|
0/5
|
26%
|
The Best and the Brightest (2011) |
"
A repellent comedy that's less fun than a parasite infection..."
—
New York Times
Posted Jun 23, 2011
|
|
0/5
|
0%
|
Tied to a Chair (2011) |
"
Insulting several nationalities and most of the filmgoing public, "Tied to a Chair" lurches through acting atrocities, continuity glitches and narrative gaps with grating insouciance."
—
New York Times
Posted May 26, 2011
|
|
0/5
|
7%
|
Captivity (2007) |
"
Captivity the movie has been thoroughly eclipsed by Captivity the marketing."
—
New York Times
Posted Jul 14, 2007
|
|
0/5
|
21%
|
Eternal (2004) |
"
Lush, lurid and completely besotted with itself, Eternal is one of those movies normally found slinking around the ether of late-night cable television."
—
New York Times
Posted Aug 25, 2005
|
|
.5/5
|
4%
|
Vampires Suck (2010) |
"
Aside from the difficulty of spoofing a saga that has always been winkingly aware of its own angsty excesses, there is the inadvisability of angering a tweeniverse whose emotional investment in the originals borders on pathological. "
—
New York Times
Posted Aug 18, 2010
|
|
0.5/5
|
11%
|
Killers (2010) |
"
A brain-deadening collision of high concept and low standards."
—
New York Times
Posted Jun 4, 2010
|
|
.5/5
|
14%
|
Steam (2007) |
"
So cheesy and so poorly acted that it should never have seen the light of day."
—
New York Times
Posted Mar 20, 2009
|
|
0.5/5
|
14%
|
Black Christmas (2006) |
"
Glen Morgan's disastrous remake smothers terror beneath a blanket of unnecessary information, revealing too much and teasing too little."
—
New York Times
Posted Dec 27, 2006
|
|
0.5/5
|
26%
|
Saw III (2006) |
"
Saw III, with its barrage of grungy rooms, mortified flesh and elaborate torture, is a highly creative exercise in bloodletting, with a bleak view of human nature."
—
New York Times
Posted Oct 28, 2006
|
|
0.5/5
|
5%
|
Larry the Cable Guy: Health Inspector (2006) |
"
Unpleasant, uncouth and painfully unfunny, Larry the Cable Guy attempts lowbrow humor with neither the wit of the Farrelly brothers nor the raunchy inventiveness of Keenen Ivory Wayans."
—
New York Times
Posted Mar 28, 2006
|
|
0.5/5
|
23%
|
Wicker Park (2004) |
"
It's a sad day indeed when a movie's most memorable performance belongs to Scooby Doo's Matthew Lillard."
—
Las Vegas Mercury
Posted Sep 8, 2004
|
|
1/5
|
0%
|
Deadline (2012) |
"
Too lifeless for Lifetime and too inept to do justice to its source material..."
—
New York Times
Posted Apr 12, 2012
|
|
1/5
|
——
|
16-love (2012) |
"
Pablum tarted up with tennis racquets, "16-Love" is, in a sense, the perfect movie for teenagers: you can text and tweet to your heart's content and never miss a thing."
—
New York Times
Posted Jan 19, 2012
|
|
1/5
|
11%
|
The Darkest Hour (2011) |
"
Really, how slovenly is it to use invisible aliens? If you're going to tease us with nothing but pinwheels of light for three-quarters of the film, you'd better have one heck of a reveal up your sleeve."
—
New York Times
Posted Dec 26, 2011
|
|
1/5
|
86%
|
Silver Bullets (2011) |
"
"Silver Bullets" neither pleases the eye nor stimulates the mind."
—
New York Times
Posted Oct 27, 2011
|
|
1/5
|
——
|
The Road to Freedom () |
"
Drags us through miles of jungle and reams of stilted, soul-sucking dialogue."
—
New York Times
Posted Sep 29, 2011
|
|
1/5
|
——
|
Prince of Swine (2011) |
"
A film with nothing to please the eye and even less to excite the mind."
—
New York Times
Posted Sep 15, 2011
|
|
1/5
|
50%
|
Grave Encounters (2011) |
"
The filmmakers seem unaware that they're beating a dead horse. As the uniformly annoying characters stumble around, screaming and cursing, we don't give a hoot for their survival."
—
New York Times
Posted Sep 8, 2011
|
|
1/5
|
0%
|
Fading Of The Cries (2011) |
"
"How are we going to get out of here?" Sarah squawks at one point, a question that Mr. Dourif ought to have asked his agent long before the cameras began to roll."
—
New York Times
Posted Jul 8, 2011
|
|
1/5
|
0%
|
Love Wedding Marriage (2011) |
"
If there is a special hell for film critics, it probably has movies like "Love, Wedding, Marriage" on continuous rotation."
—
New York Times
Posted Jun 2, 2011
|
|
1/5
|
0%
|
The Abduction Of Zack Butterfield (2011) |
"
A cringingly awkward tale of sexual predation and female lunacy."
—
New York Times
Posted May 26, 2011
|
|
1/5
|
0%
|
An Invisible Sign (2011) |
"
Cuter than a basket of puppies licking a litter of kittens, "An Invisible Sign" is an excruciatingly whimsical collision of adult themes and kid-friendly aesthetic."
—
New York Times
Posted May 6, 2011
|
|
1/5
|
79%
|
Earthwork (2011) |
"
Imagine spending an afternoon watching a bunch of vagrants putter around on an abandoned city lot, and you've pretty much nailed the viewing experience of "Earthwork," a painfully dull account of a year in the life of the Kansas crop artist Stan Herd."
—
New York Times
Posted Apr 28, 2011
|
|
1/5
|
17%
|
Drawing with Chalk (2011) |
"
Screaming "vanity project" from every hackneyed frame, "Drawing With Chalk" is yet another example of midlife American males doing all they can to avoid acting their age."
—
New York Times
Posted Mar 24, 2011
|
|
1/5
|
25%
|
Certifiably Jonathan (2011) |
"
Observing his subject both on and off medication (Mr. Winters says he is bipolar), Mr. Pasternak has produced a film that feels depressingly exploitative."
—
New York Times
Posted Feb 11, 2011
|
|
1/5
|
4%
|
The Roommate (2011) |
"
We could not possibly care less."
—
New York Times
Posted Feb 4, 2011
|
|
1/5
|
33%
|
Satan Hates You (2011) |
"
Satan may not hate us, but the film's writer and director, James Felix McKenney, surely does. "
—
New York Times
Posted Dec 17, 2010
|
|
1/5
|
8%
|
Alien Girl (2010) |
"
Soulless, joyless and depressingly graceless, Alien Girl plays like an early Guy Ritchie knockoff without the jokes or Cockney accents. "
—
New York Times
Posted Dec 17, 2010
|
|
1/5
|
24%
|
Resident Evil: Afterlife (2010) |
"
This witless installment features the usual ultra-slow-motion mayhem and helpful freeze-frames to allow us to admire the extra dimension. Fans will not be happy, however, to learn that Ms. Jovovich is more decently clothed this time around."
—
New York Times
Posted Sep 10, 2010
|
|
1/5
|
14%
|
Our Family Wedding (2010) |
"
Alternately rancid and ridiculous, strident and sickly sweet, Our Family Wedding offers plenty that's old, borrowed and blue; it's the something new that's missing."
—
New York Times
Posted Mar 12, 2010
|
|
1/5
|
——
|
Murder in Fashion () |
"
According to Murder in Fashion, the real culprit in the murder of Gianni Versace was the aesthetic tyranny of gay culture."
—
New York Times
Posted Jan 22, 2010
|
|
1/5
|
——
|
Misconceptions (2010) |
"
An asinine pileup of improbabilities."
—
New York Times
Posted Jan 22, 2010
|
|
1/5
|
14%
|
How to Seduce Difficult Women (2009) |
"
Inept, immature and terminally irritating, Mo is the kind of persistent clown who only responds to a slap in the kisser; would that the film were as easy to banish."
—
New York Times
Posted Oct 30, 2009
|
|
1/5
|
18%
|
Stan Helsing (2009) |
"
By the time we reach the climactic karaoke smackdown, we have learned more about Freddy Kruegerâ(TM)s personal hygiene challenges -- and how to make a shockingly bad movie -- than we ever wanted to know."
—
New York Times
Posted Oct 23, 2009
|
|
1/5
|
30%
|
Gamer (2009) |
"
In the press materials Mr. Butler informs us enthusiastically that the movie "has all the hallmarks of Neveldine's and Taylor's sick, yet genius minds." At least he's half right."
—
New York Times
Posted Sep 8, 2009
|
|
1/5
|
——
|
House of Numbers (2009) |
"
Trafficking in irresponsible inferences and unsupported conclusions, the filmmaker Brent Leung offers himself as suave docent through a globe-trotting pseudo-investigation that should raise the hackles of anyone with even a glancing knowledge of the basic"
—
New York Times
Posted Sep 4, 2009
|
|
1/5
|
30%
|
The Final Destination (2009) |
"
Since not even 3-D can put your eyes out, our only hope is that this time, the title is a promise and not a tease."
—
New York Times
Posted Sep 1, 2009
|
|
1/5
|
29%
|
The Collector (2009) |
"
One of the more doltish entries in the torture subgenre."
—
New York Times
Posted Aug 3, 2009
|
|
1/5
|
22%
|
Blood: The Last Vampire (2009) |
"
Suffers from abusive close-ups, repetitive fight sequences and uninspired demon design."
—
New York Times
Posted Jul 10, 2009
|
|
1/5
|
63%
|
Crank 2: High Voltage (2009) |
"
Crank: High Voltage, starring Jason Statham as a man with a machine instead of a heart, is boorish, bigoted and borderline pornographic."
—
New York Times
Posted Apr 20, 2009
|
|
1/5
|
28%
|
Das Haus der Schlafenden Schönen (House of the Sleeping Beauties) (2008) |
"
Not even the august presence of Maximilian Schell can dispel the odor of fusty smut that clings to House of the Sleeping Beauties."
—
New York Times
Posted Nov 14, 2008
|
|
1/5
|
0%
|
The House of Adam (2006) |
"
Had Jorge Ameer, the writer and director of The House of Adam, aimed for high-flying camp instead of low-rent earnestness, his movie might have stood a chance."
—
New York Times
Posted Sep 5, 2008
|
|
1/5
|
9%
|
Everybody Wants to Be Italian (2007) |
"
How atrocious is the comedy Everybody Wants to Be Italian? Let me count the ways."
—
New York Times
Posted Sep 5, 2008
|
|
1/5
|
9%
|
Expelled: No Intelligence Allowed (2008) |
"
One of the sleaziest documentaries to arrive in a very long time, Expelled: No Intelligence Allowed is a conspiracy-theory rant masquerading as investigative inquiry."
—
New York Times
Posted Apr 18, 2008
|
|
1/5
|
8%
|
Prom Night (2008) |
"
For a film about erotomania, Prom Night is a curiously flaccid affair."
—
New York Times
Posted Apr 14, 2008
|
|
1/5
|
13%
|
College Road Trip (2008) |
"
Eyes popping and mouths agape, Martin Lawrence and Raven-Symoné mug their way through College Road Trip as if it were a silent movie -- which, come to think of it, would have been a lot less irritating."
—
New York Times
Posted Mar 7, 2008
|
|
1/5
|
5%
|
The Hottie and the Nottie (2008) |
"
Custom designed for its smirking star (who is also an executive producer), this tasteless train wreck asks only that she preen and prance on cue."
—
New York Times
Posted Feb 8, 2008
|
|
1/5
|
2%
|
Meet the Spartans (2008) |
"
Jason Friedberg and Aaron Seltzer, the team behind Meet the Spartans, prove that ridiculing other movies is much easier than making your own."
—
New York Times
Posted Jan 25, 2008
|
|
1/5
|
24%
|
Awake (2007) |
"
Awake is filled with risible medical behavior (the sterility of the operating room is repeatedly compromised) and a horizontal Mr. Christensen screaming variations on "Oh no, I can feel that!""
—
New York Times
Posted Dec 2, 2007
|
|
1/5
|
17%
|
Saw IV (2007) |
"
Over the course of [its] sequels, the Saw franchise took a novel, if distasteful, idea and basically tortured it to death."
—
New York Times
Posted Oct 27, 2007
|
79%
33%
54%
52%
