The power of Akin's film, which is considerably aided by the two lead performances ... comes from the spectacle of people developing feelings for each other even through numbing layers of mutual narcissism, self-loathing and raging terror of intimacy.
Head-On (2005)
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Reviews Counted:27
Fresh:26
Rotten:1
Average Rating:7.6/10
Consensus: A raw, provocative drama about star-crossed love and the lives of immigrants caught between the traditional and modern.
Theatrical Release:Jan 21, 2005 Limited
Synopsis: Fatih Akin's HEAD-ON (GEGEN DIE WAND) is a powerful film about sexuality and suicide, centering on two Turks living in Germany. Drunken loser Cahit (Birol Unel) drives his car into a wall; Sibel... Fatih Akin's HEAD-ON (GEGEN DIE WAND) is a powerful film about sexuality and suicide, centering on two Turks living in Germany. Drunken loser Cahit (Birol Unel) drives his car into a wall; Sibel (Sibel Kekilli) slashes her wrists because she can't stand living with her traditional Muslim family. The two meet in the hospital and decide to join in a marriage of convenience in which he can get himself a cute young housekeeper and she can finally move away from home. They live together in Hamburg, where she begins to sleep around dangerously and he grows surprisingly jealous, leading to tragedy. Set to a soundtrack of 1980s music (Depeche Mode, Talk Talk, Sisters of Mercy), their lives continue to fall apart, lost to a world of lies and deception, drugs and violence, and emotional pain. Filmed on location in Germany and Turkey, HEAD-ON is an intense look at two lost souls who can't stand life as they know it. They spend a lot of time in clubs, trying to drink and dance away their troubles, but they seem doomed to constant failure and unhappiness. Unel and Kekilli are shockingly realistic in the lead roles, adding to the overall poignancy of the harsh and disturbing film. There is a large Turkish contingent living in Germany, many of whom came over in the 20th century seeking employment; in HEAD-ON, Akin delves into the resultant changing cultures with deep insight in this moving drama. [More]
Starring: Birol Unel, Sibel Kekilli, Catrin Striebeck, Guven Kyrac
Starring: Birol Unel, Sibel Kekilli, Catrin Striebeck, Guven Kyrac, Meltem Cumbul, Cem Akin, Aysel Iscan, Demir Gokgol, Stefan Gebelhoff
Director: Fatih Akin
Director: Fatih Akin
Screenwriter: Fatih Akin
Producer: Stefan Schubert, Ralph Schwingel
Studio: Strand Releasing
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Reviews for Head-On
By the time the film concludes, you will likely feel better for having gone the distance, for having faced all this head-on.
This is a gritty drama about self-destruction. On a basic level, its title refers to an early scene in which a man floors his car and plows into a brick wall. In a more general sense, it reflects the protagonists' fatalistic approach to life.
... Well and fearlessly acted, and the writer-director (Fatih Akin) is determined to follow her story to a logical and believable conclusion, rather than letting everyone off the hook with a conventional ending.
It's an arresting new work by an obviously gifted and commanding moviemaker.
This is not just pliable filmmaking; it is an exercise in worldliness, in a feel for the cracks and warps of circumstance, which is all the more startling when you learn that the director is thirty-one.
Head On understands the tension between wanting to have nothing to do with the place from which you came and yet still, deep in your heart, somehow yearning for it.
The movie starts with a mild contrivance and then allows life to tear through its seams, sabotaging its characters and us.
Akin calls this his most personal movie. Every frame bristles with authenticity and honest emotion. He's the real thing. His movie is stunning.
Where too many films depict redemption as a divine right, Head-On has the courage to track a process that generally makes for rough traveling.
No matter what is going on in the story, these star-crossed lovers are always fascinating to watch.
They might be marginal, they might misfits, but we actually care about those two crazy kids.
Akin lays on too much nastiness and too many false endings, but the film succeeds anyway, fueled by the idea that love can restore a soul even if it can't always conquer all.
Despite all its roiling melodrama, Head-On has its moments of sharply observed humor.
Impeccably made, uncompromising in its implacable vision of the deranging power of love, sex and controlled substances, this savage and staggering film knows how to take our breath away.
Director Fatih Akin has made a remarkable film -- the first great film of the new year -- marked by strong characters and intense scenes.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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