|
—
|
40%
|
Camilla (1994) |
—
San Francisco Examiner
Posted May 24, 2003
|
|
—
|
——
|
Traps (1995) |
—
San Francisco Examiner
Posted Oct 2, 2002
|
|
—
|
16%
|
Jade (1995) |
—
San Francisco Examiner
Posted Jun 18, 2002
|
|
—
|
67%
|
The Pillow Book (1997) |
—
San Francisco Examiner
Posted Jun 18, 2002
|
|
—
|
63%
|
Dream with the Fishes (1997) |
—
San Francisco Examiner
Posted Jun 18, 2002
|
|
3/4
|
100%
|
Orson Welles: The One-Man Band (The Lost Films of Orson Welles) (1995) |
"
What a sad, unfulfilled conclusion to Welles' promising life."
—
San Francisco Examiner
Posted Jan 22, 2002
|
|
—
|
——
|
Eclipse (1999) |
—
San Francisco Examiner
Posted Jan 16, 2002
|
|
—
|
——
|
Licensed to Kill (1998) |
—
San Francisco Examiner
Posted Nov 13, 2001
|
|
—
|
——
|
Costa Brava () |
—
San Francisco Examiner
Posted Nov 13, 2001
|
|
—
|
33%
|
The Man in the Iron Mask (1998) |
—
San Francisco Examiner
Posted Jul 31, 2001
|
|
|
12%
|
Batman & Robin (1997) |
"
Seems like a big collection of Vegas acts strung together"
—
San Francisco Examiner
Posted Jul 24, 2001
|
|
|
91%
|
Kingdom - Series One (1996) |
"
Lars von Trier has a wicked sense of humor."
—
San Francisco Examiner
Posted Feb 21, 2001
|
|
—
|
25%
|
The Innocent (1995) |
—
San Francisco Examiner
Posted Feb 13, 2001
|
|
—
|
60%
|
The Myth of Fingerprints (1997) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
46%
|
Firelight (1997) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
50%
|
Dead Tired (Grosse Fatigue) (1995) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
|
94%
|
Face/Off (1997) |
"
Style overwhelms any hope of discerning story or acting through the haze of burning, crashing, bleeding and exploding."
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
61%
|
Funny Bones (1995) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
89%
|
In the Bleak Midwinter (A Midwinter's Tale) (1996) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
36%
|
Sweet Nothing (1996) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
3.25/4
|
91%
|
Men in Black (1997) |
"
The script by Ed Solomon is tight, well-paced and lighthearted."
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
15%
|
The Jackal (1997) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
55%
|
Extreme Measures (1996) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
39%
|
101 Dalmatians (1996) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
|
71%
|
Return to Paradise (1998) |
"
Phoenix, who was memorable in To Die For, is unearthly here as a man reduced to a wraith by miserable prison conditions and hopelessness. As an actor, he seems to have abandoned his body entirely in order to communicate only through his spirit."
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
|
21%
|
Congo (1995) |
"
In stupidity, this movie ranks up there among the greats."
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
1/4
|
2%
|
Speed 2 - Cruise Control (1997) |
"
Bullock should be thinking about changing management."
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
|
70%
|
Dick (1999) |
"
The movie has the comic sophistication of a creaky high-school skit."
—
Chicago Tribune
Posted Jan 1, 2000
|
|
—
|
78%
|
Georgia (1995) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
86%
|
Maya Lin - A Strong Clear Vision (1995) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
40%
|
Under Heaven (In a Private Garden) (In the Shadows) (1998) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
75%
|
Copycat (1995) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
|
58%
|
Twister (1996) |
"
Michael Crichton wrote the script with his wife, a former actress, Anne-Marie Martin, and it's about as dull as a prairie vista."
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
43%
|
That Old Feeling (1997) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
|
88%
|
A Perfect Candidate (1996) |
"
The film dwells a bit too much on North's unpleasant campaign strategist, Mark Goodin."
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
|
49%
|
Kids (1995) |
"
Clark has stepped back into objectivity so far that he has neglected his role as interpreter for us."
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
61%
|
Seven Years in Tibet (1997) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
67%
|
Troublesome Creek: A Midwestern (2006) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
38%
|
Palmetto (1997) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
33%
|
The Real Blonde (1998) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
|
50%
|
Dream for an Insomniac (1996) |
"
All of the playful dialogue -- and this movie is joyfully full of talk -- is handled well in DeBartolo's savvy script and given life by actors who seem to truly embody the idealism of the characters."
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
1/4
|
64%
|
Farinelli (1994) |
"
The kind of high-camp, low-cohesiveness movie that inspires snippy reviews, and sarcasm about the fact that it earned a best foreign film Oscar nomination."
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
|
53%
|
Kicking and Screaming (1995) |
"
Baumbach fails to realize that too often movies about boring people are, well, boring."
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
|
68%
|
Kiss of Death (1995) |
"
If you've got three spare hours and a yen for good filmmaking, skip Kiss and rent the real thing, not the pale copy."
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
——
|
Lie Down with Dogs (1995) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
66%
|
Oscar and Lucinda (1997) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
—
|
80%
|
Arguing the World (1998) |
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
4/4
|
80%
|
Eve's Bayou (1996) |
"
A lovingly made, beautifully acted piece that is as much about childhood views of the grown-up world as it is about the grown-ups themselves."
—
San Francisco Examiner
Posted Jan 1, 2000
|
|
|
41%
|
Batman Forever (1995) |
"
Jim Carrey plays the Riddler and once he shows up, all the other actors might just as well go home."
—
San Francisco Examiner
Posted Jan 1, 2000
|
87%
24%
91%
