The Legacy (2006)
A breath of fresh air from beginning to end, The Legacy delights in pulling the rug out from under you. No sooner has a scene headed in one direction, than it wiggles off in another. Taking as much pleasure in the absurdity of the mountain folks' feud as in the French's well-intentioned moral arrogance, it settles on Nikolai, who is left to sort it all out.
Géla Babluani (13 Tzameti) teams up with his father, Temur, to fashion a film that simply never gets in its own way. It would be tempting to call it a parable, but the sublime irony of The Legacy is that nobody learns anything.
--© Sundance Film Festival [Less]
Genre: Dramas
Buy It On DVD
Reviews
Father and son Georgian filmmakers take an intriguing look at the collision between new and old, east and west in their home country. The film is colourful and almost shockingly vivid, with a refreshingly foreign feel that's thoroughly accessible.
The last act, which freewheels towards denouement like a driverless bus.
Legacy starts brilliantly and sustains its intensity all the way through but, in the last few minutes, forgets to give us a decent climax.
From cynical beginning to even more cynical end, the Babluanis' grimly rewarding film reveals a nation trapped in its own historical legacy, and outsiders unable to understand let alone help.
There’s intrigue here, but they’re weighed down by the meandering pace and lack of dramatic payoff.
Despite its undeniable thematic richness, ‘Legacy’ marks a slight return for Georgian director Géla Babluani.
Laced with subtle comedy, Legacy is certainly an affectionate, oddball look at the lives of small town Georgians, but the meandering story, and it’s surprisingly simple pay off, is not quite satisfying enough to make it all worthwhile.
A Hitchcockian atmosphere conjures up some genuine suspense but it loses points for falling into the realms of melodrama in the final moments.
An air of inevitability punctuates the picture and the lives of the lead characters are under-explored as the directors' focus on tourist ignorance of cultural differences at the expense of any real tension.
A deftly blended melange of European styles, from the wide-open vistas reminiscent of Russian cinema to moments of intimate absurdity echoing Antonioni.
The Legacy shows that simple films can work. The film doesn't need anything too ostentatious or amazing to sell the story.
Containing a bare minimum of suspense and excitement, story unspools like a shaggy dog story missing the punchline.


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