|
1.5/4
|
20%
|
Somm (2013) |
"
Kudos to those who become masters, and for a little while the personalities are enough to help Somm amuse. Still, it's more of a niche amuse bouche than a full-bodied doc."
—
RedEye
Posted Jun 13, 2013
|
|
2.5/4
|
71%
|
The Source Family (2013) |
"
Even bizarre ramblings deserve recognition when, for whatever reason, they united people looking for something no one else was selling."
—
RedEye
Posted Jun 13, 2013
|
|
3/4
|
85%
|
Fill the Void (2013) |
"
Articulates this society's constant urgency and claustrophobic decisions."
—
RedEye
Posted Jun 13, 2013
|
|
3/4
|
56%
|
Man of Steel (2013) |
"
Cavill and Adams didn't have much time to bond before shooting, but they nail it. He's sturdy but tormented; she's tough and feisty."
—
RedEye
Posted Jun 12, 2013
|
|
2/4
|
85%
|
This Is the End (2013) |
"
Even without James Franco and Danny McBride threatening to ejaculate all over each other, This is the End would be an aggressive, misguided demonstration of self-love."
—
RedEye
Posted Jun 6, 2013
|
|
2.5/4
|
69%
|
Tiger Eyes (2013) |
"
Still waiting on that Superfudge movie."
—
RedEye
Posted Jun 6, 2013
|
|
1/4
|
22%
|
Violet & Daisy (2013) |
"
Fletcher should have done more than applauding himself after writing 'Diablo Cody' on one hand and 'Quentin Tarantino' on the other."
—
RedEye
Posted Jun 6, 2013
|
|
1/4
|
24%
|
Rapture-Palooza (2013) |
"
Normally 'Palooza' means fun."
—
RedEye
Posted Jun 6, 2013
|
|
1.5/4
|
73%
|
The Kings of Summer (2013) |
"
The movie's just such a pain in the ass."
—
RedEye
Posted Jun 6, 2013
|
|
3/4
|
70%
|
The East (2013) |
"
A big step forward for a filmmaking team that's clearly fascinated by outsider culture and its intersection with the world from which it diverges."
—
RedEye
Posted Jun 6, 2013
|
|
2.5/4
|
38%
|
The Purge (2013) |
"
It's intriguing and disturbing to consider what people might do with deadly permission."
—
RedEye
Posted Jun 6, 2013
|
|
0/4
|
34%
|
The Internship (2013) |
"
The polar opposite of The Social Network, depicting innovation and intelligence as if they're merely the fruits of ideas burped out by an aging slacker who doesn't know when to shut up."
—
RedEye
Posted Jun 6, 2013
|
|
3/4
|
91%
|
We Steal Secrets: The Story Of Wikileaks (2013) |
"
A fascinating account of a man who loved stirring the pot until he was the one sitting in it."
—
RedEye
Posted May 30, 2013
|
|
3.5/4
|
98%
|
Before Midnight (2013) |
"
Their discussions have the rhythm of real life, as likely to generate nods of recognition from couples in the audience as start a fight between them on the way home."
—
RedEye
Posted May 30, 2013
|
|
2.5/4
|
50%
|
Now You See Me (2013) |
"
Fun for a while, then it's gone."
—
RedEye
Posted May 30, 2013
|
|
1.5/4
|
11%
|
After Earth (2013) |
"
Had the ad mentioned him, it probably would have said, 'An M. Night Shyamalan film. Sorry.'"
—
RedEye
Posted May 30, 2013
|
|
2.5/4
|
80%
|
About Sunny () |
"
A slow wade through not-exactly-fresh waters."
—
RedEye
Posted May 23, 2013
|
|
2/4
|
88%
|
What Maisie Knew (2013) |
"
Porn industry 1, Henry James 0."
—
RedEye
Posted May 23, 2013
|
|
3.5/4
|
91%
|
Frances Ha (2013) |
"
Passive-aggressive and expertly generational, Frances Ha is either hilarious or devastating, and probably both."
—
RedEye
Posted May 23, 2013
|
|
1.5/4
|
71%
|
Fast & Furious 6 (2013) |
"
The climactic action sequence is so under-lit I was glad when a plane blew up so I could see what was happening."
—
RedEye
Posted May 23, 2013
|
|
3/4
|
20%
|
The Hangover Part III (2013) |
"
The Hangover now bests the Iron Man franchise by a half-star (8-7.5 total) in my book. So there's that."
—
RedEye
Posted May 22, 2013
|
|
0/4
|
49%
|
Scatter My Ashes At Bergdorf's (2013) |
"
As detached from the real world in 2013 as a primer on how to choose the best-tasting caviar."
—
RedEye
Posted May 16, 2013
|
|
3.5/4
|
96%
|
Stories We Tell (2013) |
"
Polley's compassion and curiosity again mark her as both a heartfelt and unforgiving filmmaker. "
—
RedEye
Posted May 16, 2013
|
|
2.5/4
|
68%
|
The Iceman (2013) |
"
Few actors do the menacing stare like Shannon."
—
RedEye
Posted May 16, 2013
|
|
2/4
|
45%
|
Black Rock (2013) |
"
Genre pieces can be straightforward but shouldn't confuse shallowness with efficiency."
—
RedEye
Posted May 16, 2013
|
|
3.5/4
|
87%
|
Star Trek Into Darkness (2013) |
"
And down goes Iron Man 3. ... Every blockbuster should be this hefty, with the fleetness of warp."
—
RedEye
Posted May 14, 2013
|
|
3.5/4
|
88%
|
In the House (2013) |
"
Captures why we do what we do, and the extent to which stories reflect both the writer and the reader."
—
RedEye
Posted May 9, 2013
|
|
2/4
|
75%
|
Love Is All You Need (2013) |
"
Has nothing to do with The Beatles' 'All You Need Is Love.' Based on the movie's low quantity of romance, it may as well be called The Walrus I Am."
—
RedEye
Posted May 9, 2013
|
|
2/4
|
36%
|
Peeples (2013) |
"
Incorporates not one but two unintentional drug trips, which I think is a button on screenwriting software that automatically writes generic, dude-I'm-freaking-out scenes for you."
—
RedEye
Posted May 9, 2013
|
|
2/4
|
50%
|
The Great Gatsby (2013) |
"
Isn't so much style over substance as an inability to access material rather than merely paste it to the screen. "
—
RedEye
Posted May 9, 2013
|
|
2.5/4
|
25%
|
Aroused (2013) |
"
It's tough not to wish Anderson, who fortunately moves away from initial, obvious statements about how sex sells, tried harder to get the full story."
—
RedEye
Posted May 2, 2013
|
|
2.5/4
|
54%
|
The Reluctant Fundamentalist (2013) |
"
Flawed but more compelling than it sounds."
—
RedEye
Posted May 2, 2013
|
|
3/4
|
48%
|
At Any Price (2013) |
"
Achieves an ideal sense of place, where a small community isn't all innocence and sweetness."
—
RedEye
Posted May 2, 2013
|
|
2.5/4
|
78%
|
Iron Man 3 (2013) |
"
A clanging approximation of fun."
—
RedEye
Posted May 2, 2013
|
|
2/4
|
23%
|
Arthur Newman (2013) |
"
Has two excellent actors on board and not a singular character who feels real as written."
—
RedEye
Posted Apr 25, 2013
|
|
3/4
|
99%
|
Mud (2013) |
"
A story about how at one point or another love makes liars of us all, either to others or ourselves."
—
RedEye
Posted Apr 25, 2013
|
|
3/4
|
94%
|
Blancanieves (2013) |
"
May not have much depth to its characters or particular surprise, but its lovely depiction of family's ability to harm and mend has the flair of flamenco and the sorrow of opera."
—
RedEye
Posted Apr 25, 2013
|
|
0.5/4
|
7%
|
The Big Wedding (2013) |
"
The film was delayed from the fall, assumedly so if the Mayan apocalypse really hit, the cast could have a silver lining."
—
RedEye
Posted Apr 25, 2013
|
|
2.5/4
|
45%
|
Pain & Gain (2013) |
"
Johnson's never been funnier, while Wahlberg, a perfect choice for the part, again excels at finding charm in even someone whose behavior becomes repulsive."
—
RedEye
Posted Apr 25, 2013
|
|
2.5/4
|
65%
|
Antiviral (2013) |
"
If weirdness was all that mattered, Antiviral would be a must-see."
—
RedEye
Posted Apr 18, 2013
|
|
1.5/4
|
42%
|
To The Wonder (2013) |
"
'Ever notice how guys are always walking around with their hands in their pockets, saying and expressing nothing? And women are always twirling and letting their emotions get the best of them?'"
—
RedEye
Posted Apr 18, 2013
|
|
2/4
|
55%
|
Oblivion (2013) |
"
Kosinski should have worn sleeves if he was going to try stuffing tricks in there-I rarely predict twists, and I called three of 'em."
—
RedEye
Posted Apr 18, 2013
|
|
1/4
|
4%
|
Scary Movie 5 (2013) |
"
Spoofs always break the rule of half-mocking something stale, but I had no idea we needed a minimum amount of time needed before a reference."
—
RedEye
Posted Apr 12, 2013
|
|
1.5/4
|
50%
|
Welcome to the Punch (2013) |
"
When Max finally gets a chance to ask Jacob why the killer didn't kill him when he had the chance, the answer's as unsatisfying as the movie."
—
RedEye
Posted Apr 11, 2013
|
|
1/4
|
88%
|
Upstream Color (2013) |
"
Pretentious hogwash--sometimes literally. Coherence is not your enemy, buddy, but you and your movies are why some people hate independent cinema."
—
RedEye
Posted Apr 11, 2013
|
|
2.5/4
|
65%
|
Disconnect (2013) |
"
I'd say I'm of two minds about Disconnect, but I think it's more like my mind and my heart don't agree on this one."
—
RedEye
Posted Apr 11, 2013
|
|
2.5/4
|
56%
|
The Company You Keep (2013) |
"
What begins as a crackling, '70s-style political thriller drags into a chatty, less-than-gripping drama that criticizes the press only to undermine its purpose."
—
RedEye
Posted Apr 11, 2013
|
|
2.5/4
|
68%
|
Trance (2013) |
"
Until its nested structure grows tiresome, Trance serves as slick, shifty entertainment, anchored by three excellent lead performances as slithery as the movie."
—
RedEye
Posted Apr 11, 2013
|
|
2.5/4
|
77%
|
42 (2013) |
"
Relentless obviousness disappears in the second half of 42, which features a potentially star-making turn from Chadwick Boseman."
—
RedEye
Posted Apr 11, 2013
|
75%
80%
62%
52%
26%
4%
