|
|
80%
|
Il Grido (The Cry) (1957) |
"
The camera's spare, stunning compositions and the tone of loss and disaffection anticipate Antonioni's later, brilliant explorations of bourgeois anomie."
—
Village Voice
Posted Jul 31, 2007
|
|
|
100%
|
La Règle du Jeu (The Rules of the Game) (1950) |
"
Even if you think you know it, see it again for its newly rediscovered depth of field, and even more, for its infinite wellsprings of character and empathy."
—
L.A. Weekly
Posted Dec 28, 2006
|
|
|
88%
|
The Cave of the Yellow Dog (Die Hohle des gelben Hundes) (2005) |
"
At times the film's Buddhist lessons feel a bit forced, but the naturalistic performances Davaa has coaxed from a real-life Mongolian family, and her intimate understanding of their culture and values, give this sensitive portrayal its heft."
—
Village Voice
Posted Nov 7, 2006
|
|
|
100%
|
La Règle du Jeu (The Rules of the Game) (1950) |
"
If you think you know it, see it again for its newly rediscovered depth of field, and even more, for its infinite wellsprings of character and empathy."
—
Village Voice
Posted Oct 31, 2006
|
|
|
87%
|
Sophie Scholl: The Final Days (2006) |
"
Julia Jentsch gives a brilliantly nuanced performance as Sophie, a fun-loving girl who likes marmalade and Schubert but also happens to be a rare beacon of conscience in totalitarianism's dark night."
—
Village Voice
Posted Feb 14, 2006
|
|
|
71%
|
My Name Was Sabina Spielrein (2002) |
"
This evocative film is a poignant testament to the twin forces of love (however blighted) and the unconscious."
—
Village Voice
Posted Dec 28, 2005
|
|
|
88%
|
Touch The Sound (2004) |
"
It's rare that a documentary conveys an artist's worldview so compellingly, but then Glennie is no ordinary musician."
—
Village Voice
Posted Sep 6, 2005
|
|
|
70%
|
Wall (Mur) (2004) |
"
Disturbing and compelling."
—
Village Voice
Posted Aug 23, 2005
|
|
|
84%
|
De Zaak Alzheimer (The Memory of a Killer) (The Alzheimer Case) (2005) |
"
Van Looy has created a fast-paced and stylish thriller."
—
Village Voice
Posted Aug 23, 2005
|
|
|
71%
|
The Great Water (2005) |
"
Despite the choppy script and cartoonishly bad villains, what emerges is a compelling tale of the moral compromises a corrupt system demands of even its most unwilling participants."
—
Village Voice
Posted Jun 14, 2005
|
|
|
89%
|
Caterina in the Big City (Caterina va in citta) (2003) |
"
Pitch-perfect performances and a light-handed but razor-sharp script keep this satire brisk and biting."
—
Village Voice
Posted May 31, 2005
|
|
|
100%
|
Le Vieil Homme et l'Enfant (The Two of Us) (The Old Man and the Boy) (1967) |
"
Some may find Berri's portrait of provincial France and its prejudices too loving, but it has the ring of a truth that escapes ideologies."
—
Village Voice
Posted May 24, 2005
|
|
|
75%
|
Another Road Home (2004) |
"
[A] moving film."
—
Village Voice
Posted Apr 26, 2005
|
|
|
57%
|
David Hockney: The Color of Music (2005) |
"
This delightfully sensual documentary gets inside the artist's creative process while also treating viewers to glorious music by the likes of Wagner and Satie."
—
Village Voice
Posted Apr 5, 2005
|
|
|
80%
|
In Satmar Custody () |
"
Chilling and thoroughly engrossing."
—
Village Voice
Posted Apr 5, 2005
|
|
|
61%
|
Nina's Tragedies (2005) |
"
With improbable charm, Gabizon knits it all together, his characters' sexual obsessions and earthiness tempered by a soulful melancholy."
—
Village Voice
Posted Mar 22, 2005
|
|
|
72%
|
Walk on Water (2005) |
"
The complex questions Walk on Water raises receive only confused answers."
—
Village Voice
Posted Mar 3, 2005
|
|
|
84%
|
L' Ora di Religione (Il Sorriso di Mia Madre) (The Religion Hour) (My Mother's Smile) (2002) |
"
Uncannily beautiful and deeply humanist."
—
Village Voice
Posted Feb 8, 2005
|
|
|
80%
|
The Keys to the House (2004) |
"
Amelio's camera captures with subtlety and without sentimentality the state of mind of a parent for whom every child running freely in the park is a painful reminder of another's limitations."
—
Village Voice
Posted Dec 21, 2004
|
|
—
|
46%
|
Whore (If You're Afraid to Say It... Just See It) (1991) |
—
Village Voice
Posted Dec 15, 2004
|
|
|
0%
|
The Life (Yo puta)(I, Whore) (2004) |
"
The subjects can be amusing, chilling, or tragic -- but in the end, they offer few surprises."
—
Village Voice
Posted Dec 14, 2004
|
|
|
100%
|
The Deserted Station (2003) |
"
Hardcore Kiarostami devotees may miss the master's harsher clarity, but Hatami, best known for her starring role in Dariush Mehrjui's Leila, makes her character's inner transformation both subtle and palpable."
—
Village Voice
Posted Nov 30, 2004
|
|
|
26%
|
Noel (2004) |
"
Most of the redemptive notes ring false, as does the mythical Manhattan, where the snow is just too clean and everybody lives around the corner."
—
Village Voice
Posted Nov 9, 2004
|
|
|
76%
|
Being Julia (2004) |
"
Bening's comic gifts make the most of Ronald Harwood's witty screenplay."
—
Village Voice
Posted Oct 12, 2004
|
|
|
71%
|
Incantato (Il Cuore Altrove) (The Heart Is Elsewhere) (2003) |
"
If you can suspend your disbelief regarding Nello's naïveté, this film offers some quiet pleasures."
—
Village Voice
Posted Sep 21, 2004
|
|
|
50%
|
Vanity Fair (2004) |
"
The pacing feels choppy, and the characters' emotions are sometimes too sudden to be believable."
—
Village Voice
Posted Aug 31, 2004
|
|
|
73%
|
Almost Peaceful (2004) |
"
Deville has managed to preserve the work's great virtues -- the intimacy, discretion, grace, and humor with which it speaks of both irredeemable disaster and the taste for life that survives it."
—
Village Voice
Posted Aug 17, 2004
|
|
|
45%
|
Nicotina (2004) |
"
What does it mean? Not all that much, really -- just a pleasurable hour and a half passing, like an extended cigarette break."
—
Village Voice
Posted Aug 17, 2004
|
|
|
75%
|
Arven (The Inheritance) (2004) |
"
In the end, there's little left in that sad, cold figure at the head of the firm to compel our empathy or compassion."
—
Village Voice
Posted Jul 6, 2004
|
|
|
69%
|
Bonjour Monsieur Shlomi (2004) |
"
It also seems, like Shlomi himself, a bit naive and formless."
—
Village Voice
Posted Jun 29, 2004
|
|
|
——
|
Junction (2004) |
"
Looks beyond the current wave of violence, to its roots in a culture of tragedy and denial."
—
Village Voice
Posted May 11, 2004
|
|
|
94%
|
The Story of the Weeping Camel (2004) |
"
Beyond its rare visions of remote vistas, Camel's great charm lies in its seeming simplicity."
—
Village Voice
Posted Mar 23, 2004
|
|
|
71%
|
Yves St. Laurent: His Life and Times (2004) |
"
A family feeling pervades this intimate documentary, which follows three months of creation for a single season's collection (Winter 2001), from the first drawings to the last finished garment."
—
Village Voice
Posted Jan 6, 2004
|
|
|
86%
|
Children of Love (2003) |
"
The film's striking realism makes you feel you're gaping at a car wreck."
—
Village Voice
Posted Dec 23, 2003
|
|
|
85%
|
Monsieur Ibrahim et les fleurs du Coran (Monsieur Ibrahim) (2003) |
"
Unusual in its ambition to pose deep spiritual questions, but its enticing surfaces ... are the best thing about it."
—
Village Voice
Posted Dec 2, 2003
|
|
|
93%
|
My Architect: A Son's Journey (2004) |
"
A bracing, bittersweet testament of filial love mixed with pain and compassion."
—
Village Voice
Posted Nov 11, 2003
|
|
|
39%
|
The Singing Detective (2003) |
"
The problems come in the shadow world, where everything's a jumble, where Dark's compositional strategy ('all clues and no solutions') eventually becomes wearing, and Gordon's direction can't hold it all together."
—
Village Voice
Posted Oct 21, 2003
|
|
|
58%
|
Passionada (2003) |
"
The clash between Ireland's art house aspirations and the obviousness of his choices ... is grating."
—
Village Voice
Posted Sep 9, 2003
|
|
|
73%
|
Taking Sides (2003) |
"
Flawed but fascinating."
—
Village Voice
Posted Sep 2, 2003
|
|
|
21%
|
Dust (2003) |
"
In reaching for a cubist style of storytelling, [Manchevski] sacrifices character and motivation."
—
Village Voice
Posted Aug 19, 2003
|
|
|
45%
|
Lucia, Lucia (La Hija del caníbal) (2003) |
"
Even as the story of one woman's midlife crisis, it's a bit lightweight."
—
Village Voice
Posted Jul 22, 2003
|
|
—
|
72%
|
Bonhoeffer (2003) |
—
Village Voice
Posted Jul 3, 2003
|
|
—
|
56%
|
Jet Lag (2003) |
—
Village Voice
Posted Jun 10, 2003
|
|
|
40%
|
Três Marias, As, (The Three Marias) (2002) |
"
[Abranches is] so focused on creating a strikingly mannerist visual style that he forgets to flesh out his plot and characters."
—
Village Voice
Posted May 27, 2003
|
|
|
51%
|
Hafið (The Sea) (Havet) (2002) |
"
Kormákur is at his best with dark, raw humor. When he reaches for tragedy, his film feels predictable."
—
Village Voice
Posted May 13, 2003
|
|
|
92%
|
Secret Lives - Hidden Children and Their Rescuers During WWII (2001) |
"
Slesin's film is a profound meditation on the resilience of children -- their ability to take sustenance from whatever love is available -- and on the persistent presence of the child hidden within each grown-up."
—
Village Voice
Posted May 13, 2003
|
|
|
63%
|
Foreign Sister (Ahot Zara) (2003) |
"
Offers an incisive glimpse into one woman's inner transformation -- her secret sense of loss in the midst of plenty and her sudden perception of a world of suffering lying just beyond her home."
—
Village Voice
Posted Feb 25, 2003
|
|
|
85%
|
Chaos (2003) |
"
Fast-paced feminist thriller and witty black comedy."
—
Village Voice
Posted Jan 28, 2003
|
|
|
40%
|
The Jimmy Show (2001) |
"
There's an admirable rigor to Jimmy's relentless anger, and to the script's refusal of a happy ending, but as those monologues stretch on and on, you realize there's no place for this story to go but down."
—
Village Voice
Posted Dec 10, 2002
|
78%
43%
100%
85%
45%
40%
