Logan Hill Movie Reviews & Previews - Rotten Tomatoes

Logan Hill

Logan Hill

Agrees with the Tomatometer 78% of the time.

Logan Hill's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): New York Magazine/Vulture, New York Times

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Rating T-Meter Title | Year Review
90% The Walking Dead: Season 1 Episode 5 "This episode delivers some of the series' best moments yet. " ‐ New York Magazine/Vulture
Posted Jul 7, 2015
80% The Walking Dead: Season 1 Episode 6 "Still, after this finale, it's clear that the series needs to shake something up, because, yet again, it took a terrific, compelling, original-for-TV premise that could be so good - and sunk it with tired old clichés. " ‐ New York Magazine/Vulture
Posted Jul 7, 2015
90% The Walking Dead: Season 1 Episode 4 "One problem with The Walking Dead, so far, is that the dialogue has been over-the-top and the violence has been relatively straight-forward. Maybe it should be the other way around. " ‐ New York Magazine/Vulture
Posted May 28, 2015
91% The Walking Dead: Season 1 Episode 3 "This sloppy dialogue is worrying, especially for a show that's supposed to be a notch above a standard zombie flick. " ‐ New York Magazine/Vulture
Posted May 21, 2015
92% Mad Men: Season 7 Episode 14 "[The finale] was an almost entirely unambiguous piece of closure, frequently verging on fan fiction, with a script that tied up so many loose threads it was practically needlepoint. " ‐ New York Times
Posted May 18, 2015
96% Mad Men: Season 7 Episode 13 "This episode of truth and consequences begins with Don's nightmare, in which he's finally caught in a lie. " ‐ New York Times
Posted May 11, 2015
97% Mad Men: Season 7 Episode 12 "It spent best-show-ever capital in the most outlandish ways on characters who have earned their peculiar weirdness. " ‐ New York Times
Posted May 4, 2015
73% The Walking Dead: Season 1 Episode 2 "In the middle of all this undercooked drama, Rick just can't stop delivering overheated speeches, like some preachy zombie killer driving a stake through the heart of these scenes, over and over. " ‐ New York Magazine/Vulture
Posted May 1, 2015
100% The Walking Dead: Season 1 Episode 1 "It's a bit hard to tell if The Walking Dead is a bit of everything ... or not much of anything. But the hope is that this could be the first zombie story in a long while with both serious brains and "Braiiiiinns!" " ‐ New York Magazine/Vulture
Posted May 1, 2015
97% Mad Men: Season 7 Episode 11 "[Prior] episodes splintered the show's stalwart characters off into so many discrete subplots that they rarely shared screen time with one another. This episode, directed by Lane Pryce himself - Jared Harris - remedied that. " ‐ New York Times
Posted Apr 27, 2015
89% Mad Men: Season 7 Episode 10 "One of the pleasures of watching this often grim show has been to see the young actress Kiernan Shipka grow up from a pint-size bartender, nearly suffocating in plastic bags, to the spiky, principled teenager raging at Don in front of that bus. " ‐ New York Times
Posted Apr 20, 2015
64% Mad Men: Season 7 Episode 9 "Titled "New Business," this week's hour felt like an eruption of old, bad habits, choppily edited. " ‐ New York Times
Posted Apr 13, 2015
96% Mad Men: Season 7 Episode 8 "Watching this elegant, evocative, self-referential hall-of-mirrors premiere, it was hard not to look back and think of Hegel's curse: "We learn from history that we learn nothing from history." " ‐ New York Times
Posted Apr 6, 2015
100% Mad Men: Season 7 Episode 7 "["Waterloo"] capped a seven-show arc that could stand up against the series's best 13-episode seasons, wrapping up plot threads and themes with all the subtlety of Peggy Olsen and the efficiency of an IBM 360. " ‐ New York Times
Posted Jan 4, 2015
96% Mad Men: Season 7 Episode 6 "This episode, ferociously written by Semi Chellas and thankfully low on Stanley Kubrick references, is less tidily parallel and more gritty. " ‐ New York Times
Posted Jan 4, 2015
87% Mad Men: Season 7 Episode 5 "Outside of Don, the best written, most unpredictable and most central character to this season's arc has arguably been Megan. " ‐ New York Times
Posted Jan 4, 2015
82% Mad Men: Season 7 Episode 4 "Leaving so little room for human error, this episode seemed like it was programmed to fail. " ‐ New York Times
Posted Jan 4, 2015
100% Mad Men: Season 7 Episode 3 ""O.K." With that final, surprising word, Don strikes a match to the fuse that's been strung carefully through the first three episodes of this final season. " ‐ New York Times
Posted Jan 3, 2015
93% Mad Men: Season 7 Episode 2 "Sunday's off-kilter comic episode plays like a dark, mythic farce, in which puny humans strive for ridiculous glory while fickle, intemperate Madison Avenue gods push people around like chess pieces. " ‐ New York Times
Posted Jan 2, 2015
90% Mad Men: Season 7 Episode 1 "Over and over, the culture and his characters stretch and push at limits, before snapping right back into place. " ‐ New York Times
Posted Jan 2, 2015
83% Your Sister's Sister (2012) "With this convoluted set-up in place, three actors with extraordinary chemistry play it all out to the end, and somehow the feeling deepens, even as the jokes spiral out of control. " ‐ New York Magazine/Vulture
Posted Mar 22, 2012
71% Natural Selection (2012) "I'm still reeling at how high a level of difficulty this film worked at, with its bold tonal shifts, meshing of truly dark material and spastic physical comedy. " ‐ New York Magazine/Vulture
Posted Mar 14, 2012
76% Damsels in Distress (2012) "Stillman is in fine form, depicting this campus as a kind of Ivy League Idiocracy. " ‐ New York Magazine/Vulture
Posted Oct 18, 2011
51% Brighton Rock (2011) "Brighton's "not what she used to be," says one gangster, and that sure is a shame: The 1947 adaptation was so much more, and so much more strange. " ‐ New York Magazine/Vulture
Posted Aug 29, 2011
85% Circumstance (2011) "The film doesn't feel weighed down with the burden of representation: It's too free-flowing for that, too plot-heavy, too stylish, too romantic, too hot. " ‐ New York Magazine/Vulture
Posted Aug 29, 2011
70% Friends With Benefits (2011) "Fast-paced and fabulously fake, Friends With Benefits is the Red Bull of romantic comedies, unapologetically delivering a hyperactive, synthetic buzz. " ‐ New York Magazine/Vulture
Posted Aug 2, 2011
90% Winnie the Pooh (2011) "After a summerlong rampage of Hollywood's obnoxious misbehavior, Pooh is mercifully without sting. " ‐ New York Magazine/Vulture
Posted Jul 14, 2011
68% Horrible Bosses (2011) "Still, Day's scene involving a mountain of cocaine is hyperspeed-hilarious, Farrell's unhinged, irrational fuming is marvelously cretinous, and Aniston's fully committed sex-addict sexpot act is wickedly absurd. " ‐ New York Magazine/Vulture
Posted Jul 8, 2011
90% Beats Rhymes & Life: The Travels of a Tribe Called Quest (2011) "it's Rapaport's mistake to spend so much time and energy unpacking something so much more obvious, and so much less interesting, than Tribe's music. " ‐ New York Magazine/Vulture
Posted Jul 7, 2011
38% Monte Carlo (2011) "Even within the manipulative Princess-for-a-Day genre, Disney Channel product Selena Gomez's Monte Carlo is a chintzy knockoff. " ‐ New York Magazine/Vulture
Posted Jul 1, 2011
39% Cars 2 (2011) "...by Pixar's outrageous standards of Oscar shoo-in virtuosity, this sequel is a disappointment at best. " ‐ New York Magazine/Vulture
Posted Jun 24, 2011
48% Mr. Popper's Penguins (2011) "Jim Carrey's farts-and-flippers comedy, which, though exceedingly dumb, is at least very smart about what appeals to 4- to 10-year-old kids, fans of Happy Feet, March of the Penguins, and YouTube animal videos. " ‐ New York Magazine/Vulture
Posted Jun 17, 2011
15% Priest (2011) "When you watch Bettany, you can't help wondering why the hell a talented actor is stuck in such an ungodly mess. " ‐ New York Magazine/Vulture
Posted May 13, 2011
56% Jumping the Broom (2011) ""The comedy is as familiar as the ceremony at a cookie-cutter wedding factory: Much feels old or borrowed; nothing feels new." " ‐ New York Magazine/Vulture
Posted May 6, 2011
15% Something Borrowed (2011) ""Inept and implausible in almost every way, Something Borrowed is the smug rom-com answer to the Apatowian man-child comedy." " ‐ New York Magazine/Vulture
Posted May 6, 2011
60% Water for Elephants (2011) ""Pattinson's beauty crowds out just about everything else." " ‐ New York Magazine/Vulture
Posted Apr 22, 2011
48% Super (2011) "For all its indie posturing, Super feels as callow as any other big studio flick to court Comic Con: A B-movie splatter flick dressed up as a critique, dressed up as a black comedy, dressed up as a spoof, and capped with an ironic epilogue. " ‐ New York Magazine/Vulture
Posted Apr 4, 2011
45% Drive Angry (2011) "It's the worst kind of bad: Boring bad. " ‐ New York Magazine/Vulture
Posted Feb 25, 2011
100% Fanny & Alexander (1982) "This premiere of the original cut, running at 312 minutes, leaves room for more than a story of one life. " ‐ New York Magazine/Vulture
Posted Dec 1, 2008
93% The Betrayal - Nerakhoon (2008) "Even in a city bursting with extraordinary immigrant stories, this film about a Laotian-American family's journey to Brooklyn is unusually moving. " ‐ New York Magazine/Vulture
Posted Nov 17, 2008
91% Stranded: I Have Come from a Plane That Crashed on the Mountains (2008) "Somber and exhaustive, the film manages to avoid exploitation while still conveying the harrowing ordeal of its subjects. " ‐ New York Magazine/Vulture
Posted Oct 20, 2008
98% Let the Right One In (2008) "Tomas Alfredson somehow takes a wild premise -- a ravenous 12-year-old bloodsucker who strikes up a romance with a bullied young boy in small-town Sweden -- and executes it with restraint and style. " ‐ New York Magazine/Vulture
Posted Oct 20, 2008
89% Nights and Weekends (2008) "Joe Swanberg and Greta Gerwig nail the everyday rhythms of stuttering indecision. " ‐ New York Magazine/Vulture
Posted Oct 6, 2008
88% Louise Bourgeois: The Spider, the Mistress and the Tangerine (2008) "Remarkably and unsentimentally self-reflective, the artist talks to filmmakers Marion Cajori and Amei Wallach about a lifetime of tough work and tougher questions. Fascinating stuff. " ‐ New York Magazine/Vulture
Posted Jun 23, 2008
53% Harold & Kumar Escape from Guantanamo Bay (2008) "Penn and Cho's stoner slapstick will doubtless please their obsessive fans. " ‐ New York Magazine/Vulture
Posted Apr 25, 2008
40% Dark Matter (2008) "Director Chen Shi-Zheng is inconsistent from one scene to the next, alternating clichés with convincing, specific details. The film never quite earns its whopper of a finale. " ‐ New York Magazine/Vulture
Posted Apr 7, 2008
77% Water Lilies (2008) "The drama never merely titillates, instead developing a convincing dynamic among the three. " ‐ New York Magazine/Vulture
Posted Mar 31, 2008
88% Meduzot (Jellyfish) (2008) "The film is shot through with keen observations and dry wit, and has a refreshing, easygoing sense of flow. " ‐ New York Magazine/Vulture
Posted Mar 31, 2008
64% Stop-Loss (2008) "Boys Don't Cry director Kimberly Pearce attempts to anchor the Iraq War debate in the lives of a specific subset of soldiers and nearly pulls it off. But her promising premise runs into a rut of incompatible accents and melodramatic excess. " ‐ New York Magazine/Vulture
Posted Mar 24, 2008
70% Sleep Dealer (2009) "[This] lo-fi sci-fi debut is jam-packed with sly satirical gestures that more than compensate for its more-traditional shortcomings. " ‐ New York Magazine/Vulture
Posted Mar 24, 2008
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