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Nikola Grozdanovic

Nikola Grozdanovic's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
In the Fade (2017) 75% C EDIT “A pretty good made-for-TV movie and a terribly average theatrical film.” – The Playlist May 28, 2017 Full Review Double Lover (2017) 70% B EDIT “Ozon's film has the appropriately sleazy touch of camp and bat-shit wonky direction to become a cult twin-thriller.” – The Playlist May 28, 2017 Full Review A Gentle Creature (2017) 74% A- EDIT “"A Gentle Creature" ultimately stands as a devilishly symphonic piece of art that transcends cinema and politics to nestle itself in the back of your mind forever.” – The Playlist May 25, 2017 Full Review The Day After (2017) 79% A- EDIT “The Day After" is a soulful and profound story told in a distinct cinematic language that's worthy of its own film academy.” – The Playlist May 23, 2017 Full Review Redoubtable (2017) 54% B- EDIT “Redoubtable now has a life of its own, and if taken with a grain of salt and lots and lots of sugar, it's mostly one big harmless blast at the movies.” – The Playlist May 22, 2017 Full Review A Ciambra (2017) 89% B EDIT “While it makes its point half-way into its running time and you start getting the anxious jitters of a film that overstays its welcome, A Ciambra serves the fundamental cinematic purpose of transporting you to another world.” – The Playlist May 22, 2017 Full Review How to Talk to Girls at Parties (2017) 47% B+ EDIT “The creative collision of author Neil Gaiman and the director of "Hedwig and the Angry Itch" is a match made in bizarro world heaven as 'Girls' thrusts a conventional coming-of-age premise into a romance-horror-comedy-sci-fi blender with the top off.” – The Playlist May 22, 2017 Full Review Jupiter's Moon (2017) 49% C+ EDIT “"Jupiter's Moon" might very well go down as a it's-so-bad-it's-good B-movie camp.” – The Playlist May 19, 2017 Full Review Barbara (2017) 84% C EDIT “Amalric puts all of the esoteric artistic tendencies that are part and parcel of the creative process into "Barbara" and comes up with an incoherent mess of a docu-drama.” – The Playlist May 19, 2017 Full Review London Fields (2018) 0% C- EDIT “Whatever director Matthew Cullen and writer Roberta Hanley have cooked up with this screen adaptation, it's nothing if not a debauched hodgepodge for the senses that dares you to abandon it at almost every turn.” – The Playlist Sep 14, 2016 Full Review Among the Believers (2015) 95% C EDIT “Without an element of true discovery, however, Among The Believers is a cinematically, and artistically, flat result.” – The Playlist Sep 2, 2016 Full Review The Wailing (2016) 99% B+ EDIT “A bullet train of laughs, gore, frights and folklore.” – The Playlist May 21, 2016 Full Review Gimme Danger (2016) 95% B EDIT “Even if you don't agree with Jarmusch's introductory claim that The Stooges are the greatest rock and roll band ever, there's still a lot of pleasure to be gleaned from Gimme Danger.” – The Playlist May 21, 2016 Full Review The Last Face (2016) 8% F EDIT “A preposterous and pretentious mess of a film, and all the good intentions in the world don't mean anything when the execution is as ham-fisted as it is here.” – The Playlist May 20, 2016 Full Review Risk (2016) 80% B EDIT “It's impossible to divorce the viewing experience from the knowledge of how much risk [Poitras] herself has taken to produce it, which only adds to the exigency of her film.” – The Playlist May 19, 2016 Full Review Ma' Rosa (2016) 82% B EDIT “Tough as nails, and leaves you with a heaviness and a pulsating sympathy that's impossible to ignore.” – The Playlist May 19, 2016 Full Review Two Lovers and a Bear (2016) 84% C- EDIT “All it ultimately amounts to is confounded fantasy and a couple of awkward chuckles.” – The Playlist May 19, 2016 Full Review Endless Poetry (2016) 94% C+ EDIT “The film quickly turns into an endurance test for people who aren't hardcore [Jodorowsky] fans.” – The Playlist May 18, 2016 Full Review I, Daniel Blake (2016) 92% B EDIT “Quietly dismissing rumblings about Jimmy's Hall being his final film, I, Daniel Blake sees Ken Loach in especially endearing form.” – The Playlist May 17, 2016 Full Review Slack Bay (2016) 64% B- EDIT “[T]here's ... something fantastically compelling about the ridiculous, excessive, often very funny and relentlessly offbeat Slack Bay.” – The Playlist May 17, 2016 Full Review From the Land of the Moon (2016) 32% D- EDIT “Despite Garcia's great intentions of making us understand and emotionally connect with a fragile soul, she ends up paving the road to a hellishly insufferable film.” – The Playlist May 16, 2016 Full Review Hell or High Water (2016) 97% B EDIT “If you feel like you've heard it all before, the film nontheless provides more than its share of entertainment to make it a surefooted and perfectly enjoyable ride.” – The Playlist May 16, 2016 Full Review The BFG (2016) 74% B+ EDIT “Exceeds expectations in terms of Rylance's performance, and joyously expounds the essence of a cherished children's tale with imaginative glory and boundless love” – The Playlist May 15, 2016 Full Review Horse Money (2014) 83% B+ EDIT “As someone who has reinvigorated the art of docufiction in his own quiet, minimal way, Costa's films are meticulous in their representation of the real, which comes into a bit of a tussle with the abstract nature of Horse Money” – The Playlist Apr 14, 2016 Full Review Desierto - Border Sniper (2015) 64% D EDIT “With a bare minimum amount of suspense, and a screenplay that needs too much work for one that has so many long stretches of silence, this film leaves you with too many reasons not to care about it.” – The Playlist Apr 12, 2016 Full Review
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