There's an honesty in what Soderbergh's camera has captured that, while not real in the strictest sense of the term, is nevertheless true-to-life.
Bubble (2006)
Tomatometer
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Reviews Counted:29
Fresh:21
Rotten:8
Average Rating:6.4/10
Consensus: This rigorously stripped down, seemingly mundane little film still manages to be engrossing and creepy.
Theatrical Release:Jan 27, 2006 Limited
Box Office: $70,664
Synopsis: With BUBBLE, Oscar-winning director Steven Soderbergh proves that one doesn't need a huge Hollywood budget and larger-than-life actors to craft an affecting motion picture. Following his... With BUBBLE, Oscar-winning director Steven Soderbergh proves that one doesn't need a huge Hollywood budget and larger-than-life actors to craft an affecting motion picture. Following his star-studded spectacle OCEAN'S TWELVE, Soderbergh returns to the small-scale roots of his breakout hit SEX, LIES AND VIDEOTAPE and his no-budget romp, SCHIZOPOLIS. The result is a genre-bending exercise that is a truly original cinematic experience. Set in and around a doll factory on the Ohio/West Virginia border, the film tells the story of Martha (Debbie Doebereiner) and Kyle (Dustin James Ashley), coworkers who have formed an unlikely friendship. But when the pretty Rose (Misty Dawn Wilkins) arrives, hidden layers of emotion begin to surface, culminating in an unspeakable tragedy. Like a gifted documentarian, Soderbergh uses his nonprofessional cast to present a slice of everyday American life that is unflinchingly, achingly honest. Combined with Coleman Hough's more traditionally crafted plot, BUBBLE becomes something wholly inventive. Shot on digital video by Soderbergh, and featuring a score from former Guided by Voices frontman Robert Pollard, BUBBLE resonates long after the credits have rolled. At only 72 minutes, the film nonetheless casts a strangely haunting spell. This is the first of several low-budget digital video projects that Soderbergh plans to shoot all across America. [More]
Starring: Debbie Doebereiner, Misty Dawn Wilkins, Omar Cowan, Laurie Lee
Starring: Debbie Doebereiner, Misty Dawn Wilkins, Omar Cowan, Laurie Lee, Kyle Smith, Dustin James Ashley
Director: Steven Soderbergh
Director: Steven Soderbergh
Screenwriter: Coleman Hough
Producer: Gregory Jacobs
Studio: Magnolia Pictures
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Reviews for Bubble
These conversations are about as deadly dull as any dialogue I’ve ever heard even in the earliest talkies.
Soderbergh holds up a mirror to these lives of quiet desperation and shows us how unquiet they can be.
Proves that in the hands of a director with an artist's eye for telling details, a wholly original story revealing the complexity and, yes, bizarreness of human nature trumps star power every time.
The plot isn't really more than a situation, with a few vaguely condescended-to characters who shuffle about wide-eyed and open-mouthed.
A deadpan commentary on the emptiness of middle-American life, and Soderbergh manages to pull this off without condescending to the characters.
A simple yet oddly profound tale of banal blue-collar lives shattered by an impulsive crime.
Soderbergh uses the mechanics of the grimy doll factory ... as metaphor, carefully tracking the shiny distractions we hide behind, revealing the awful little facts about their glued-on eyelashes and the identically blank faces they all start out with.
It's an exceedingly simple drama that -- if you give yourself over to it -- can have a hypnotic effect.
Tests the idea that the mundane becomes ominous if studied in enough detail.
At times it's so mind-numbingly dull, it becomes funny. But it's not a feature film. I'm not really sure what it is.
Soderbergh has made an experiment worth seeing, but how much do you want to bet his actors have richer lives than the characters they're playing, even if those lives look just as ordinary?
A haunting film, made all the more intriguing by the use of ordinary people, not actors, in all the roles.
Soderbergh and screenwriter Coleman Hough aren't interested in creating a coy whodunit so much as evoking the deeper, less romantic mysteries of people -- and it's riveting.
Despite its refreshingly straightforward style and compelling performers, the movie feels encased in an invisible, filmy membrane of its own. Soderbergh keeps his characters on one side of the wall and his audience on the other.
Soderbergh set out to make a movie about shallow people, but wound up delivering a shallow movie.
An odd little movie and a good one, worthy for what it is and potentially groundbreaking for how it's being made available.
Latest News for Bubble
July 20, 2007:
Catalina Sandina Morena Joins Soderbergh's Che Films
Did you know that Steven Soderbergh was making a movie about Che Guevara? Starring Benicio Del Toro in the title role? Yeah, me too. But somehow I missed the news that he was... More...
November 28, 2006:
RTIndie: "Little Miss Sunshine," "Half Nelson" Lead Indie Spirit Award Noms
It's time again to celebrate the best that indie-land has to offer. The Spirit Award nominees are out, with "Little Miss Sunshine" and "Half Nelson" leading... More...
July 26, 2006:
Magnolia Digs Into the Crayon Box
You probably know Magnolia Pictures as the distributor of foreign/arthouse fare like "District B13," "Bubble," and "Capturing the Friedmans" -- but... More...
January 26, 2006:
Critical Consensus: Annapolis and Momma Disappoint, While Nanny Casts an Innocuous Spell
Annapolis, the renowned naval military school, is an institution steeped in history; unfortunately, the movie can lay claim to that as well. Starring James Franco as a new... More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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