|
0/4
|
22%
|
Stigmata (1999) |
"
Half-baked mess!"
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
0/4
|
7%
|
Chill Factor (1999) |
"
A halfhearted effort at suspense!"
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
0/4
|
45%
|
The Cell (2000) |
"
There is an emotional vacuum at the center of this picture."
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
0/4
|
22%
|
8MM (1999) |
"
The idea of snuff films is presented as so obnoxious that it disgusts even the slimiest porn peddlers."
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
0/4
|
55%
|
Pitch Black (2000) |
"
A tiresome experience."
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
0/4
|
29%
|
Broadway Damage (1997) |
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
0/4
|
14%
|
Red Planet (2000) |
"
This spaceship misfire manages to be overblown and undernourished at the same time."
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
1/4
|
40%
|
Snake Eyes (1998) |
"
What might have been fascinating after a while becomes frustrating and, finally, a real slog."
—
San Francisco Chronicle
Posted Jun 18, 2002
|
|
1/4
|
7%
|
I Still Know What You Did Last Summer (1998) |
"
When Bad Things Happen to Stupid People might have been a better title."
—
San Francisco Chronicle
Posted Jun 18, 2002
|
|
|
53%
|
Storytelling (2002) |
"
Sometimes seems less like storytelling than something the otherwise compelling director needed to get off his chest."
—
San Francisco Chronicle
Posted Feb 8, 2002
|
|
1/4
|
22%
|
Impostor (2002) |
"
This movie is something of an impostor itself, stretching and padding its material in a blur of dead ends and distracting camera work."
—
San Francisco Chronicle
Posted Jan 4, 2002
|
|
|
62%
|
Vengo (2001) |
"
The combination of drama and music gives the film a stop-and-go quality, like a mixture of documentary and fiction."
—
San Francisco Chronicle
Posted Dec 28, 2001
|
|
1/4
|
27%
|
How High (2001) |
"
How High doesn't look like a movie somebody made. It looks like a movie somebody hallucinated and put up on the screen."
—
San Francisco Chronicle
Posted Dec 21, 2001
|
|
1/4
|
6%
|
Corky Romano (2001) |
"
It's strictly for someone looking for a goof-off."
—
San Francisco Chronicle
Posted Oct 12, 2001
|
|
1/4
|
24%
|
Don't Say a Word (2001) |
"
Maybe the less said about Don't Say a Word the better."
—
San Francisco Chronicle
Posted Sep 28, 2001
|
|
1/4
|
11%
|
The Musketeer (2001) |
"
The movie lacks the one thing that the classic Three Musketeers story can't do without: panache."
—
San Francisco Chronicle
Posted Sep 7, 2001
|
|
1/4
|
21%
|
Ghosts of Mars (2001) |
"
A tired and dispiriting affair that takes forever to get going."
—
San Francisco Chronicle
Posted Aug 24, 2001
|
|
1/4
|
26%
|
Swordfish (2001) |
"
All this excess, leading to nothing much."
—
San Francisco Chronicle
Posted Jun 8, 2001
|
|
1/4
|
56%
|
The Mexican (2001) |
"
Where is Elmore Leonard when we need him?"
—
San Francisco Chronicle
Posted Mar 2, 2001
|
|
1/4
|
20%
|
Down to Earth (2001) |
"
Heaven can wait and so can the audience for the new Chris Rock comedy ever to catch fire."
—
San Francisco Chronicle
Posted Feb 16, 2001
|
|
1/4
|
64%
|
Playing Mona Lisa (2000) |
—
San Francisco Chronicle
Posted Feb 9, 2001
|
|
1/4
|
28%
|
Sugar & Spice (2001) |
"
It means to be knowing and cynical but is just callow."
—
San Francisco Chronicle
Posted Jan 29, 2001
|
|
1/4
|
8%
|
Knock Off (1998) |
"
Something of a kaleidoscopic mess of a movie, but it has its moments."
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
1/4
|
87%
|
The Matrix (1999) |
"
It's astonishing that so much money, talent, technical expertise and visual imagination can be put in the service of something so stupid."
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
1/4
|
12%
|
Get Carter (2000) |
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
1/4
|
17%
|
Dirty Work (1998) |
"
A stupid lowdown vulgar comedy."
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
1/4
|
10%
|
The Watcher (2000) |
"
A hodgepodge of half-baked visual styles. Not many thrills, either."
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
1/4
|
39%
|
Armageddon (1998) |
"
It sure makes an ugly mess."
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
1/4
|
20%
|
Autumn in New York (2000) |
"
Enjoyment of Autumn in New York depends to a certain degree on a viewer's tolerance for a mood of luxurious melancholy. At 105 minutes, it becomes too much of an indulgence."
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
1/4
|
20%
|
The Crew (2000) |
"
The laughs in The Crew are memorable for their scarcity."
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
1/4
|
25%
|
Mission To Mars (2000) |
"
Mission to Mars gets lost in mystical mumbo jumbo."
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
1/4
|
15%
|
Idle Hands (1999) |
"
When a movie sets out to be awful and achieves its goal, does that make it a success?"
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
1/4
|
44%
|
Dr. Dolittle (1998) |
"
Dr. Dolittle runs out of ideas long before the projector runs out of film."
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
1/4
|
9%
|
Virus (1999) |
"
The dialogue tends toward the obvious, and the characters are constantly explaining what is happening to one another."
—
San Francisco Chronicle
Posted Jan 1, 2000
|
|
—
|
36%
|
Six Days, Seven Nights (1998) |
—
San Francisco Chronicle
Posted Jun 18, 2002
|
|
—
|
45%
|
The Whole Nine Yards (2000) |
—
San Francisco Chronicle
Posted Jun 18, 2002
|
|
2/4
|
48%
|
Cruel Intentions (1999) |
"
It is maliciously entertaining, up to a point."
—
San Francisco Chronicle
Posted Jun 18, 2002
|
|
2/4
|
4%
|
The Mod Squad (1999) |
"
Plays like a 90-minute version of the old television show. That's not necessarily bad."
—
San Francisco Chronicle
Posted Jun 18, 2002
|
|
2/4
|
33%
|
Romeo Must Die (2000) |
"
Straight-ahead action would have been more than sufficient."
—
San Francisco Chronicle
Posted Jun 18, 2002
|
|
—
|
54%
|
What Dreams May Come (1998) |
—
San Francisco Chronicle
Posted Jun 18, 2002
|
|
2/4
|
62%
|
Dark Blue World (2001) |
"
The memorable stars ... are the Spitfires and Messerschmitts in its aerial battles -- a crackerjack combination of live action, special effects and recycled footage."
—
San Francisco Chronicle
Posted Jan 11, 2002
|
|
2/4
|
14%
|
The One (2001) |
"
Don't worry about Jet Li. He can take care of himself. His latest American movie, however, needs triage."
—
San Francisco Chronicle
Posted Nov 2, 2001
|
|
2/4
|
47%
|
Life as a House (2001) |
"
May satisfy those who like their movies to offer life lessons and provide role models."
—
San Francisco Chronicle
Posted Oct 26, 2001
|
|
2/4
|
85%
|
Donnie Darko (2001) |
"
If this movie ever figured out what it wanted to be when it grows up, it would be a terrific one."
—
San Francisco Chronicle
Posted Oct 26, 2001
|
|
2/4
|
53%
|
Bangkok Dangerous (1999) |
"
Mongkolpisit as the hit man keeps it afloat."
—
San Francisco Chronicle
Posted Oct 19, 2001
|
|
2/4
|
64%
|
Zoolander (2001) |
"
Manages to be stretched too thin and overblown at the same time."
—
San Francisco Chronicle
Posted Sep 28, 2001
|
|
2/4
|
38%
|
Hardball (2001) |
"
Works where it counts, on the emotional level."
—
San Francisco Chronicle
Posted Sep 17, 2001
|
|
2/4
|
45%
|
Jeepers Creepers (2001) |
"
Jeepers Creepers is better setting things up than following through. It must resort to psychic mumbo-jumbo that has to be played straight and doesn't work."
—
San Francisco Chronicle
Posted Aug 31, 2001
|
|
2/4
|
43%
|
The Monkey's Mask (2001) |
"
Poetry, lesbian sex and murder might be a killer combination if a deadly pace weren't included in the mix."
—
San Francisco Chronicle
Posted Aug 24, 2001
|
|
2/4
|
29%
|
Captain Corelli's Mandolin (2001) |
"
As wartime weepers go, Captain Corelli's Mandolin has a lot of pluck."
—
San Francisco Chronicle
Posted Aug 17, 2001
|
73%
21%
63%
85%
46%
40%
