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Ted Scheinman

Ted Scheinman's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Movies TV Shows
Miles Davis: Birth of the Cool (2019) 91% EDIT “The movie offers something more valuable than a hagiography: a rich and bittersweet film that investigates, without romanticizing, some of the anguish that lurked beneath the cool.” – Washington City Paper Jun 25, 2019 Full Review Hugh Hefner's After Dark: Speaking Out in America (2018) EDIT “There's a fine line between capitalizing on counterculture and promulgating it, and Hefner straddled that line as it suited him, in the same sad arrangement that in more recent years has given us woke corporations.” – Washington City Paper Apr 25, 2019 Full Review Tazzeka (2018) EDIT “All the more powerful as a portrait of south-to-north migration in the 21st century...” – Washington City Paper Apr 25, 2019 Full Review Somebody Up There Likes Me (2012) 68% EDIT “The film itself is so charming that you almost forget to ask whether these people truly deserve our empathy.” – L.A. Weekly Mar 15, 2013 Full Review Electrick Children (2012) 88% EDIT “Thomas has an aversion to the easy resolution-she knows precisely which mysteries to keep dangling.” – Village Voice Mar 6, 2013 Full Review Girls Against Boys (2012) 25% EDIT “The B-horror standbys that might rescue the film from self-serious tedium are nowhere to be found.” – Village Voice Feb 3, 2013 Full Review Sound City (2013) 100% 2.5/4 EDIT “Given Dave Grohl's reputation for versatility and good taste, the film's sturdy sense of forward motion may come as no surprise.” – Slant Magazine Jan 30, 2013 Full Review The Comedy (2012) 50% 8.3/10 EDIT “The Comedy may not aspire to be the portrait of a generation, but it certainly offers a scary dissection of a faux-careless Brooklynite sensibility that threatens to be the undoing of everyone involved.” – Paste Magazine Nov 9, 2012 Full Review Charlie Is My Darling (1966) 100% 3.5/4 EDIT “The doc weaves its footage into a meditation on sex, art, and money among a band not yet wearied of all three.” – Slant Magazine Oct 25, 2012 Full Review
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