The Lost Daughter (2021)
94%
EDIT
“With brilliant work by Olivia Colman, Maggie Gyllenhaal's directing debut is a haunting work about choices, motherhood, and memory.” –
Original Cin
Dec 27, 2021
Full Review
The Power of the Dog (2021)
94%
EDIT
“There's no point thinking you know what's coming next in Jane Campion's masterful Western drama featuring a never-better Benedict Cumberbatch as a rancher skilled at surgical bullying.” –
Original Cin
Nov 7, 2021
Full Review
Rare Beasts (2019)
71%
EDIT
“Writer/director, and star Billie Piper's cheeky take on modern relationships is funny and sweet if not especially ground-breaking.” –
Original Cin
Aug 16, 2021
Full Review
Materna (2020)
71%
B
EDIT
“Despite some strong performances, Materna feels underdone in spots as separate stories of four New Yorker women linked through motherhood issues juggle for screen time.” –
Original Cin
Aug 11, 2021
Full Review
Duty Free (2020)
85%
EDIT
“Undeniably sweet and inspirational, this Mom-and-me bucket-list adventure documentary fails to explore the root causes of seniors facing poverty and joblessness.” –
Original Cin
May 5, 2021
Full Review
The Mitchells vs. the Machines (2021)
97%
A-minus
EDIT
“Laced with Phil Lord and Christopher Miller's signature rapid-fire pacing and colour, it's the goofy-smart and entertaining family fare we've been needing in these fun-challenged times.” –
Original Cin
Apr 27, 2021
Full Review
Shiva Baby (2020)
96%
EDIT
“Emma Seligman's debut feature about an aimless twenty-something, bisexual Jewish college student facing a looming quarter-life crisis is smart and sharp.” –
Original Cin
Mar 25, 2021
Full Review
Jump, Darling (2020)
93%
A-minus
EDIT
“The setup feels a bit worn, but Cloris Leachman is outstanding in her final lead role as a feisty-yet-frail grandmother alongside remarkable newcomer Thomas Duplessie as her drag-queen grandson in writer/director Phil Connell's debut.” –
Original Cin
Mar 17, 2021
Full Review
Anne at 13,000 ft (2019)
89%
EDIT
“Deragh Campbell gives a soaring performance as a young woman on the edge in Kazik Radwanski's low-key yet powerfully realized film.” –
Original Cin
Feb 18, 2021
Full Review
Supernova (2020)
89%
EDIT
“Starry turns from Colin Firth and Stanley Tucci in Supernova, as a couple devastated by dementia.” –
Original Cin
Feb 15, 2021
Full Review
Rams (2020)
91%
EDIT
“Trading the austerity of the Icelandic original for Aussie jocularity, director Jeremy Sims' Rams nevertheless preserves the original film's heart about sibling devotion put the test in a time of crisis.” –
Original Cin
Feb 3, 2021
Full Review
Acasa, My Home (2020)
100%
EDIT
“This intimate documentary powerfully asks the question 'which of the places we live is destined to be remembered as home?'” –
Original Cin
Jan 22, 2021
Full Review
Wild Mountain Thyme (2020)
25%
EDIT
“Despite solid source material, a strong cast, and a proven screenwriter, Wild Mountain Thyme is silly, flabby, and misguided and woefully marred by bad Irish accents.” –
Original Cin
Dec 21, 2020
Full Review
The New Corporation: The Unfortunately Necessary Sequel (2020)
77%
3/4
EDIT
“"The New Corporation" finds the corporate world's self-interest streak remains robustly unchecked.” –
Toronto Star
Nov 11, 2020
Full Review
Memories of Murder (2003)
95%
A
EDIT
“Powerful, unrelenting, and with excellent performances - especially from Song Kang-ho who is never less than outstanding - Memories of Murder is unforgettable and justifiably described as a masterpiece.” –
Original Cin
Oct 21, 2020
Full Review
Fatima (2020)
57%
C-plus
EDIT
“Italian cinematographer Marco Pontecorvo directs with the lush hand he brought to Game of Thrones. His recreation of the children's visions about war, hell and a papal assassination seem more disaster movie than religious inspirational.” –
Original Cin
Aug 25, 2020
Full Review
They Call Me Dr. Miami (2020)
89%
B
EDIT
“Chartier's documentary moves quickly. Good thing. The 77-minute runtime is enough to take of self-absorbed Dr. Miami and the sexist atmosphere that surrounds his work. Yet the dichotomy between the public and private man is fascinating.” –
Original Cin
May 12, 2020
Full Review
First Stripes (Premières Armes) (2018)
B
EDIT
“Caissy focuses the camera on the trainees' faces in the dressing-down exchanges, rather than the man barking the orders/lectures (all the superiors are males). The approach keeps attention on the recruits, a reminder that this is their story.” –
Original Cin
Apr 6, 2020
Full Review
My Spy (2020)
49%
C-minus
EDIT
“From Arnold Schwarzenegger's Kindergarten Cop to Vin Diesel as The Pacifier, it's all been done before. Self-assured kid actor Coleman and the always-funny Schaal give My Spy some personality, but can we please retire this worn-out idea?” –
Original Cin
Mar 12, 2020
Full Review
Disappearance at Clifton Hill (2019)
78%
B
EDIT
“Shin isn't shy about laying on quirky details and oddball splashes to make his third film swing from bizarrely entertaining to dark - though the mystery-solved conclusion feels rushed and is the weakest part of the film.” –
Original Cin
Feb 24, 2020
Full Review
Ordinary Love (2019)
93%
A
EDIT
“McCafferty's precise dialogue seems effortless, even when the scenes are tough to watch. Manville and Neeson are exceptional. A pause, an awkward look, moments of tenderness or humour, even how Joan butters a scone, conveys much about them.” –
Original Cin
Feb 17, 2020
Full Review
Come to Daddy (2019)
87%
C-plus
EDIT
“What starts out as a promising comic thriller deflates quickly as it becomes clear we're just here for the gore.” –
Original Cin
Feb 3, 2020
Full Review
Quezon's Game (2018)
45%
C
EDIT
“An inspiring story. But aside from solid turns by Raymond Bagatsing as Quezon, Rachel Alejandro as his wife, Aurora, and Billy Ray Gallion as Alex Frieder, the acting swings between wooden and melodramatic. Budget constraints are evident.” –
Original Cin
Jan 23, 2020
Full Review
Wild Rose (2018)
92%
3/4
EDIT
“Buckley [is] an incandescent onscreen presence with a set of killer pipes who imbues every song with undeniable heart.” –
Toronto Star
Jun 20, 2019
Full Review
Gloria Bell (2018)
90%
3.5/4
EDIT
“Because of Moore's open-hearted, captivating portrayal of the title character, repetition won't be a drawback for those who've seen Gloria. She makes the role her own with brio and woman-power strength.” –
Toronto Star
Mar 14, 2019
Full Review
No Reviews Yet
Load More
Something went wrong.. try again