Raavanan (Villain) (2010)



Critic Consensus: No consensus yet.

Movie Info

A bandit who lives in the forest kidnaps the wife of a local police officer.
Action & Adventure , Art House & International , Drama , Mystery & Suspense
Directed By:
Written By:


'Chiyaan' Vikram
as Veeraiya
Prithviraj Sukumaran
as Dev Prakash Subramaniam
as Vennila
as Singarasan

Critic Reviews for Raavanan (Villain)

All Critics (16) | Top Critics (6)

A cop and self-styled Robin Hood face off in a wild and brawny contest in Mani Ratnam's bullets-and-dance spectacle Raavan.

Full Review… | July 6, 2010
Top Critic

The love triangle is as tediously underwhelming as the slo-mo action, but the actors, costumes and lush mountainsides are easy on the eye.

Full Review… | June 24, 2010
L.A. Weekly
Top Critic

Pan-Indian saga with epic sweep, intense emotion and gorgeous images.

June 21, 2010
Hollywood Reporter
Top Critic

Artful but not arty, Mr. Ratnam, whose films include Dil Se and Guru, delivers the goods.

Full Review… | June 18, 2010
New York Times
Top Critic

Not unusually for a Bollywood movie, Raavan combines beautiful photography, over-the-top acting, cheesy special effects and musical numbers that stretch things out well beyond the two-hour mark.

Full Review… | June 17, 2010
New York Post
Top Critic

Ratnam's pace is steadfastly brisk, and his film is replete with dizzying camerawork, myriad complications, violent mayhem, broad humor, usual musical interludes, a cliffhanging climactic confrontation and a finish that strikes a note of poignancy.

Full Review… | June 17, 2010
Los Angeles Times
Top Critic

Audience Reviews for Raavanan (Villain)

I gave it an eighty percent only for Santosh Sivan's stunning cinematography and A.R. Rahman's wonderful background score and songs.

Adithya Siva
Adithya Siva

If it wasn't for the overall average camerawork, direction and editing, Raavan is a visual stunner whose adapted story employs a noteworthy thought-provoking concept. After Ragini re-locates to a distant settlement called Lal Matti with her husband Dev, the head of the police, she becomes entangled in her husband's case to apprehend a bandit named Beera. In an attempt to seek revenge against the police, Beera kidnaps Ragini and intends to kill her. After seeing that Ragini is as fearless as he is, he keeps her in captivity, but releases any intention to kill her. Throughout the fourteen days that they are together the chemistry between the two characters boil just enough for the audience to understand and enjoy the presence of an underlying love between Beera and Ragini. As the passion subtly but powerfully buds, the plot becomes atypical to the original story when Ragini is finally simultaneously released by Beera and rescued by Dev. It is during these moments that the portrayal of Ravana (demon) and Ram (God) flip back and forth between Beera and Dev. The climax hits these points brilliantly. Though the first half of the film was a bit slow, it establishes a strong foundation for the audience to better understand the chemistry of the ending. The beginning helped me define the characters in terms of good and evil, but as the story progressed, we felt Ragini's experience as the lines between Ram and Raavana blurred in and out between Beera and Dev. Visuals: 10/10 (If this film would be recognized for anything, it would be for it's stunning sets, backgrounds, and overall visuals. Besides the setting, the camera work often caught the essence of the character. Examples at the top of my head: Provided she didn't have the longest dialogue, Aishwariya's eyes often expressed her character the most. Beera's reflection in the broken mirror in the camp was also a good visual.) Sound/Music: 7/10 (Few songs were worth listening to, the others were useless and forced into the movie, often wasting time. Also, Mani Ratnam's attempt to dramatize Beera's evil presence by adding melodramatic clips of music was unnecessary; subtle, mild low undertones would have done better). Camerawork: 4/10 Honestly, I was disappointed by the camerawork of the movie. I was expecting to be blown away, but there were only some moments in scenes that were noteworthy. Otherwise the direction was average; I expected more precise angles that better captured a moment/symbolism better. (Example: when Ragini was injured on the tree branch looking at her reflection in the water we couldn't see Beera's reflection and his expression clearly. Obviously Rutnam intended for the scene to capture the two reflections in the water, but it didn't pull through). Overall: 6/10 Though the film had disappointing camerawork, editing and direction, its strong core of an adapted-original story and concept along with excellent, original visuals (in all aspects) makes it a movie worth watching at home and you are in a philosophical mood.

Komal Saini
Komal Saini

honestly... felt like i was watching a good movie after such a long time. if youre expecting anything less than intelligent cinema... please stop trashing the movie. i went in with extremely high expectations and had them very thoroughly met even as the credits were rolling. MR thoroughly fashioned the depth of the characters, music, screenplay.. to its utmost. saw the tamil too. amazing performance by vikram. great movie. def a must watch.

Madhu Krishnan
Madhu Krishnan

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