|
2/5
|
39%
|
Black and White (2002) |
"
While Toback certainly makes a game effort to study the infiltration of hip-hop into the mainstream, his inability to choose what ground to cover ultimately results in an episodic hotch-potch."
—
BBC
Posted Jan 13, 2004
|
|
3/5
|
——
|
Room to Rent () |
—
BBC
Posted Dec 23, 2003
|
|
2/5
|
19%
|
Joe Somebody (2001) |
"
The sort of feeble redemption story Hollywood often palms off on the film-going public."
—
BBC
Posted Nov 11, 2002
|
|
2/5
|
50%
|
Black and White (2002) |
—
BBC
Posted Oct 24, 2002
|
|
4/5
|
86%
|
Lilo & Stitch (2002) |
"
Touching, funny and strange."
—
BBC
Posted Sep 23, 2002
|
|
2/5
|
14%
|
The One (2001) |
—
BBC
Posted Apr 17, 2002
|
|
4/5
|
85%
|
Monster's Ball (2001) |
"
Intimate, gruelling, and in some strange way, uplifting."
—
BBC
Posted Feb 17, 2002
|
|
5/5
|
80%
|
The Royal Tenenbaums (2002) |
"
Funny, touching, intelligent, strange... well, let's just stop before we run out of superlatives."
—
BBC
Posted Feb 6, 2002
|
|
3/5
|
47%
|
The Princess Diaries (2001) |
"
A very watchable, very warm little Disney comedy."
—
BBC
Posted Dec 3, 2001
|
|
2/5
|
82%
|
The Deep End (2001) |
"
A rather dull movie, weighed down by its pretensions."
—
BBC
Posted Nov 19, 2001
|
|
3/5
|
65%
|
Bandits (2001) |
"
It's still funny, but the flabby bits in-between the comic set-pieces and character-driven scenes are, quite frankly, an annoyance."
—
BBC
Posted Nov 12, 2001
|
|
4/5
|
68%
|
Legally Blonde (2001) |
"
Funny, enjoyable and, above all, relaxing. You won't need much brain power, but you'll certainly have fun."
—
BBC
Posted Oct 21, 2001
|
|
2/5
|
31%
|
America's Sweethearts (2001) |
"
The script here is not funny, while the cast -- though star-studded -- is perfunctory."
—
BBC
Posted Oct 8, 2001
|
|
4/5
|
52%
|
American Pie 2 (2001) |
"
Writer Adam Herz has an uncanny knack of turning even the most predictable scenarios into slices of comedy magic."
—
BBC
Posted Sep 24, 2001
|
|
2/5
|
20%
|
High Heels and Low Lifes (2001) |
"
A dull waste of a film, which will have you forgetting scenes, before they've even finished."
—
BBC
Posted Jul 16, 2001
|
|
3/5
|
88%
|
Ginger Snaps (2001) |
"
This is not just another monster movie. Ginger Snaps succeeds exactly because it is not 'just' anything."
—
BBC
Posted Jun 18, 2001
|
|
4/5
|
89%
|
Shrek (2001) |
"
This fable structure is allied to both a witty cynicism and sense of fun, which pervades the entire movie in equal measure."
—
BBC
Posted Jun 18, 2001
|
|
2/5
|
55%
|
Hamlet (2000) |
"
Just not quite daring or spectacular enough."
—
BBC
Posted Jun 12, 2001
|
|
4/5
|
76%
|
Tigerland (2000) |
"
Despite his usual ability to spend more time on set design than he does on actors, Schumacher handles the more intimate setting with great skill."
—
BBC
Posted May 7, 2001
|
|
2/5
|
16%
|
Sweet November (2001) |
—
BBC
Posted May 7, 2001
|
|
2/5
|
67%
|
Dogma (1999) |
"
If this is [Smith's] one 'message' movie, let's hope he has got it off his chest."
—
BBC
Posted Apr 24, 2001
|
|
5/5
|
91%
|
The Breakfast Club (1985) |
"
Shot in sequence during 1984, The Breakfast Club became a benchmark for all that followed in the genre."
—
BBC
Posted Apr 17, 2001
|
|
4/5
|
96%
|
Big (1988) |
"
This is mainstream Hollywood filmmaking at its best -- packed with intelligence, humour and pathos."
—
BBC
Posted Apr 17, 2001
|
|
3/5
|
81%
|
Baby Boom (1987) |
—
BBC
Posted Apr 17, 2001
|
|
4/5
|
98%
|
Who Framed Roger Rabbit (1988) |
"
Visually stunning and creatively superior, Zemeckis's work is frequently staggering and always entertaining."
—
BBC
Posted Apr 17, 2001
|
|
4/5
|
66%
|
Scrooged (1988) |
"
Whenever Bill Murray is in a film, there's always one simple rule. Give him a decent set-up and you've got yourself a classic."
—
BBC
Posted Apr 17, 2001
|
|
4/5
|
88%
|
Six Degrees of Separation (1993) |
—
BBC
Posted Apr 17, 2001
|
|
4/5
|
95%
|
The Silence of the Lambs (1991) |
"
Very few movies have ever won the five top Oscars: Best Actor, Actress, Screenplay, Director, and Picture."
—
BBC
Posted Apr 17, 2001
|
|
3/5
|
39%
|
101 Dalmatians (1996) |
—
BBC
Posted Apr 17, 2001
|
|
3/5
|
64%
|
The Frighteners (1996) |
"
Full of special effects, but still strangely 'indie', the movie has a unique sensibility ..."
—
BBC
Posted Apr 17, 2001
|
|
3/5
|
24%
|
Gun Shy (2000) |
—
BBC
Posted Apr 17, 2001
|
|
3/5
|
40%
|
Snow Falling on Cedars (1999) |
—
BBC
Posted Apr 17, 2001
|
|
1/5
|
37%
|
Bicentennial Man (1999) |
"
The worst kind of movie -- one with no direction, no identity, and above all no heart."
—
BBC
Posted Apr 17, 2001
|
|
4/5
|
63%
|
Man on the Moon (1999) |
"
Makes you unsure whether you have learned more (or absolutely nothing) about this mysterious and undoubtedly talented man."
—
BBC
Posted Apr 17, 2001
|
|
3/5
|
20%
|
Jack Frost (1998) |
"
This is a watchable, if by-the-book little movie."
—
BBC
Posted Apr 17, 2001
|
|
4/5
|
51%
|
Cecil B. Demented (2000) |
—
BBC
Posted Apr 17, 2001
|
|
4/5
|
67%
|
Small Time Crooks (2000) |
—
BBC
Posted Apr 17, 2001
|
|
2/5
|
9%
|
The Skulls (2000) |
"
If there was an Oscar for the Silliest Movie Category, then The Skulls might be in with a good chance of winning."
—
BBC
Posted Apr 17, 2001
|
|
4/5
|
33%
|
Final Destination (2000) |
"
A fun romp with some genuinely chilling shocks."
—
BBC
Posted Apr 17, 2001
|
|
3/5
|
45%
|
The Whole Nine Yards (2000) |
—
BBC
Posted Apr 17, 2001
|
|
2/5
|
8%
|
Valentine (2001) |
"
If you've hidden from the scary killer, don't leave your hiding place after less than a minute! Why do they do that?"
—
BBC
Posted Apr 16, 2001
|
|
3/5
|
83%
|
Thirteen Days (2000) |
—
BBC
Posted Apr 16, 2001
|
|
3/5
|
81%
|
Shadow of the Vampire (2000) |
"
It's a one-trick pony, but boy, is that trick a thoroughbred."
—
BBC
Posted Apr 16, 2001
|
|
4/5
|
92%
|
Traffic (2000) |
"
A sprawling, artistic, superbly acted, informative, and mainstream Hollywood movie."
—
BBC
Posted Apr 16, 2001
|
|
3/5
|
53%
|
The Family Man (2000) |
"
A pleasant change of pace for both Cage and director Ratner."
—
BBC
Posted Apr 16, 2001
|
|
1/5
|
14%
|
Red Planet (2000) |
—
BBC
Posted Apr 16, 2001
|
|
1/5
|
22%
|
Little Nicky (2000) |
"
Creating perhaps his most irritating persona to date, Sandler manages to get through the entire movie with barely a single gag, save for a few uninspired chuckles."
—
BBC
Posted Apr 16, 2001
|
|
2/5
|
19%
|
Blow Dry (2001) |
—
BBC
Posted Apr 16, 2001
|
|
4/5
|
78%
|
Requiem for a Dream (2000) |
"
This is, without a doubt, cutting-edge film-making."
—
BBC
Posted Apr 16, 2001
|
78%
——
——
85%
45%
40%
