Mary Poppins Returns
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All Critics (18)
| Top Critics (1)
| Fresh (17)
| Rotten (1)
Great fun will be had by audiences, past and future.
A good example of how to make a high-concept film on a dirt-cheap budget.
One of the best time travel films I have ever seen.
Rather than sci-fi head trips, the movie is about the self-defeating nature of jealousy in relationships, with Sullivan's facility for deadpan, screwball dialogue making it an unexpected delight.
I can't wait to revisit the sci-fi and work my way through what at first blush appears foolproof.
This is nothing less than one of my favourite Australian pictures in quite some time
Given how hideously over-used time travel has been of late in movies, Aussie writer/director Hugh Sullivan deserves considerable back-slapping for at least spinning something fresh out of the concept.
Hugh Sullivan's terrific Australian time-travel comedy is an inventive and dryly hilarious depiction of how the obsession with perfection can only lead to defeat.
Sullivan urgently needs to find a co-writer: while visually he's more talented than the majority of Australian directors, his would-be witty dialogue is atrocious, and his characters are no more than sketches.
Full marks to Sullivan and his team for creating this bizarre puzzle of a movie, even though the use of the single location and the endlessly repetitive (with variations) plot inevitably becomes over-familiar as it proceeds.
Few films are as fun, funny, insightful, or astute with a familiar concept, as The Infinite Man pleasingly creates a new future for time travel flicks.
A delightfully intellectual exercise in escapism.
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