The Wait (L'attesa) (2016)
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Piero Messina keeps his simple story, loosely based on two plays by Luigi Pirandello, muted and equivocal.
The story is minimal, but the imagery - and the hypnotic Binoche - are masterful.
The lead actresses, like the story, work in subtle ways. There's plenty of potency in small gestures, anecdotes and shared glances.
We watch Binoche's face, in eloquent, mesmerizing close-up; pain and grief engulf her expression like water flooding into a still pool. She has few words. She doesn't need them.
"L'Attesa" - also known as "The Wait" - is atmospheric and moody, serious and full of portent; and if it weren't so good, it would probably be unbearable.
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