|
|
83%
|
Your Sister's Sister (2012) |
"
With this convoluted set-up in place, three actors with extraordinary chemistry play it all out to the end, and somehow the feeling deepens, even as the jokes spiral out of control."
—
Vulture
Posted Mar 22, 2012
|
|
|
71%
|
Natural Selection (2012) |
"
I'm still reeling at how high a level of difficulty this film worked at, with its bold tonal shifts, meshing of truly dark material and spastic physical comedy."
—
Vulture
Posted Mar 14, 2012
|
|
|
75%
|
Damsels in Distress (2012) |
"
Stillman is in fine form, depicting this campus as a kind of Ivy League Idiocracy."
—
Vulture
Posted Oct 18, 2011
|
|
|
53%
|
Brighton Rock (2011) |
"
Brighton's "not what she used to be," says one gangster, and that sure is a shame: The 1947 adaptation was so much more, and so much more strange."
—
New York Magazine
Posted Aug 29, 2011
|
|
|
86%
|
Circumstance (2011) |
"
The film doesn't feel weighed down with the burden of representation: It's too free-flowing for that, too plot-heavy, too stylish, too romantic, too hot."
—
New York Magazine
Posted Aug 29, 2011
|
|
|
71%
|
Friends With Benefits (2011) |
"
Fast-paced and fabulously fake, Friends With Benefits is the Red Bull of romantic comedies, unapologetically delivering a hyperactive, synthetic buzz."
—
New York Magazine
Posted Aug 2, 2011
|
|
|
90%
|
Winnie the Pooh (2011) |
"
After a summerlong rampage of Hollywood's obnoxious misbehavior, Pooh is mercifully without sting."
—
Vulture
Posted Jul 14, 2011
|
|
|
70%
|
Horrible Bosses (2011) |
"
Still, Day's scene involving a mountain of cocaine is hyperspeed-hilarious, Farrell's unhinged, irrational fuming is marvelously cretinous, and Aniston's fully committed sex-addict sexpot act is wickedly absurd."
—
Vulture
Posted Jul 8, 2011
|
|
|
91%
|
Beats Rhymes & Life: The Travels of a Tribe Called Quest (2011) |
"
it's Rapaport's mistake to spend so much time and energy unpacking something so much more obvious, and so much less interesting, than Tribe's music. "
—
Vulture
Posted Jul 7, 2011
|
|
|
38%
|
Monte Carlo (2011) |
"
Even within the manipulative Princess-for-a-Day genre, Disney Channel product Selena Gomez's Monte Carlo is a chintzy knockoff. "
—
Vulture
Posted Jul 1, 2011
|
|
|
38%
|
Cars 2 (2011) |
"
...by Pixar's outrageous standards of Oscar shoo-in virtuosity, this sequel is a disappointment at best."
—
Vulture
Posted Jun 24, 2011
|
|
|
47%
|
Mr. Popper's Penguins (2011) |
"
Jim Carrey's farts-and-flippers comedy, which, though exceedingly dumb, is at least very smart about what appeals to 4- to 10-year-old kids, fans of Happy Feet, March of the Penguins, and YouTube animal videos."
—
Vulture
Posted Jun 17, 2011
|
|
|
16%
|
Priest (2011) |
"
When you watch Bettany, you can't help wondering why the hell a talented actor is stuck in such an ungodly mess."
—
Vulture
Posted May 13, 2011
|
|
|
55%
|
Jumping the Broom (2011) |
"
"The comedy is as familiar as the ceremony at a cookie-cutter wedding factory: Much feels old or borrowed; nothing feels new.""
—
Vulture
Posted May 6, 2011
|
|
|
15%
|
Something Borrowed (2011) |
"
"Inept and implausible in almost every way, Something Borrowed is the smug rom-com answer to the Apatowian man-child comedy.""
—
Vulture
Posted May 6, 2011
|
|
|
61%
|
Water for Elephants (2011) |
"
"Pattinson's beauty crowds out just about everything else.""
—
Vulture
Posted Apr 22, 2011
|
|
|
48%
|
Super (2011) |
"
For all its indie posturing, Super feels as callow as any other big studio flick to court Comic Con: A B-movie splatter flick dressed up as a critique, dressed up as a black comedy, dressed up as a spoof, and capped with an ironic epilogue."
—
New York Magazine
Posted Apr 4, 2011
|
|
|
45%
|
Drive Angry (2011) |
"
It's the worst kind of bad: Boring bad."
—
New York Magazine
Posted Feb 25, 2011
|
|
|
100%
|
Fanny och Alexander (Fanny and Alexander) (1982) |
"
This premiere of the original cut, running at 312 minutes, leaves room for more than a story of one life."
—
New York Magazine
Posted Dec 1, 2008
|
|
|
93%
|
The Betrayal - Nerakhoon (2008) |
"
Even in a city bursting with extraordinary immigrant stories, this film about a Laotian-American family's journey to Brooklyn is unusually moving."
—
New York Magazine
Posted Nov 17, 2008
|
|
|
91%
|
Stranded: I Have Come from a Plane That Crashed on the Mountains (2008) |
"
Somber and exhaustive, the film manages to avoid exploitation while still conveying the harrowing ordeal of its subjects."
—
New York Magazine
Posted Oct 20, 2008
|
|
|
98%
|
Let the Right One In (2008) |
"
Tomas Alfredson somehow takes a wild premise -- a ravenous 12-year-old bloodsucker who strikes up a romance with a bullied young boy in small-town Sweden -- and executes it with restraint and style."
—
New York Magazine
Posted Oct 20, 2008
|
|
|
84%
|
Nights and Weekends (2008) |
"
Joe Swanberg and Greta Gerwig nail the everyday rhythms of stuttering indecision."
—
New York Magazine
Posted Oct 6, 2008
|
|
|
88%
|
Louise Bourgeois: The Spider, the Mistress and the Tangerine (2008) |
"
Remarkably and unsentimentally self-reflective, the artist talks to filmmakers Marion Cajori and Amei Wallach about a lifetime of tough work and tougher questions. Fascinating stuff."
—
New York Magazine
Posted Jun 23, 2008
|
|
|
53%
|
Harold & Kumar Escape from Guantanamo Bay (2008) |
"
Penn and Cho's stoner slapstick will doubtless please their obsessive fans."
—
New York Magazine
Posted Apr 25, 2008
|
|
|
39%
|
Dark Matter (2008) |
"
Director Chen Shi-Zheng is inconsistent from one scene to the next, alternating clichés with convincing, specific details. The film never quite earns its whopper of a finale."
—
New York Magazine
Posted Apr 7, 2008
|
|
|
75%
|
Naissance des Pieuvres (Water Lilies) (2008) |
"
The drama never merely titillates, instead developing a convincing dynamic among the three."
—
New York Magazine
Posted Mar 31, 2008
|
|
|
87%
|
Meduzot (Jellyfish) (2008) |
"
The film is shot through with keen observations and dry wit, and has a refreshing, easygoing sense of flow."
—
New York Magazine
Posted Mar 31, 2008
|
|
|
65%
|
Stop-Loss (2008) |
"
Boys Don't Cry director Kimberly Pearce attempts to anchor the Iraq War debate in the lives of a specific subset of soldiers and nearly pulls it off. But her promising premise runs into a rut of incompatible accents and melodramatic excess."
—
New York Magazine
Posted Mar 24, 2008
|
|
|
66%
|
Sleep Dealer (2009) |
"
[This] lo-fi sci-fi debut is jam-packed with sly satirical gestures that more than compensate for its more-traditional shortcomings."
—
New York Magazine
Posted Mar 24, 2008
|
|
|
51%
|
CJ7 (2008) |
"
Even fans of Stephen Chow should probably skip his latest, kid-friendly flick. It's only sporadically funny, and often grating, and at some point you realize that you've been suckered into watching an extended advertisement for a toy."
—
New York Magazine
Posted Mar 3, 2008
|
|
|
90%
|
Sanxia Haoren (Still Life) (2006) |
"
More than any other director, the extraordinarily gifted Chinese filmmaker Jia Zhang-ke has a talent for locating the future in the present day."
—
New York Magazine
Posted Feb 11, 2008
|
|
—
|
29%
|
Fun With Dick and Jane (2005) |
—
New York Magazine
Posted Jul 14, 2007
|
|
|
56%
|
Civic Duty (2006) |
"
Jeff Renfroe's film stirs up some timely anxieties, including the War on Terror, racial profiling."
—
New York Magazine
Posted Apr 30, 2007
|
|
|
64%
|
American Cannibal: The Road to Reality (2006) |
"
Reality TV has rarely cared much about truth -- and maybe this is the doc it deserves. The crass truthiness here is far more apt than any of the glossy satire in American Dreamz."
—
New York Magazine
Posted Mar 16, 2007
|
|
|
69%
|
Cocaine Cowboys (2006) |
"
Sure, the bombast is extreme, and, yes, it spends more time on tall tales than impact reports, but this vigorous, energetic doc captures the allure of a business that has never thrived on subtlety."
—
New York Magazine
Posted Oct 23, 2006
|
|
|
76%
|
A Guide to Recognizing Your Saints (2006) |
"
Montiel's debut packs a visceral punch that most coming-of-age tales do not."
—
New York Magazine
Posted Sep 25, 2006
|
|
|
84%
|
Saint of 9/11 (2006) |
"
Certainly, this documentary honors Judge's memory, but one wishes for something greater."
—
New York Magazine
Posted Sep 7, 2006
|
|
|
59%
|
Red Doors (2005) |
"
A few of the plot threads are woven more neatly than others, but the film makes for a promising debut."
—
New York Magazine
Posted Sep 7, 2006
|
|
|
88%
|
Man Push Cart (2006) |
"
Ramin Bahrani's striking debut tracks a Pakistani street-cart vendor with a mysterious past as he pushes his steel box through Manhattan."
—
New York Magazine
Posted Sep 7, 2006
|
|
|
74%
|
Sherrybaby (2006) |
"
Cranky and desperate, Gyllenhaal is impeccable, but this is such a familiar tale that the resolution cannot help but feel predetermined."
—
New York Magazine
Posted Sep 7, 2006
|
|
|
88%
|
Bad Education (La Mala educación) (2004) |
"
It still exerts an uncanny power: Like the best of Almodóvar's work, it throws you a first-love sucker punch that will stagger your heart, mind, and soul."
—
New York Magazine
Posted Feb 27, 2005
|
|
|
56%
|
The Polar Express (2004) |
"
Strap yourself in and try not to vomit, because this is more of a theme-park event than a movie -- Pirates of the Caribbean in reverse, a wild ride stripped of its story, down to a rattling series of obvious, underwhelming effects."
—
New York Magazine
Posted Jan 16, 2005
|
|
—
|
84%
|
The Sea Inside (Mar Adentro) (The Sea Within) (2004) |
—
New York Magazine
Posted Jan 15, 2005
|
|
—
|
42%
|
A Love Song for Bobby Long (2004) |
—
New York Magazine
Posted Jan 15, 2005
|
|
—
|
68%
|
The Assassination of Richard Nixon (2004) |
—
New York Magazine
Posted Jan 15, 2005
|
|
—
|
55%
|
Ocean's Twelve (2004) |
—
New York Magazine
Posted Dec 12, 2004
|
|
—
|
26%
|
Noel (2004) |
—
New York Magazine
Posted Nov 23, 2004
|
|
|
78%
|
Overnight (2004) |
"
The latest entry in the ever-expanding Harvey Weinstein demonology, this jittery documentary is as raw as the filmmakers' rattled nerves."
—
New York Magazine
Posted Nov 23, 2004
|