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Driving Lessons (2006)
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Reviews Counted:22
Fresh:11
Rotten:11
Average Rating:5.3/10
Consensus: Though it has charm, Driving Lessons is a middling offering in the genre where the youngster coming of age meets a quirky senior who teaches valuable lessons about life.
Rated: PG-13 [See Full Rating] for language, sexual content and some thematic material
Runtime: 1 hr 38 mins
Genre: Comedies
Theatrical Release:Oct 13, 2006 Limited
Synopsis: With his orange-colored bowl haircut and freckled cheeks, actor Rupert Grint (known by millions of pre-teens as Harry Potter's cinematic sidekick) is perfectly cast as Ben, an awkward teenage boy... With his orange-colored bowl haircut and freckled cheeks, actor Rupert Grint (known by millions of pre-teens as Harry Potter's cinematic sidekick) is perfectly cast as Ben, an awkward teenage boy whose reticence almost trespasses into total muteness. After a lifetime of being reined in by his overbearing, deeply religious mother (the always spot-on Laura Linney), Ben enters into the social world via his job as assistant to one spitfire of a diva, the washed-up actress Eve Walton (the inimitable Julie Walters of EDUCATING RITA fame). Walton, unable to accept the disintegration of her once-lauded career, chews up the scenery with her theatrics, culled from both plays of her past (think Shakespeare soliloquizing on cue) and creations of her imagination (she constantly invents stories to tell Ben, forgetting them only hours later). Yet it is exactly this overdramatic flair for life that awakens something in the actress's repressed assistant, and, for the first time, Ben begins to assert himself and his ideas. Of course, this is much to the chagrin of his pious, controlling mother, who struggles in her stern way to keep Ben on the leash she has worked so hard to tighten around him. First-time director Jeremy Brock is no stranger to writing roles for strong women, having penned the scripts for MRS. BROWN and CHARLOTTE GRAY (played by Dame Judi Dench and Cate Blanchett). He proves that his sensitivity to detail and nuance translates to his directorial persona, crafting a movie that is as impeccably acted as it is carefully written, creating a balance between comedy and heartfelt drama that resonates deeply. [More]
Starring: Laura Linney, Rupert Grint, Julie Walters, Nicholas Farrell
Starring: Laura Linney, Rupert Grint, Julie Walters, Nicholas Farrell, Oliver Milburn, Jim Norton, Michelle Duncan, Tamsin Egerton
Director: Jeremy Brock
Director: Jeremy Brock
Producer: Alessandro Camon, Edward R. Pressman, Julia Chasman
Studio: Sony Pictures Classics
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Reviews for Driving Lessons
Writer-director Jeremy Brock has backloaded much of the hero's family conflict into the final scenes, which collapse under the weight.
It's an exercise in calculated high-quirk in which the most egregious forms of stereotyping -- particularly along gender and religious lines -- attempt to pass for 'human' behaviour.
[Brock] sticks to the inspirational formula of contemporary English sentimental comedies: that real life has little relevance.
Driving Lessons, with perfectly cast actors, a poignant and often hilarious script and original music, is a study in how fun British humor can be.
That's not exactly a novel premise, which may explain why this British coming-of-age story inspires too little excitement.
Amiable performances and a gentle, generous chemistry between Walters and Grint make the ride pleasant.
Driving Lessons doesn't represent a zenith in the subgenre, and it trades on some feeble character ploys, but it's a kick to watch Julie Walters do a barmy-charmer bit on Rupert Grint.
This ensemble delivers, engaging in repartee like Roger Federer plays tennis.
With the aid of a charmingly offbeat story and a jolly good dialect coach, the stars leave you thinking, well done. Their spirited performances help cover up glaring holes in the plot.
Everybody in the movie is so tightly wound that Walters seems a model of actorly limberness.
This coming-of-age movie, unlike Evie's sleek old Citroen wagon, is a clumsy contraption, but it's nice to see Rupert Grint coming out from under that colorful thatch, and coming, not a moment too soon, into an appealing pre-maturity.
It's sad to see actors like Walters and Linney mired in such undignified, one-note roles. The movie is an object lesson in the lack of good parts around for actresses, even on the indie front. Class dismissed.
The mild British wackiness is more droll than funny, but the movie is a pleasant cup of tea.
Linney hits a single note for her uptight character, while Walters travels the scale indiscriminately. Her outsized eccentric darts from amusing to grating. Only Grint is just right, as the boy they, and the film, can't do without.
Linney is too sensitive and capable an actress to play a stock villain like this. That everyone in the movie dislikes her makes you dislike everyone in the movie.
Aiming for wacky and heartwarming, the film is, at its sporadic best, a mildly diverting coming-of-age story. At its worst, it feels forced.
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