Mary Poppins Returns
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All Critics (19)
| Top Critics (4)
| Fresh (13)
| Rotten (6)
| DVD (2)
A long, chemistry-free slog through the zombified countryside.
The Dead, with its vast, pitiless landscapes and moral seriousness, is Night of the Living Dead reimagined as a Sergio Leone western. It's a knockout.
"The Dead," evocatively filmed in grainy 35mm, might carry the cinematic vibe of an old-school, flesh-eating adventure, but as it should be with stories like this, it's not a pretty picture.
Beyond its auspicious premise -- survivors fighting a zombie outbreak against the continent's scorching vistas -- there's little else to chew on here.
The lack of a single decent central performance does detract from its unique ideas and its social awareness that gave it the potential to do something really different with a tired out genre.
A dread filled homage to the classic zombie pictures of the seventies and eighties...
The Dead reveres the films that came before it and wears its love for them on its sleeve.
The Dead is not the great zombie film I was hoping for but it does deliver a more grown-up horror film that eschews gimmicky shakycam and CGI to try and tell a real story, and for that I am appreciative.
The Ford brothers' take on this tradition offers a fair number of shocks and the arm-chomping that is de rigueur mortis for this genre. Yet it has things to say, mostly by implication, before a finish that took me by surprise.
The ironies of the white man having to face potential extinction in a country infamous for racially tinged violence is too neat.
You get used to the sight of the slow-moving undead swaying against the film's natural landscapes like half-imagined phantoms, and somehow that makes them more unnerving.
The film provides a whole new way of looking at the same old dead things. Eat up.
*** out of ****
"The Dead" possesses all the bare essentials of a zombie movie. That shouldn't be enough for it to succeed, yet here we are; with a respectable and well-made horror film with part-time elements of a road movie. Howard and Jonathan Ford (credited as The Ford Brothers) direct this familiar and not-so-original but nevertheless exciting take on the genre of the undead, demonstrating that they can uphold the task of making a few movies in one. Their film would not have been as good as it is without the desire to dabble in all sorts of different things. When it comes to succeeding in those things, it does not always work; but the fact that it tried and failed to truly embarrass itself proves that it's a worthy edition to the genre, which has grown so tired over the years that even George Romero - the man who re-invented it some time ago - has been shelling out disappointment after disappointment. The Ford Brothers take his signature slow zombies and do something interesting - although not necessarily new - with them.
A military plane crashes somewhere in the oceans of Africa. Lt. Brian Murphy (Rob Freeman) is able to make it to the nearest beach by morning, already aware of what will be waiting for him upon arrival. While in the plane, we saw another human who was severely wounded come back to life and bite another man on the hand, ripping his very flesh from the bone. It would appear that the dead are returning to life, hungry for human flesh, just as they have in some other 1000+ films. The lieutenant held on to a crate that contained guns and ammunition throughout his trip from the water to the shore, and he uses these tools to defend himself until he can find other forms of civilization. He comes across a village, where one of the other establishing scenes takes place. The zombies, as slow as they are, can still cause a lot of havoc; we see fires, dead bodies everywhere, and people getting bitten in spite of their ability to run faster than these...things.
While exploring the abandoned village, the Lieutenant finds another survivor; an African soldier named Daniel (Prince David Osei), who is searching for his son (who could have either died or escaped at this point). They team up so that they may survive using their collective weapons and ammunition, although the places they go are always swarming with the undead, and those who are alive are nowhere to be found. But, as can be expected, the more they search, the more they find. Eventually they'll have to run into others who have been just as fortunate - if not more, or less - as they are. You can see where the plot is going from a mile away. But what wasn't ingeniously designed plot-wise was translated to mood and a spectacularly high body count of zombies. And that's exactly what horror fans want.
A lot of the film was shot in Burkina Faso, and already we come to what is perhaps the film's one truly unique and distinctive feature. One of the brothers - Jon - was the cinematographer and did an excellent job filling in that role. "The Dead" was shot, to my knowledge, on 35mm film and mostly on-location; so the sense of realism is 100% there. The scenery is beautiful even though horrible, violent things happen in the wilderness surrounding the worthwhile sights, and the film pays a lot of attention to the heat and the sand, perhaps hoping to establish a sort of post-apocalyptic aesthetic. The Brothers could have made an attempt to render their film a zombie part-time Western flick, although they don't seem to have big ideas or intentions. They are building upon things that have already been laid out and set in stone, but what they do with these things is what counts. You've got a movie that essentials looks and feels really good, with two solid central performances and an abundance of gore to please the blood-hounds in the audience. Maybe it's just me, but I found it all to be kind of badass.
The Ford Brothers never lose sight of the human story that is at the center of their film, even if it could have used a little more seasoning and development. The two main characters roam around on their own for a little bit before meeting up, but once they do, there's some real chemistry; even if it's mostly discreet. Don't expect many humorous scenes between the two, as this is one of those dead serious zombie flicks, but what you should expect is that they will make a good team; which they kind of do. If they are to part ways, they do not hope to know one another ever again. They treat kicking zombie ass like a business; not a partnership. They are not friends, nor really acquaintances; just people in a wasteland full of the mentally inhuman. This may not be enough "depth" to satisfy those viewers in search of deeper meaning and philosophy, and the film might work best with the hardcore zombie fanatics exclusively; but "The Dead" will someday find an audience that respects and enjoys it as much as I did, and it will deserve those people about as much as they deserve it.
This zombie road movie was a pleasant surprise on the genre.
Though it doesn't offer anything new or fresh, everything it does is confindent and very well executed (overall).
Shot on some impressive settings, it's refreshing to see a very delicate subject shot like this. Africa, the cradle of mankind is what makes this movie singular. There's a lot of irony on the hunger themes approached here and on little conflicts and situations that occur.
It's overall, a very competently made movie with something to say, which unfortunently has some stylistic choices that are a bit bland and cheesy. The acting is also pretty mediocre, but for a narrative told mostly throught situations and images, you could do worse than this. And for gore hounds, this one delivers some really great stuff that got my head thinking more than once"how the hell have they made this?".
"The Dead" is one of the best zombie movies I have ever seen. It begins good, and is solid throughout. It is not overly gory but the effects are very good. There are some good jumps and tense moments and the zombies are authentic, scary, and ever present.
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