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Critics Consensus: The Possession of Hannah Grace feints at real horror just often enough to offer hints of the movie it should have been -- and further frustrate viewers seeking a good scare.
Critic Consensus: The Possession of Hannah Grace feints at real horror just often enough to offer hints of the movie it should have been -- and further frustrate viewers seeking a good scare.
The movie doesn't seem to be playing near you.
All Critics (42) | Top Critics (7) | Fresh (5) | Rotten (37)
There are a few jumps and bumps, but there's no real sense of dread, unease or questioning. We simply watch the events unfold with a full understanding of what's going on.
Hannah Graceis barely 85 minutes, with an ending so abrupt that you'll wonder whether you've missed something. (Spoiler alert: you haven't.)
Most of the movie's creepy overtures are bluntly obvious-menacing thumps, rather than barely perceptible twitches.
A dreary horror thriller, without any of those pesky thrills.
Hannah Grace never overcomes the compendium of clichés in Brian Sieve's screenplay, which resembles a greatest hits of demonic possession films.
She's possessed, although she's lifeless. Sort of like the movie.
What sets this genre tale apart from its peers is a penchant for not going in obvious directions; even the ending hints more at possibility than simply giving away the farm.
[It's] just totally inept on a bare-bones cinematic level.
There isn't much more to say. They try early on, a little bit...then they just give up and make a movie where someone walks around in a hallway.
Instead of giving us a bloodbath, we are given an atmospheric piece and this toning down of horror doesn't work in the film's favour.
Conflicts are resolved with untidiness and without tension, insistently repeating visual motives and neglecting the use of space, which was what they had best used until then. [Full Review in Spanish]
The Possession of Hannah Grace isn't the kind of bad movie that warrants midnight screenings and rowdy crowds; it's the kind of bad movie that quietly fades from memory, leaving the world no better and no worse than if it had never existed to begin with.
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