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Erika Hernandez

Erika Hernandez's reviews do not count toward the Tomatometer®. This is not a Tomatometer-approved critic, and this critic's reviews are not published on a Tomatometer-approved publication.

Reviews

Movies TV Shows
P.S. (2004) 54% C+ EDIT “The greatest thing about p.s. is the onscreen match of Linney and Grace.” – AboutFilm.com Oct 19, 2004 Full Review The Final Cut (2004) 38% D+ EDIT “The Final Cut's plot goes in multiple directions, while its exciting premise lays there like a forsaken jewel.” – AboutFilm.com Oct 19, 2004 Full Review A Dirty Shame (2004) 55% B EDIT “Takes this country's Puritanical-hypocritical fixation on what we should and should not do with our body parts, and sublimely violates it.” – AboutFilm.com Sep 25, 2004 Full Review L.A. Twister (2004) 13% D- EDIT “A ham-fisted tour through its own postmodern mechanics... No heart, no resonance, and no real message.” – AboutFilm.com Aug 6, 2004 Full Review Zhou Yu's Train (2002) 42% B- EDIT “Director Zhou wants you to sit up and work for some meaning in every shot-and work HARD.” – AboutFilm.com Jul 16, 2004 Full Review Maria Full of Grace (2004) 97% A EDIT “Marston doesn't cheat by sensationalizing his subject matter, and the result is a sensational piece of work.” – AboutFilm.com Jul 16, 2004 Full Review The Clearing (2004) 44% B- EDIT “Th[e] exchange[s are] played so gracefully by Redford and Dafoe, you want them to keep talking, and forget that one of them is being held against his will.” – AboutFilm.com Jul 10, 2004 Full Review The Saddest Music in the World (2003) 79% A EDIT “Maddin's masterpiece artfully reinforces that that our moments of true sadness should be as intimate as our most joyous moments of ecstasy.” – AboutFilm.com May 18, 2004 Full Review The Punisher (2004) 30% D EDIT “We get Superflawedmen, not flawed men pushed by dire circumstances.” – AboutFilm.com Apr 16, 2004 Full Review The Reckoning (2004) 38% C- EDIT “[McGuigan] crams both story and theme down the viewer's throat. There is no room for interpretation, a pursuit vital to both the Morality play and the narrative film.” – AboutFilm.com Mar 10, 2004 Full Review Touching the Void (2003) 93% A- EDIT “In an era obsessed with ways to capture "reality," MacDonald rightly uses documentary to reinforce larger truths and ironies.” – AboutFilm.com Feb 3, 2004 Full Review The Statement (2003) 24% C- EDIT “Although The Statement deals with an intriguing historical phenomenon generally dismissed as a footnote, it is obscured by the film's unceasing chase.” – AboutFilm.com Jan 5, 2004 Full Review Girl With a Pearl Earring (2003) 73% A EDIT “The most impressive feature of the film, however, is its use of metaphor and suggestion to advance Vermeer and Griet's forbidden attraction.” – AboutFilm.com Dec 12, 2003 Full Review Kill Bill: Vol. 1 (2003) 85% A- EDIT “Sentimental and lyrical from beginning to end, Tarantino's Kill Bill Vol. 1 is an ode to movies and moviegoing.” – AboutFilm.com Nov 15, 2003 Full Review The Human Stain (2003) 41% C+ EDIT “When viewing a film, you should not be scanning your mental bank for a more suitable actor for the title role.” – AboutFilm.com Oct 31, 2003 Full Review Wonderland (2003) 34% B+ EDIT “When the youngest student ever admitted to the Drama department at Julliard (Kilmer) plays a derailed porn god...YOU SEE IT.” – AboutFilm.com Oct 10, 2003 Full Review Dopamine (2003) 50% D EDIT “The "LOVE IS REAL! NO, IT'S NOT!" banter kills the film's core issue rather than underscoring it.” – AboutFilm.com Oct 10, 2003 Full Review The Wrong Side of the Bed (2002) 49% D+ EDIT “What can one say when the latest film to sweep both Spanish audiences and critics is essentially a Latin Bob & Carol & Ted & Alice ON ICE?” – AboutFilm.com Aug 28, 2003 Full Review Northfork (2003) 57% B- EDIT “With Northfork, the Brothers Polish clearly choose to fly brilliantly and high on universal concepts, while spitting on universal appeal.” – AboutFilm.com Aug 8, 2003 Full Review Manito (2002) 94% B- EDIT “A solid effort... however, the dissonance between Manito as "realistic urban ethnography" and "high ghetto drama" is just too apparent to reconcile.” – AboutFilm.com Jun 16, 2003 Full Review
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