The most receptive audience will mainly be enlightened to know that you can make a movie as thoroughly unprofessional as this one and still get it released in 3,000 theaters.
Ultraviolet (2006)
Tomatometer
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Reviews Counted:16
Fresh:0
Rotten:16
Average Rating:2.1/10
Consensus: An incomprehensible and forgettable sci-fi thriller, Ultraviolet is inept in every regard.
Rated: PG-13 [See Full Rating] for sequences of violent action throughout, partial nudity and language.
Runtime: 1 hr 34 mins
Genre: Action/Adventure
Theatrical Release:Mar 3, 2006 Wide
Box Office: $18,337,122
Synopsis: Although the artwork in the opening credits would lead you to believe otherwise, writer/director Kurt Wimmer (EQUILIBRIUM) reportedly based ULTRAVIOLET not on a comic book but on John Cassavetes's... Although the artwork in the opening credits would lead you to believe otherwise, writer/director Kurt Wimmer (EQUILIBRIUM) reportedly based ULTRAVIOLET not on a comic book but on John Cassavetes's 1980 film GLORIA, in which a woman must protect a young boy who is carrying some information sought by the Mafia. In ULTRAVIOLET's mid-21st century, a virus has turned part of the earth's population into "hemophages," vampire-like creatures with heightened speed and dexterity, and a fascist government is intent on stamping them out. Enter Violet (Milla Jovovich), a hemophage determined to fight for her people. Her battle takes an unexpected turn, however, when she finds herself protecting Six (Cameron Bright), a mysterious young child who was raised in a lab. Tailor-made for young action fans raised on anime and videogames who want nothing more than to see a beautiful heroine leave a path of destruction behind her, ULTRAVIOLET cross-pollinates plot threads from popular franchises like THE MATRIX and UNDERWORLD. Creating a brightly hued, soft-focus environment constructed entirely with CGI and a green screen, ULTRAVIOLET's look is much like SKY CAPTAIN AND THE WORLD OF TOMORROW (2004). Cementing the reputation she established with similar athletic, minimally clothed roles in THE FIFTH ELEMENT and the RESIDENT EVIL films, Jovovich will go down in the books as a sci-fi femme fatale for the ages. Her Ultraviolet--who inexplicably changes her hair color and outfits seemingly at will--is a lethal melding of Morticia Adams at a rave and KILL BILL's Bride. Pulling off moves that clearly demonstrate the training she underwent for the role, and usually with a bare midriff, she gives her fans plenty to enjoy. Wimmer wisely leaves the door open for further adventures in the saga. [More]
Starring: Milla Jovovich, Cameron Bright, Nick Chinlund, William Fichtner
Starring: Milla Jovovich, Cameron Bright, Nick Chinlund, William Fichtner
Director: Kurt Wimmer
Director: Kurt Wimmer
Screenwriter: Kurt Wimmer
Producer: John Baldecchi
Composer: Klaus Badelt
Studio: Screen Gems
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Reviews for Ultraviolet
Despite the expository speeches draped over this like birthday bunting, the story remains largely incomprehensible.
Crank your brain to its lowest possible idle and you'll still overthink Ultraviolet.
Uwe Boll would be proud of this movie. It's pretentious and oh-so-serious. The tone of the movie is one of high art, but it stinks like a landfill.
Whether Six is a blessing or a boon to mutants or humans is one of the many things that are not clearly explained through all the flying bodies, flashing steel and grinding metal.
Ultrastupid, ultra-incoherent, ultrasilly -- and way, way ultraboring.
Ultraviolet cleaves faithfully to its comic-book genealogy with a plot unobstructed by big words and images that rarely breach two dimensions. Ultrasilly.
The special effects simply thrust Ultraviolet in an Xbox 360 for action set-pieces that are kinetic and colorful but surprisingly unexciting. Do we really care if she dies when she’s just going to be regenerated anyway?
Ultraviolet wants desperately to be a provocative, high-concept action thriller. It is apparently trying to say something about fear and terrorism, paranoia and racism. But it looks more like a shampoo commercial.
The tale, beginning with narrated flashbacks that make it curiously seem like a sequel, essentially is an excuse for a seemingly endless series of ultraviolet, uh, ultraviolent, action scenes.
Wimmer has created no logical framework for flashy, ultraviolent and frankly cheesy sequences.
Pic is hermetically sealed in a synthetic wrapping that's so total -- Sony's top-flight high-def cameras, visibly low-budget CG work, exceptionally hackneyed and imitative action and dialogue --that it arrives a nearly lifeless film.
Latest News for Ultraviolet
August 13, 2007:
Milla Jovovich On Resident Evil And Her Ultraviolet Beef
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July 24, 2007:
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April 23, 2007:
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April 13, 2007:
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