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G (2002)

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Reviews Counted:15

Fresh:3

Rotten:12

Average Rating:4.4/10

Consensus: Race and class struggles come to the Hamptons in this reworking of The Great Gatsby with a hip-hop flavor. Unfortunately, too many subplots and a lack of believable characters spoil an otherwise novel concept.

Runtime: 1 hr 36 mins

Genre: Dramas

Theatrical Release:Sep 16, 2005 Limited

Box Office: $2,964,475

Synopsis: G is a contemporary African-American romance inspired by the classic F. Scott Fitzgerald story The Great Gatsby. Set amidst the grandeur of the ultra elite Hamptons, G follows self-made... G is a contemporary African-American romance inspired by the classic F. Scott Fitzgerald story The Great Gatsby. Set amidst the grandeur of the ultra elite Hamptons, G follows self-made millionaire and rap mogul Summer G (Richard T. Jones) on a journey to regain what he desires most – the love of his life (Chenoa Maxwell), now married to a wealthy and philandering Wallstreeter (Blair Underwood). Having built his thriving empire from the ground up, Summer G would relinquish it all for the promise of rekindling a romance with his one true love. Urban music writer, Tre, (Andre Royo) spends the summer chronicling the lifestyle of this complex rap mogul for an article on the rise of African-American prominence linked to Hip Hop in the Hamptons. Without malice or intent, this writer brings these lovers together while simultaneously pulling their worlds apart. [More]

Starring: Richard T. Jones, Blair Underwood, Chenoa Maxwell, Andre Royo

Starring: Richard T. Jones, Blair Underwood, Chenoa Maxwell, Andre Royo, Laz Alonso, Sonja Sohn, Damian Young

Director: Christopher Scott Cherot

Director: Christopher Scott Cherot

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Reviews for G

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1 - 15 (sorted by date)
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Another strikeout, further destroying F. Scott Fitzgerald's film batting average.

Full Review Source: Entertainment Weekly | comment Comment
11/02/05
Gregory Kirschling
Gregory Kirschling
Entertainment Weekly
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No green light but the one mistakenly given to start production.

Full Review Source: Village Voice | comment Comment
11/01/05
Peter L'Official
Peter L'Official
Village Voice
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I still thought there were enough good performances, great visuals, and an interesting examination of a lifestyle in a way that we haven’t seen a lot of times in movies for me to recommend it.

Full Review Source: Ebert & Roeper | comment Comment
10/31/05
Richard Roeper
Richard Roeper
Ebert & Roeper
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N/R

Click to read the article

Full Review Source: Houston Chronicle | comment Comment
10/29/05
Houston Chronicle
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Click to read the article

Full Review Source: Dallas Morning News | comment Comment
10/29/05
Dallas Morning News
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An unpolished but entertaining tragedy filled with outstanding performances and memorable moments.

Full Review Source: San Francisco Chronicle | comment Comment
10/28/05
Peter Hartlaub
Peter Hartlaub
San Francisco Chronicle
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We beat on, boats against the current, borne back ceaselessly into the sha-fizzle-dizzle.

Full Review Source: Newark Star-Ledger | comment Comment
10/28/05
Stephen Whitty
Stephen Whitty
Newark Star-Ledger
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[A] poorly acted, directed and written (but slick-looking) vanity project.

Full Review Source: New York Post | comment Comment
10/28/05
Lou Lumenick
Lou Lumenick
New York Post
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The women are shrewishly materialistic, the men are manipulative or violent and the Polo wardrobes look fabulous on everyone. It's an ugly affair overall, but at least you can say you've never seen such beautiful shirts.

Full Review Source: New York Daily News | comment Comment
10/28/05
Elizabeth Weitzman
Elizabeth Weitzman
New York Daily News
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The book was about class and the American dream. The movie is too, though it's most interested in the soap opera machinations of the plot.

Full Review Source: Detroit Free Press | comment Comment
10/28/05
John Monaghan
John Monaghan
Detroit Free Press
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Christopher Scott Cherot's drama is an honorable attempt laid low by a verbose script, cheap production values, and a general tendency toward soap opera.

Full Review Source: Boston Globe | comment Comment
10/28/05
Ty Burr
Ty Burr
Boston Globe
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The decadent world of Hamptonite hip-hop moguls is a fitting backdrop for this somewhat faithful but not very graceful retelling of F. Scott Fitzgerald's 'Great Gatsby.'

Full Review Source: New York Times | comment Comment
10/27/05
Laura Kern
Laura Kern
New York Times
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The filmmakers are going for something operatic here with their mix of love and loss, rap and race. They miss. By a lot.

Full Review Source: Chicago Tribune | comment Comment
10/27/05
Allison Benedikt
Allison Benedikt
Chicago Tribune
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The problem with G is not merely that the ending doesn't work and feels hopelessly contrived. It's also that the plot adds too many unnecessary characters and subplots, so that the main line gets misplaced.

Full Review Source: Chicago Sun-Times | comment Comment
10/27/05
Roger Ebert
Roger Ebert
Chicago Sun-Times
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In nimbly sidestepping the burden of textual fidelity, director Christopher Scott Cherot’s freeform Fitzgerald riff captures the novel’s sense of unrequited yearning better than any of Hollywood’s more slavishly faithful attempts.

Full Review Source: Variety | comment Comment
10/27/05
Scott Foundas
Scott Foundas
Variety
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[It] would be a fascinating exercise -- both artistic and anthropological -- if one word of G were authentic, artful or even borderline believable.

Full Review Source: Washington Post | comment Comment
09/16/05
Ann Hornaday
Ann Hornaday
Washington Post
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