A commercial flop at the time, Ray's 1956 film, made right after Rebel Without Cause, is nonethless one of his most poignant and visually compelling critiques of American suburban life, featuring James Mason in top form.
Bigger Than Life (1956)
Tomatometer
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Reviews Counted: 15
Fresh: 14
Rotten:1
Average Rating: 8.2/10
Rated: Not Rated
Genre: Dramas
Synopsis: Unable to pay the bills as a school teacher, Ed Avery (James Mason) has a double life as a taxi dispatcher. He hides this second job from his family, as well as a far graver secret: he's suffering... Unable to pay the bills as a school teacher, Ed Avery (James Mason) has a double life as a taxi dispatcher. He hides this second job from his family, as well as a far graver secret: he's suffering from a painful illness that may claim his life. In a last-ditch effort at survival, Ed begins a regimen of cortisone injections that turn him into a crazed drug addict, tearing his cookie-cutter world apart. Nicholas Ray (REBEL WITHOUT A CAUSE) directs this trenchant drama about 1950s suburbia; James Mason has rarely been better--or more intense. [More]
Starring: James Mason, Barbara Rush, Christopher Olsen
Starring: James Mason, Barbara Rush, Christopher Olsen
Director: Nicholas Ray
Director: Nicholas Ray
Reviews for Bigger Than Life
The suits wanted a torn-from-the-headlines melodrama; what they got was the director at his expressionistic best, subverting the suburban fantasy and leaving nothing but tattered gray flannel and scorched earth in his wake.
It was as much undervalued and misunderstood as the films Douglas Sirk was making at the time.
James Mason has picked a powerful subject for his first 20th-Fox production and delivers it with quite a bit of dramatic distinction in carrying out the supervisory duties and as the male lead.
It's hard to think of another Hollywood picture with more to say about the sheer awfulness of 'normal' American family life during the 50s.
Jean-Luc Godard ranked this among the finest US films ever made. Recommendation enough.
Those who remember the creeping terror and eeriness of Mr. Roueché's real-life yarn will be sorry to learn that there is little terror or eeriness in the film.
A heady assault on the repression, complacency and frustration of 1950s America.
The house perfectly reflects and strains against Mason's masterful performance as the good-natured man turned bad.
This is an outstanding movie, remarkable for its seriousness and daring.
A superbly shot critique of the suffocating conformity, repression and materialism at the heart of middle-class life.
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