|
—
|
——
|
Hundred Steps () |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
——
|
Beneath Clouds () |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
10%
|
The Watcher (2000) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
88%
|
Tracker (2003) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
61%
|
Return to Me (2000) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
82%
|
The Deep End (2001) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
96%
|
Raise the Red Lantern (Da hong deng long gao gao gua) (1991) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
61%
|
The Bank (2002) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
88%
|
Felicia's Journey (1999) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
73%
|
Heaven (2002) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
37%
|
Rules of Engagement (2000) |
—
Senses of Cinema
Posted Jan 24, 2004
|
|
—
|
67%
|
The Happiness of the Katakuris (2001) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
59%
|
Cube (1998) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
90%
|
Lantana (2002) |
—
Senses of Cinema
Posted Jan 24, 2004
|
|
—
|
100%
|
Tokyo Story (Tôkyô monogatari) (1953) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
77%
|
Tape (2001) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
86%
|
Equinox Flower (1958) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
98%
|
Croupier (2000) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
68%
|
Dancer in the Dark (2000) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
68%
|
Shaft (2000) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
55%
|
Malena (2000) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
94%
|
Best in Show (2000) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
96%
|
The Dish (2001) |
—
Senses of Cinema
Posted Jan 24, 2004
|
|
—
|
76%
|
Tigerland (2000) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
21%
|
Baise-Moi (2000) |
—
Critical Eye
Posted Jan 24, 2004
|
|
—
|
71%
|
Phone Booth (2003) |
—
Critical Eye
Posted May 30, 2003
|
|
—
|
100%
|
French Cancan (Only the French Can) (1956) |
—
Critical Eye
Posted May 7, 2003
|
|
—
|
56%
|
Ned Kelly (2003) |
—
Critical Eye
Posted Apr 4, 2003
|
|
|
90%
|
Act of Violence (1948) |
"
A complex, fascinating noir that exposes the grim truths behind the shiny, fragile façade of post-war America."
—
Senses of Cinema
Posted Mar 31, 2003
|
|
—
|
85%
|
About Schmidt (2002) |
—
Critical Eye
Posted Feb 14, 2003
|
|
—
|
82%
|
Pollock (2000) |
—
Critical Eye
Posted Dec 27, 2002
|
|
—
|
72%
|
Le Pacte des loups (Brotherhood of the Wolf) (2001) |
—
Critical Eye
Posted Dec 6, 2002
|
|
—
|
100%
|
Samsara (2002) |
—
Critical Eye
Posted Nov 29, 2002
|
|
—
|
85%
|
Rain (2001) |
—
Critical Eye
Posted Oct 26, 2002
|
|
—
|
44%
|
Garage Days (2003) |
—
Critical Eye
Posted Oct 4, 2002
|
|
|
91%
|
Y Tu Mamá También (2001) |
"
A tremendous example of what is possible when you take a simple premise, and imbue it with intelligence and dignity"
—
Critical Eye
Posted Sep 20, 2002
|
|
|
74%
|
Signs (2002) |
"
Its attempts to merge popcorn mentalities and issues of theology means there is not enough of either approach to really work."
—
Critical Eye
Posted Sep 9, 2002
|
|
—
|
80%
|
The Business of Strangers (2001) |
—
Critical Eye
Posted Jul 5, 2002
|
|
|
95%
|
Lagaan - Once Upon a Time in India (2001) |
"
'...a great, participatory spectator sport.'"
—
Critical Eye
Posted Jul 3, 2002
|
|
|
92%
|
Minority Report (2002) |
"
the most interesting, successful, and basically honest work this director has done for a long, long time."
—
Critical Eye
Posted Jun 28, 2002
|
|
|
58%
|
The Importance of Being Earnest (2002) |
"
'In this poor remake of such a well loved classic, Parker exposes the limitations of his skill and the basic flaws in his vision.'"
—
Critical Eye
Posted Jun 28, 2002
|
|
|
——
|
The Beaver Trilogy (2001) |
"
'...toys with issues of spectatorship so brilliantly, that you emerge having learnt a lot about fiction, documentary, and yourself.'"
—
Critical Eye
Posted Jun 13, 2002
|
|
|
73%
|
The Last Kiss (L'Ultimo bacio) (2002) |
"
"its successes are also tempered with elements which prove the direct antithesis of what it gets right.""
—
Critical Eye
Posted Jun 4, 2002
|
|
|
——
|
Puppetry of the Penis - Tackle Happy (2002) |
"
"It's such a weird and demented world these men choose to inhabit, but Molloy doesn't take us any further than the surface.""
—
Critical Eye
Posted Jun 4, 2002
|
|
—
|
53%
|
Storytelling (2002) |
—
Critical Eye
Posted May 31, 2002
|
|
|
80%
|
The Royal Tenenbaums (2002) |
"
'...like the lives of the geniuses it centres on, The Royal Tenenbaums is a good looking, angst ridden example of squandered potential.'"
—
Critical Eye
Posted May 17, 2002
|
|
|
41%
|
The Scorpion King (2002) |
"
a return of the action hero as self-parody"
—
Critical Eye
Posted Apr 19, 2002
|
|
|
89%
|
Kandahar (2001) |
"
'...doesn't quite have the cohesion and power of the sublime Gabbeh... but still remains strong and compelling'"
—
Critical Eye
Posted Apr 5, 2002
|
|
|
78%
|
A Beautiful Mind (2001) |
"
It may be a film which salutes intelligence and the power of love, but it's also a symbol of cinematic cowardice and fear."
—
Critical Eye
Posted Apr 5, 2002
|
|
|
80%
|
Waking Life (2001) |
"
It has taken a decade for Linklater to move from Slacker to Waking Life, and a comparison between the two brilliantly exposes the changes that have occurred over this time."
—
Critical Eye
Posted Mar 29, 2002
|
79%
33%
54%
52%
