Shirley
Da 5 Bloods
On the Record
I May Destroy You
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All Critics (6) | Top Critics (4) | Fresh (4) | Rotten (2)
Pic's portrait of a collaborative artist whose contributions are as pervasive as they are unsung swims valiantly against the name-recognition tide. December 5, 2007 | Full Review…
Pic's portrait of a collaborative artist whose contributions are as pervasive as they are unsung swims valiantly against the name-recognition tide.
Ronnie Scheib
I'm still not convinced that Norman Lloyd "should" be a household name. November 28, 2007 | Full Review…
I'm still not convinced that Norman Lloyd "should" be a household name.
Julia Wallace
Matthew Sussman's film doesn't quite do its fascinating subject matter justice. November 28, 2007 | Full Review…
Matthew Sussman's film doesn't quite do its fascinating subject matter justice.
Captures the joy of the man as he talks about working in the '30s with stage directors like Elia Kazan and Joseph Losey, or playing tennis with Chaplin under the bright L.A. sun. November 28, 2007 | Rating: 4/5
Captures the joy of the man as he talks about working in the '30s with stage directors like Elia Kazan and Joseph Losey, or playing tennis with Chaplin under the bright L.A. sun.
Stephen Whitty
Slickly illustrated with stills and archival footage. November 28, 2007 | Rating: 3/4 | Full Review…
Slickly illustrated with stills and archival footage.
Maitland McDonagh
There are names that fill in the cracks of Hollywood myth, and Norman Lloyd's story seals several gaps. November 28, 2007
There are names that fill in the cracks of Hollywood myth, and Norman Lloyd's story seals several gaps.
Eric Kohn
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