Sam Watermeier
Sam Watermeier's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Host (2020)
98%
4/5
EDIT
“Like the best horror films, Host captures contemporary fears, but it's also one hell of a haunted hayride - well, a socially distanced and virtual hayride.” –
Midwest Film Journal
Oct 21, 2020
Full Review
The King of Staten Island (2020)
76%
4/5
EDIT
“Punctuating drama with comedy rather than the other way around, this is Judd Apatow's boldest film yet.” –
Midwest Film Journal
Jul 2, 2020
Full Review
You Should Have Left (2020)
40%
3/5
EDIT
“The third act of the film unfortunately turns into a mere funhouse ride, but until then it sizzles with suspense beyond the supernatural.” –
Midwest Film Journal
Jul 2, 2020
Full Review
Capone (2020)
40%
3/5
EDIT
“A greasy carnival ride under the guise of a polished prestige picture.” –
Midwest Film Journal
Jul 2, 2020
Full Review
The Trip to Greece (2020)
88%
4/5
EDIT
“If you've tagged along with these goobers for the past three films in The Trip series, you'll likely find this entry the richest and most personal.” –
Midwest Film Journal
Jul 2, 2020
Full Review
Bad Education (2019)
94%
4.5/5
EDIT
“A film that offers both a refreshing narrative in which the corrupt actually suffer consequences for their wicked ways and a forum for Hugh Jackman's career-best performance.” –
Midwest Film Journal
Apr 27, 2020
Full Review
The Way Back (2020)
84%
4/5
EDIT
“The film soars thanks to Ben Affleck's poignant performance, which parallels his personal life.” –
Midwest Film Journal
Mar 9, 2020
Full Review
Impractical Jokers: The Movie (2020)
36%
3/5
EDIT
“This feature-length adaptation of the truTV series struggles a bit in its transition to the big screen, but it still has heart and hearty laughs.” –
Midwest Film Journal
Feb 28, 2020
Full Review
Joker (2019)
68%
4.5/5
EDIT
“Sparse on special features save one that offers on-set glimpses into Joaquin Phoenix's unpredictable performance, which carries the intimate, intoxicating character study.” –
Midwest Film Journal
Jan 9, 2020
Full Review
Bombshell (2019)
67%
2.5/5
EDIT
“Bombshell tells an important, timely story about women in a clumsy way, likely because it's written and directed by men.” –
Midwest Film Journal
Dec 23, 2019
Full Review
Dark Waters (2019)
89%
3/5
EDIT
“Despite delivering a vital, relevant message about corruption, it ultimately falls flat as an entertaining but safe Oscar-bait drama.” –
Midwest Film Journal
Nov 26, 2019
Full Review
The Irishman (2019)
95%
4/5
EDIT
“A painfully intimate fly-on-the-wall look at the banality of evil and the practice of murder as a simple means to an end.” –
Midwest Film Journal
Nov 20, 2019
Full Review
Jump Shot: The Kenny Sailors Story (2019)
100%
4/5
EDIT
“A beautiful portrait of a basketball legend's humility.” –
Midwest Film Journal
Oct 10, 2019
Full Review
It: Chapter Two (2019)
62%
4/5
EDIT
“Rather than swinging for big scares to haunt your dreams, this film is more of a horror adventure in which the characters' compassion lights the way through the darkness.” –
Midwest Film Journal
Sep 6, 2019
Full Review
Ready or Not (2019)
89%
3.5/5
EDIT
“The film isn't exactly a new horror classic, but it's certainly a fun time at the movies.” –
Midwest Film Journal
Aug 26, 2019
Full Review
Scary Stories to Tell in the Dark (2019)
78%
4/5
EDIT
“Scary Stories probably won't scar you forever like the book series. But this tender, nostalgic embrace of horror makes for perfect viewing on a crisp autumn evening.” –
Midwest Film Journal
Aug 9, 2019
Full Review
Sword of Trust (2019)
94%
5/5
EDIT
“Sword of Trust is grounded, raw and relatable, sweeping us away with the simple magic of people connecting.” –
Midwest Film Journal
Aug 2, 2019
Full Review
The Art of Self-Defense (2019)
83%
4.5/5
EDIT
“This twisted takedown of toxic masculinity is the funniest film of the year thus far.” –
Midwest Film Journal
Jul 18, 2019
Full Review
Annabelle Comes Home (2019)
64%
3.5/5
EDIT
“Like the other Conjuring films, this one never loses sight of the human drama amid the supernatural horror.” –
Midwest Film Journal
Jul 9, 2019
Full Review
Child's Play (2019)
64%
3.5/5
EDIT
“As Chucky terrorizes the kids through voice and video messages, the film emerges as a sly commentary on how our cloud-connected devices are ultimately controlling us.” –
Midwest Film Journal
Jul 9, 2019
Full Review
Yesterday (2019)
63%
2.5/5
EDIT
“A clever, charming high-concept comedy that should've just let it be on the lame love story.” –
Midwest Film Journal
Jun 27, 2019
Full Review
The Dead Don't Die (2019)
55%
4/5
EDIT
“The film has a delightfully dry sense of humor, but it's also a lovingly crafted tribute to the eerie beauty of the zombie genre.” –
Midwest Film Journal
Jun 13, 2019
Full Review
Abducted in Plain Sight (2017)
74%
3.5/5
EDIT
“It's the kind of thriller you can curl up with on a cold, cloudy afternoon. Watch it with a loved one so you can have someone to turn to in disbelief.” –
Midwest Film Journal
Feb 7, 2019
Full Review
Winchester (2018)
12%
3.5/5
EDIT
“A deliberately paced drama sprinkled with elegantly spooky elements rather than gory spectacles and jump scares. It plays like a vehicle for Vincent Price or Peter Cushing.” –
Midwest Film Journal
Jan 23, 2019
Full Review
The Post (2017)
88%
5/5
EDIT
“A sharp period piece that cuts through the core of contemporary American conflicts.” –
Midwest Film Journal
Jan 23, 2019
Full Review
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