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Black Book (2007)
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Reviews Counted:66
Fresh:42
Rotten:24
Average Rating:4.7/10
Consensus: A furious mix of sex, violence, and moral relativism, Black Book is shamelessly entertaining melodrama.
Theatrical Release:Apr 4, 2007 Limited
Box Office: $4,339,526
Synopsis: Dutch filmmaker Paul Verhoeven made his name in Hollywood with films such as ROBOCOP, BASIC INSTINCT, and STARSHIP TROOPERS. But Verhoeven got his start in the industry by making films (the... Dutch filmmaker Paul Verhoeven made his name in Hollywood with films such as ROBOCOP, BASIC INSTINCT, and STARSHIP TROOPERS. But Verhoeven got his start in the industry by making films (the acclaimed SPETTERS and SOLDIER OF ORANGE among them) in his native country, and it's to Holland that he returns for BLACK BOOK--his first Dutch film in 20 years. The story is set during the final days of World War II in Holland, and follows a Jewish singer named Rachel Stein (Carice Van Houten). Rachel attempts to avoid the Nazis and remains in quiet hiding until her family is brutally slain, causing her to join up with a resistance movement. On a subsequent undercover mission, Rachel crosses paths with a smitten German general named Ludwig Muntze (Sebastian Koch), with whom Rachel begins a relationship in order to feed vital information back to her colleagues in the resistance. But as the action and bloodshed escalate, Rachel realizes that she has genuine feelings for Muntze, and soon she is in enormous danger. Verhoeven's film is wildly ambitious and takes many intriguing twists and turns during its 145 minutes. BLACK BOOK commanded the largest budget of any film to be produced in Holland, and it shows. Explosions litter the screen, plenty of car chases ensue, and wince-inducing injuries and deaths propel the action. The director isn't afraid to criticize his fellow countrymen and inserts a fascinating subtext about the actions of the resistance fighters, asking some uncomfortable questions about the similarities between their behavior and that of the Nazis. Van Houten lights up the screen throughout and is surely destined for bigger things, and while the tumultuous experiences her character undergoes might push the boundaries of reality at times, Verhoeven has pointed out in interviews that Rachel is a composite character who encompasses the merged experiences of many real people from the era. [More]
Starring: Carice Van Houten, Sebastian Koch, Thom Hoffman, Derek De Lint
Starring: Carice Van Houten, Sebastian Koch, Thom Hoffman, Derek De Lint, Halina Reijn, Christian Berkel, Michiel Huisman, Peter Blok
Director: Paul Verhoeven
Director: Paul Verhoeven
Screenwriter: Paul Verhoeven, Gerard Soeteman
Producer: San Fu Maltha, Jos van der Linden
Composer: Anne Dudley
Studio: Sony Pictures Classics
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Release:
Sep 25, 2007
Reviews for Black Book
Verhoeven's potent mixture of provocative melodrama and spy movie theatrics set against a carefully researched historical backdrop makes for a heady cinematic experience
If you can get past the unevenness, the gratuitousness, and the slick surface of Black Book, Verhoeven's film is entertaining enough.
(A) riveting World War II resistance thriller with a runaway pace and a gripping sense of peril.
Verhoeven highlights how intricately plotted the script is. Turn away from the screen for a few minutes and a scene later on won't make sense.
Finally, a Verhoeven film your mother and father can rally behind. Compromised, yes, but still a necessary experience for anyone who's been starving for a new film from the director since 2000's Hollow Man.
Extras on the disc include a full length audio commentary by director Paul Verhoeven, who provides a thorough explanation of just about everything that happens onscreen.
Reportedly based on actual characters and events conflated as a concession to cinema, this is ostensibly the first Holocaust flick to reinterpret a survivor's story as an erotic espionage thriller.
I would also have to put van Houten on my shortlist for best actress this year due to her incredibly brave and powerful performance.
While gleefully turning all prior war movie stereotypes on their heads, Verhoeven opts for the bizarre theory that ravishing designing women and lots of sex can change the course of world history.
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