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Critics Consensus: Unlike more traditional spy films, The Lives of Others doesn't sacrifice character for cloak and dagger chases, and the performances (notably that by the late Ulrich Muhe) stay with you.
Critic Consensus: Unlike more traditional spy films, The Lives of Others doesn't sacrifice character for cloak and dagger chases, and the performances (notably that by the late Ulrich Muhe) stay with you.
All Critics (158) | Top Critics (52) | Fresh (146) | Rotten (12) | DVD (9)
The Lives of Others is exquisitely tense, with massive stakes and a pervasive sense of danger.
The Lives of Others is a powerful but quiet film, constructed of hidden thoughts and secret desires.
Florian Henckel von Donnersmarck's film is a melodrama in a minor key, quietly affecting, quietly chilling, quietly quiet. It captures the drab architecture of totalitarianism, the soul-dead buildings of a soul-dead state.
Its suspense builds on the fragile and nuanced business of emotional rebirth.
A political thriller that's consistently as inventive as it is creepy.
Few would deny that The Lives of Others is true to its self, and in its depiction of human nature -- and human spirit.
It uses the syntax and conventions of Hollywood to convey to the widest possible audience some part of the truth about life under the Stasi, and the larger truths that experience revealed about human nature.
Cinematic smugness has a fatal impact on the delineation of Wiesler's quietly heroic political calisthenics and The Lives of Others' supposedly uplifting denouement.
The worst crime that this film has to offer is pure old simple dumbness, paper-thin characters, and a plot that leans heavily on artiness to give it the look of a more serious thinking story.
Reopens our eyes to the cruelties and soul assassinations that were carried out daily in the name of state socialism.
The scope is especially impressive given that the movie is about a society obsessively focused on the tiniest of details.
Activism proves tough on people who've thrived at their political patrons' blessings, and one character cruelly chooses a path of least resistance when the chips are down. A cataclysmic conclusion depicts political clamps on expression and emotion.
Detailing the lives of those in the Communist controlled GDR, "The Lives of Others" succinctly shows the humanism of those in the Stasi (secret German police). While most dystopian texts and films deal with the fight between the enemy (government) and the hunted (citizens) this film deals more in showing how all people were oppressed by this form of Communism, and the lengths this government took in silencing dissenters. It created a blatant, all-encompassing fear among its people as well. The characters have complex motivations for their actions: the playwright loves his country but is touched by its darkness when his friend is blacklisted, his girlfriend has a drug addiction and needs the help of a high ranking official, and the culture minister uses government resources for personal reasons under a veil of socialist reform. The transformation of the main character from a detached and yet passionate government worker, into a fully realized dissenter, is shown throughout the course of the film. The irony of the events, and the interconnected evolution of each character's feelings towards their country, shape the film's narrative. Much of this film remains gripping if not subtle in its depictions. Not only will you learn quite a bit about the operational exploits of the Stasi, but the true feelings of oppression exhibited by the main characters.
Super Reviewer
Before going Hollywood with The Tourist, writer/director Florian Henckel von Donnersmarck delivered the goods with this stellar Cold War drama. The time is 1984. The place is East Germany. Our protagonist is a member of the Stasi, or State Secret Police. His job is to constantly monitor the activities of whoever he is told to. And he does, being the consummate professional that he is. Things start to get iffy though when he is assigned to monitor a playright who has a reputation for being a staunch pro-Communist...especially when the revelations he uncovers have major consequences for lots of people, including himself. I really loved this one. It's weird for me to say that too, because surveillance and bugging, and all of that creeps me out. The world of paranoia and secrecy is quite fascinating though, especially here since this is a period piece rooted in interesting history. The film is subtle, quiet, intelligent, and really rewarding for the patient. It's also gorgeous in its look, mood, tone, atmosphere, and art direction/set design. It is a thriller, bbut not the slam bang wall -to-wall action type, and that's what I liked about it. Yeah, there's some development lacking with some of the characters, but overall this is still a marvelous piece of work with some tremendous acting, good ideas, and great subject matter. Definitely give this one a look. It's not going to be for all tastes, but if you enjoyed something like Tinker Tailor Soldier Spy, then you'll probably enjoy this one as well.
A member of the East German secret police who is investigating a famous playwright and suspected subversive grows ever more sympathetic towards the people he is spying upon when faced with the everyday pressures of the oppressive regime he represents. Although touted as a "thriller", anyone expecting car chases and shoot-outs from The Lives Of Others will be gravely disappointed. It's a far more intellectual exercise that examines the meaning of freedom and its intimate link with personal privacy, something violated with impunity by The Stasi in the post war years of communist Germany. The story begins showing Ulrich Mühe's character as not an evil man, but a joyless, officious bureaucrat who truly believes in what he is doing. It is only when he is faced with the reality of the invasive system he is a part of that he begins to question the validity of his activities; especially when it becomes obvious that the accusations were made by a corrupt superior out of sexual jealousy and a colleague who sees the ruination of an obviously decent couple as a mere means to furthering his own career. Very nicely shot and performed, It's a thoughtful and beautifully crafted story that exercises the brain rather than the adrenaline gland and is all the more rewarding for it.
Reminded me of Terry Gilliams's Brazil but with none of the the fantasy elements. And a lot more somber. Somberer. (?) Any one else get that? Also, one of the best last lines ever.
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