Oh, yes. I loved the music, but it's almost impossible to go wrong with Bach and Schumann.
Vitus (2007)
Tomatometer
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Reviews Counted:19
Fresh:10
Rotten:9
Average Rating:6.3/10
Consensus: Though not highly original, Vitus is slightly redeemed by its charm and compelling performances.
Rated: PG [See Full Rating] for mild thematic elements and language.
Runtime: 2 hrs 3 mins
Genre: Foreign Films
Theatrical Release:Jun 29, 2007 Limited
Box Office: $28,098
Synopsis: In this engaging drama from Switzerland, a child prodigy finds a unique way of dealing with being different. Vitus is no normal child. With a 180 IQ, a voracious appetite for knowledge, and a... In this engaging drama from Switzerland, a child prodigy finds a unique way of dealing with being different. Vitus is no normal child. With a 180 IQ, a voracious appetite for knowledge, and a preternatural gift at playing the piano, he finds it hard to fit in with his peers. Like many parents of exceptional children, his mother and father (Julika Jenkins and Urs Jucker) are overbearing, eager to see their child succeed. But as his parents push and fellow children jeer, Vitus's grandfather (Bruno Ganz, THE DOWNFALL) simply allows the boy to be himself. Though VITUS follows the blueprint for childhood prodigy movies (such as SEARCHING FOR BOBBY FISCHER and the first act of SHINE) a bit too closely at times, it's saved by a great cast and some interesting twists. As the 12-year-old Vitus, Teo Gheorghiu, himself a piano prodigy, heightens the sense of realism in the film. The classic music he plays is beautiful, and the actor's playing itself is remarkable. Audiences used to seeing hand doubles in films about musicians will be presently surprised to see that there aren't any cuts, displaying Gheorghiu's incredible talent. Veteran actor Ganz has literally played everything from an angel to Hitler in his decades-long career, and he's wonderful here as Vitus's warm grandfather and best friend. As a result of great performances like these, it's easy to see why VITUS was the Swiss entry to the Oscars. Though VITUS follows the blueprint for childhood prodigy movies (such as SEARCHING FOR BOBBY FISCHER and the first act of SHINE) a bit too closely at times, it's saved by a great cast and some interesting twists. As the 12-year-old Vitus, Teo Gheorghiu, himself a piano prodigy, heightens the sense of realism in the film. The classic music he plays is beautiful, and the actor's playing itself is remarkable. Audiences used to seeing hand doubles in films about musicians will be presently surprised to see that there aren't any cuts, displaying Gheorghiu's incredible talent. Veteran actor Ganz has literally played everything from an angel to Hitler in his decades-long career, and he's wonderful here as Vitus's warm grandfather and best friend. As a result of great performances like these, it's easy to see why VITUS was the Swiss entry to the Oscars. [More]
Starring: Teo Gheorghiu, Bruno Ganz, Julika Jenkins, Urs Jucker
Starring: Teo Gheorghiu, Bruno Ganz, Julika Jenkins, Urs Jucker
Director: Fredi M. Murer
Director: Fredi M. Murer
Screenwriter: Fredi M. Murer
Producer: Christian Davi, Christof Neracher
Composer: Mario Beretta
Studio: Sony Pictures Classics
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Reviews for Vitus
There are some likable elements to this unusual, erratic, ultimately frustrating film.
The more sentimentally inclined in the audience may even feel like applauding.
Vitus freaks you out, but its makers seem to have no idea that it does.
While the metaphor here may be too literal for some tastes, Murer shows how our families also give us the wings to fly.
The cast is superb, especially the young actors who portray Vitus; [Teo] Gheorghiu is a real-life piano prodigy, lending an extra frisson to the intoxicating music that plays throughout the film.
We're supposed to be convinced that [Vitus has] proved himself a normal kid in spite of his virtuoso skills, not because of them. It's a bit of a stretch, but he's got the long fingers for it.
Director Fredi Murer strains too hard for it to be something more, a magical opus about childhood and taking flight, in this instance literally and figuratively. You wind up feeling manipulated instead of emotionally moved.
Vitus's cool intelligence, knotty narrative and precise performances make it a pleasure to watch even when it sends mixed messages about the true nature of its protagonist.
Vitus, a fizzy domestic fairy tale from Switzerland, gives you a lift, as it revels in the oddball joy of genius as kid power.
Murer is a skillful director and has crafted a crowd-pleasing story that will have particular appeal to mature 'tweeners.
This was Switzerland’s entry for the 2006 Oscars, and you can see why. Like most award-seeking crowd-pleasers, it places uncomfortable impulses in opposition then dramatizes them in the most unchallenging way imaginable.
There are few movies more infuriating than those that completely misjudge our reaction to their main characters -- and Vitus, alas, is at the head of that class.
If writer-director Fredi Murer had sparked a more rebellious spirit within the project, he might have made a truly memorable fantasy for both children and adults.
To those of us for whom there can never be enough film dramas with a classical music backdrop, Vitus comes as a bit of a disappointment.
Pic is a fine example of old-fashioned story-telling and also will dance wherever detailed character development and leisurely-paced drama are appreciated.
Although a tad sentimental, Vitus is charming and smart in how it deals with its fascinating central character, a very young child prodigy, and the problems he experiences because of his overheated brain power.
Latest News for Vitus
June 04, 2007:
Trailer & Poster review ![]()
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