Heavy on moronic mysticism and light on imagination, excitement, and shot-to-shot coherence
10,000 B.C. (2008)
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Reviews Counted:137
Fresh:12
Rotten:125
Average Rating:3.2/10
Consensus: With attention strictly paid to style instead of substance, or historical accuracy, 10,000 B.C. is a visually impressive but narratively flimsy epic.
Theatrical Release:2008
Box Office: $94,770,548
Synopsis: Director Roland Emmerich weaves myth and legend together in this epic love story. As the Ice Age is ending, the Yagahl people are struggling to survive. When Evolet (Camilla Belle), a young,... Director Roland Emmerich weaves myth and legend together in this epic love story. As the Ice Age is ending, the Yagahl people are struggling to survive. When Evolet (Camilla Belle), a young, blue-eyed girl is found and brought back to the tribe, their esteemed elder, Old Mother (Mona Hammond), realizes that the child is fulfilling a prophecy and will be instrumental in saving the Yagahl. D'Leh (Steven Strait) swore his heart to Evolet when she first came to the tribe, and after many years claims her as his own. But no sooner are the young lovers together, than they are torn apart by mysterious men arriving on horseback who kidnap many of the Yagahl, including Evolet, for slave trade. Determined to save his love and their people, D'Leh embarks on a rescue mission with his father figure Tic'Tic (Cliff Curtis). Along the way, they encounter different lands, new people, and strange creatures including giant birds akin to a killer ostrich. Mixing history and fantasy, there is little (if anything) that is historically accurate in this film. Rather, Emmerich weaves together myths and legends to unite people from different lands into one force and bring down a great evil that threatens all of their civilizations. Emmerich also tackles multiple universal themes: the redemption of an outsider, the coming of age of a boy who becomes a leader, the importance of loyalty, and the discovery and understanding of new cultures. Ultimately, he tackles the age-old saga of star-crossed lovers and the power of love. Omar Sharif narrates this love story that spans mountains, valleys, deserts, and rivers. [More]
Starring: Steven Strait, Camilla Belle, Cliff Curtis, Tim Barlow
Starring: Steven Strait, Camilla Belle, Cliff Curtis, Tim Barlow
Director: Roland Emmerich
Director: Roland Emmerich
Screenwriter: Roland Emmerich, Harald Kloser
Producer: Michael Wimer, Roland Emmerich, Mark Gordon
Composer: Harald Kloser, Thomas Wander
Studio: Warner Bros.
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Reviews for 10,000 B.C.
People expecting a fun action movie will be severely disappointed. If you get drunk with some buddies and go to make fun of it, you might like it more. But that doesn't make it a good movie
Would make a good drinking game; silly fun but not "good." A critic sitting near me snorted in derision at my "the costumes kicked ass," but I won't back down. They were really cool.
I can't help but think that 10,000 BC started out as an idea that sounded like, "Wouldn't it be cool if we had wooly mammoths and saber toothed tigers and people all in the same movie?" and went from there.
Ready to rumble, scantily clad Neanderthals gone wild, gliding around the globe faster than high speed Internet. And while dodging seemingly nearsighted menacing reptiles with bad manners, whose oversized choppers repeatedly miss their mark.
But the folks who made 10,000 B.C. have filled their film with a sub-Disney plot and inserted a few measly slivers of action that hardly warrant all the mystical hubbub and romantic angst.
In fact, while sitting through this banal attempt at a big-scale epic, I could not help but go through a checklist in my mind of all the movies "10,000 B.C." borrows from.
The filmmakers should be ashamed of themselves for even allowing this movie to enter a movie theatre. It was like a bad made for TV special that you would see on ABC or NBC.
ena matso kakomoirides sernontai stin ammo kai ton ilio, s' ena ftino, proheiro, afeles kai kakogoysto deigma karampinatis gerontikis anoias toy Emmerich
The actors speak in fluent anachronistic English. The dialogue is prehistoric but not in the way Emmerich intended.
It's a film that countryman Uwe Boll would have made had he the budget and the cinematographer
I enjoyed the movie, so it qualifies as a mammoth guilty pleasure
it is hard to be enthralled with the dusty, warmed-over romantic fixations of what is essentially a very handsome cave-couple
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