The Inbetweeners (2012)
Critic Consensus: It arguably plays most strongly to fans of the British series, but even viewers who have never seen The Inbetweeners on TV may find themselves won over by the film's surprisingly tender ribaldry.
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as Neil Sutherland
as Simon Cooper
as Jay Cartwright
as Will McKenzie
as Mr. Gilbert
as Will's Dad
as Jay Cartwright
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Critic Reviews for The Inbetweeners
Plenty of funny bits, and apart from some fairly appalling underlying sexism -- guys, screw up all you like, the movie says, because the nice, pretty girls will forgive any transgression -- it actually attempts to have heart as well.
You may not be proud of it, but you'll probably find something to laugh at in "The Inbetweeners Movie."
I'm disappointed that they turned my horny-teen comedy into a gross-out comedy.
The movie is apparently the most popular British comedy in history. I guarantee that its success has nothing to do with the quality of the actual movie ...
Audience Reviews for The Inbetweeners
I'm unfamiliar with the TV series this film springs from but after watching this unlikable foursome's transition to the big screen I can only count myself as lucky. If suicide's something you're offhandedly considering screening this will surely close the negotiations.
Whenever a beloved TV series makes it to the big screen, it's a reasonable assumption that the plot will involve the characters going on holiday. This has become the default model for British comedy adaptations, whose characters have outgrown the environments which originally made them famous. The results are almost universally dire, with tired fish-out-of-water gags, rehashing of old routines and much-loved character traits being altered to appease an international audience. After three successful series on Channel 4 and a smattering of awards, The Inbetweeners now takes its place in the British-comedy-goes-on-holiday pantheon. But while it retreads many of the done-to-death beats of this tired little sub-genre, The Inbetweeners Movie comes off a lot better than most. It's not an unmitigated success by anyone's standards, but it will raise quite a few laughs. To pass muster, a film adaptation of a TV series must pull off two different tricks. Firstly, it must transition from televisual storytelling to something more cinematic, giving us a storyline and situations which aren't bound by the episodic rubric of the small screen. And secondly, it must provide a smooth transition from the ending of the TV series to this new scenario. This applies regardless of whether the film is intended as a direct sequel to a given series, or as a retelling of the same material in a different way, as David Lynch attempted with Twin Peaks: Fire Walk With Me. In the first instance, The Inbetweeners Movie achieves a partial pass. The plot is structured very much like the trip-themed episodes, having a very similar opening act to 'Thorpe Park' or 'Caravan Club' from the first series. It's not hard to imagine that the party montages are what would have resulted had the series enjoyed a slightly bigger budget. Director Ben Palmer also helmed the second and third series, so a certain amount of visual continuity is no surprise. While the film is structured like an episode, however, there is enough material in there to see us through the running time. The film doesn't fall into the trap of many adaptations from TV or the stage, namely needlessly increasing the number of locations to give the feeling of a bigger world for the characters. While there are more locations, they are used sparingly and the jokes that take place in them more often than not hit their mark. As a transition from the TV series (the second trick I mentioned), The Inbetweeners again partially succeeds. Many of the characteristics of the TV series are retained: school scenes are kept to a minimum, much of the plot revolves around alcohol and women, and a lot of it is in pretty bad taste. But Palmer and the writers do make enough accomodations to make the characters feel like film characters. Simon's relationship with Carly is given the space it needs to play out, while in the series it was often relegated to a sub-plot. Despite the series being very much a 21st-century product, The Inbetweeners Movie has a curiously 1990s vibe to it. Some of the clubbing scenes are shot and structured like several similar scenes from Kevin and Perry Go Large, the spin-off from Harry Enfield & Chums featuring Enfield and Kathy Burke. Both films share a welcome sense of irony, never falling into the trap of celebrating the more troubling, chauvinistic aspects of lad culture. When I reviewed National Lampoon's Animal House, I said that it was very difficult to review any kind of gross-out comedy without simply listing all its jokes and telling people that it was funny. The Inbetweeners Movie has no shame in playing to the American Pie crowd, with jokes about vomit, faeces and genitals a-plenty. Sometimes the jokes are so telegraphed that they're simply too obvious to be funny - the nasty item in the bidet being the best example. But these are the exception rather than the rule, and Palmer edits the film to leave many of the best jokes to our imagination. Unlike Animal House, however, there is no real subtext to The Inbetweeners Movie which you could draw out to justify it to those who find its humour puerile and adolescent. While John Landis' film could be viewed as some kind of counter-cultural statement, with one foot in the Kennedy era and the other in the late-1970s, Palmer's is content to be about four boys getting into scrapes. But not every good comedy needs subtext, and Animal House's political points do not excuse some of its more misjudged moments. Part of the reason that The Inbetweeners Movie works as well as it does is that it is always making the effort to distance itself from the tone or tropes that its surroundings would naturally afford. The show has always gone the extra mile to use its characters' capacity to offend in order to send up people who are like that in real life. There is no scene in the film which glamourises Jay's atrocious attitude to women, and for all the heavy drinking the boys' world is hardly an unmitigated paradise. This realisation allows the humour of the film to raise above most of its overly conventional features. We still get the stereotypical scenes of young men getting drunk and failing miserably with the ladies, but Neil's dancing puts a nice little twist on things. The nudity is predictable but tasteful towards both the male and female characters; while the women don't have much to do plot-wise, they are not as purely objectified as they would be in a Michael Bay film. A good chunk of the humour is character-driven, with Will's awkwardness about the girl the fancies producing a lot of well-handled confusion. That being said, there are aspects of the film which fall short, and as with Animal House these can be divided into structural issues and taste issues. Structually, the film begins to run out of steam as soon as the boat party happens. While a lot of the character dynamics are resolved, it all feels a little too neat, and then the film fails to provide a satisfying ending - even with the post-credit sequence involving Mr. Gilbert. The taste issues arise when the film risks tipping over from its relatively intelligent vantage point into something more seedy. There's no point being a prude about a film like this, and purely from a gross-out standpoint it does what it says on the tin. But the alpha male character James is over-egged to the point where he becomes creepy, and the scenes with the child at the pool are rather uncomfortable. The Inbetweeners Movie partially succeeds where many British comedy adaptations fail, making it to the big screen reasonably intact and passing the crucial test of making us laugh. Structurally it's still very much an extended TV episode, and there are moments which are either uncomfortable or just unfunny. But the film gives room for the characters to grow enough to retain our interest for an hour-and-a-half. The TV series remains superior, but this is funny enough to justify at least one viewing.
So back in 2008 the UK was introduced to yet another foul-mouthed rude and disgusting comedy show...and it was more British brilliance. Easily the most semi offensive, filthy and sexually profanity ridden show to hit our screens since Bottom, and that was tame in comparison. The whole premise is basically centred around childish immature toilet humour, typical boyish low brow school smut that most every British male can relate to because they probably grew up doing and saying the same things. The TV show revolved around four young boys struggling through their school years which included various stereotypical themes which, again, many will relate too. The most common of these was the attempt and failure of many many sexual encounters with girls from their school or where ever, these sexual escapades made up the bulk of the shows plots. Yes it sounds like a wholly cliched and unoriginal but that doesn't deter us Brits when it comes to embarrassing sexual innuendos and smut. This movie carries on from where the TV show left off after the final third series which we all thought had finished for good. The lads are still mates and they're off on their holidays to sunny Malia, Crete, Greece. That is basically the plot right there, you don't really need to know anything about the TV show or what happened, you can quite easily watch this on its own and get the drift perfectly. There might be the odd moment which you might not get if you haven't watched the TV show but generally you should be fine. If ever there was a bad advert on a mass scale for Brits abroad then this has gotta be high on the list. I'm not referring to all Brits of course but mainly the younger binge drinking generation that we all know and loathe these days. Yep its the stereotypical vision of modern day British youths abroad getting blind drunk, having or hunting for guilt free animalistic sex, drugs, vomit, feces and lots of football shirts. Its exactly what you'd expect as a British viewer which is both hilarious at times and utterly shameful at others, we all know what goes down in these types of places, amazed it wasn't filmed in Magaluf (probably too extreme). Whilst the TV show seems anarchic and unpredictable this film really feels like a let down in my eyes. Gone are the fresh wild obnoxious antics...instead replaced with every known cliche from the book of cliches, besides that we saw all this before with 'Kevin and Perry Go Large'. The one that has been implanted into this story is emotion and some solid character development. The guys do seems to grow as we see them fall out, make up and meet the girls of their dreams...naturally not being the type of girls they expected. Although again its kinda obvious, 'Jay' gets a tubby bird and starts to show signs of maturing, 'Will' get a hot blonde, 'Simon' finally moves on from 'Carly' with a brunette and 'Neil' finds a slightly ditzy girl the same height as himself. Generally I found this movie kinda depressing actually, there is tonnes of negativity with the guys trying to find girls, trying to be popular and trying to fit in. There are of course the highs but I found there to be more lows really, lows and lots of cringeworthy behaviour which somehow didn't seem as funny as the TV show. Most of the laughs tend to be the most obvious and over used cliches such as the shitty hotel, aging desperate women dressed in unflattering attire, too much booze with obligatory vomiting, hot babes, buff jocks and the old gag of the rude doodle burnt into burnt into your back. I guess the old school location of...errr their school works the best, prime example being the fantastic small sequence with Greg Davies as 'Mr Gilbert' the Headmaster giving a rousing speech at the start. Its reasonable fun in places but on the whole it can't live up to the original show despite the usual good performances from the main cast.
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