As a portrait of an average guy who makes average mistakes, it conveys wit and wisdom without leaning too heavily on schmaltz.
King Of The Corner (2005)
Tomatometer
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Reviews Counted:21
Fresh:14
Rotten:7
Average Rating:6.1/10
Consensus: Riegert makes this low-key, rueful comedy about mid-life angst appealing.
Rated: R [See Full Rating] for some language and sexual references.
Runtime: 1 hr 35 mins
Genre: Comedies
Theatrical Release:Nov 30, 1999 Limited
Synopsis: Actor Peter Riegert stars, directs, and co-wrote the mid-life crisis comedy KING OF THE CORNER. Riegert plays Leo Spivak, whose middle-class existence slowly seems to be unraveling at the seams, as... Actor Peter Riegert stars, directs, and co-wrote the mid-life crisis comedy KING OF THE CORNER. Riegert plays Leo Spivak, whose middle-class existence slowly seems to be unraveling at the seams, as his father (Eli Wallach) is dying, his wife Rachel (Isabella Rossellini) is fed up with Leo's behavior, his A-student daughter starts dating a loser, and his protégé starts gunning for his job. Feeling assaulted on all sides, Leo feels like he has nowhere to turn, until an unorthodox "freelance Rabbi" (Eric Bogosian) tries to help him set things straight. KING OF THE CORNER is a feel-good independent comedy-drama that sets out to explore characters and presents its fine cast with many opportunities to do so. It is based on the short stories of Gerald Shapiro. [More]
Starring: Peter Riegert, Isabella Rossellini, Dominic Chianese, Eric Bogosian
Starring: Peter Riegert, Isabella Rossellini, Dominic Chianese, Eric Bogosian, Rita Moreno, Beverly D'Angelo, Jake Hoffman, Eli Wallach, Harris Yulin, Frank Wood, Ashley Johnson, Peter Friedman
Director: Peter Riegert
Director: Peter Riegert
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Reviews for King Of The Corner
It's a warm, unexpectedly moving portrait of a man on the verge of what could either be a dreadful or delightful second chapter.
This is perilously close to a vanity film, but since the star has always seemed like one of the least vain guys in the business, maybe he deserves to go on a bender.
Although Riegert, who has here assembled a first-rate cast, clearly has a good touch with actors, his handling of the awkward material reveals his directorial inexperience.
Mr. Riegert has assembled a capable cast with too little to do or say in this dry, crumbly, barely nourishing tale of intergenerational woe.
Look up the word 'slight' in the dictionary and you could find a still from this film.
This is a story about the benefits of just showing up. Even at its most sentimental, Riegert's pet project possesses a lived-in integrity that nearly offsets the staleness of the material.
There's something not quite right when you sense a movie is unraveling in front of you and you're not certain what, exactly, is coming unraveled.
The pic is amiable, kinda charming, visually routine, and incisive in individual sequences.
Thanks to Riegert's obvious passion for the project, it succeeds even when individual scenes play like bits from an actors' workshop.
With scenes that just sort of pile up, words hanging in the air, and humiliations that are never for a greater good (or bad), Riegert keeps us always at a safe distance.
A movie like this depends on the close observation of behavior. It is not so much about what the characters do as who they are, who they fear they are, and who they want to be.
What carries the movie is Riegert. He has an appealing, ironic style, but he's not locked into it. He's emotionally present and subtle.
An engaging character study that is carried by its talented performers.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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