfamiliar spin on a familiar subject matter. November 17, 2020 | Rating: 3/4 | Full Review…
It's damn solid filmmaking and an unfamiliar spin on a familiar subject matter.
Steven Prokopy
We get the beginnings of an adventure grounded in our reality convincing enough to pull us into the incredible. November 13, 2020 | Rating: 8 | Full Review…
We get the beginnings of an adventure grounded in our reality convincing enough to pull us into the incredible.
Norman Gidney
Mortal plods along for most of its running time with the occasional helicopter chase scene and plenty of CGI fulminology: But ultimately Ovredal's not-so-deep-dive into Norwegian mythos is a too-obvious let down. November 12, 2020 | Rating: 1.5/5 | Full Review…
Mortal plods along for most of its running time with the occasional helicopter chase scene and plenty of CGI fulminology: But ultimately Ovredal's not-so-deep-dive into Norwegian mythos is a too-obvious let down.
Marc Savlov
Never really pays off, and it's such a slog to get to that ending that people might feel slightly underwhelmed. November 12, 2020 | Full Review…
Never really pays off, and it's such a slog to get to that ending that people might feel slightly underwhelmed.
Edward Douglas
Mortal is an ambitious film that tells of a descendant story in a grounded but visually stimulating way. November 10, 2020 | Rating: 3.5/5 | Full Review…
Mortal is an ambitious film that tells of a descendant story in a grounded but visually stimulating way.
Shannon McGrew
...the film fails to deliver anything compelling or satisfying. November 9, 2020 | Rating: 5/10 | Full Review…
...the film fails to deliver anything compelling or satisfying.
Natasha Alvar
André Øvredal's deliberately measured, equivocal approach to heroism and villainy is a refreshing departure from the superhero film we've come to expect in this day and age. November 9, 2020 | Full Review…
André Øvredal's deliberately measured, equivocal approach to heroism and villainy is a refreshing departure from the superhero film we've come to expect in this day and age.
Andrew Stover
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