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All Critics (5) | Fresh (5)
A thrilling and also valuable film. The audience must take the imaginative leap and accept the contradicting identities that Weinraub presents, without insisting that they must cancel out. February 18, 2020 | Full Review…
A thrilling and also valuable film. The audience must take the imaginative leap and accept the contradicting identities that Weinraub presents, without insisting that they must cancel out.
Ela Bittencourt
An artifact of a bygone time and place than anything. Weinraub captures everything, from interviews to in your face/fly on the wall conversations, with attentiveness and courage, spending the kind of effort only someone who truly cares would give. December 1, 2018 | Rating: 3.5/5 | Full Review…
An artifact of a bygone time and place than anything. Weinraub captures everything, from interviews to in your face/fly on the wall conversations, with attentiveness and courage, spending the kind of effort only someone who truly cares would give.
Bill Arceneaux
It's a nuanced, moving look at a haven of sexual freedom and expression, and raucous fun at the same time. August 25, 2018 | Rating: 4/5 | Full Review…
It's a nuanced, moving look at a haven of sexual freedom and expression, and raucous fun at the same time.
Kambole Campbell
Rich with personalities, politically astute, and as nasty as it wants to be, Shakedown is a queer cultural intervention on par with Paris is Burning, without the touristic undertones. July 10, 2018 | Full Review…
Rich with personalities, politically astute, and as nasty as it wants to be, Shakedown is a queer cultural intervention on par with Paris is Burning, without the touristic undertones.
Michael Sicinski
Suffice to say, this is not your average documentary. We should be happy indeed for such a welcome revelation of a vivacious sexualized and racialized side of work and play that is too often, even now, relegated to a social underground. March 20, 2018 | Full Review…
Suffice to say, this is not your average documentary. We should be happy indeed for such a welcome revelation of a vivacious sexualized and racialized side of work and play that is too often, even now, relegated to a social underground.
Daniel Kasman
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