After scripting both Barbershops, writer-director Mark Brown appears to have exhausted his ability to create new and interesting characters to inhabit The Salon.
The Salon (2005)
Tomatometer
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Reviews Counted:16
Fresh:2
Rotten:14
Average Rating:3.5/10
Consensus: Having been delayed several years, The Salon's pop culture references are stale and its story and characters were better done in the Barbershop series.
Rated: PG-13 [See Full Rating] for crude and sexual content, language and some thematic material.
Runtime: 1 hr 39 mins
Genre: Comedies
Theatrical Release:May 11, 2007 Limited
Box Office: $92,362
Synopsis: At the epicenter of the neighborhood is Jenny's beauty salon, where women flock to get made over and to feel at home. For owner Jenny (Vivica A. Fox) and her loyal patrons, it's more than just a... At the epicenter of the neighborhood is Jenny's beauty salon, where women flock to get made over and to feel at home. For owner Jenny (Vivica A. Fox) and her loyal patrons, it's more than just a business; it's a community fixture. But all this quickly comes under threat when a good-looking businessman arrives at the salon to warn Jenny of corporate sharks driving out local shops. While deeply protective of her salon, Jenny faces a predicament when she finds herself attracted to the man relaying the message. [More]
Starring: Vivica A. Fox, Darrin Dewitt Henson, Kym Whitley, Terrence Howard
Starring: Vivica A. Fox, Darrin Dewitt Henson, Kym Whitley, Terrence Howard, Monica Calhoun
Director: Mark Brown
Director: Mark Brown
Screenwriter: Mark Brown
Producer: Mark Brown, Vivica A. Fox, Carl Craig
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Reviews for The Salon
Despite all the stock characters and scenarios, Fox and company manage to bring things to life. And cut some hair.
The best scenes in Barbershop featured incisive discussions of current events. Here, the closest brush with topicality is a reference to Eddie Griffin.
A feeble dramedy about a Baltimore beauty shop where someone should come in to sweep up the clichés.
Given that Brown wrote the significantly superior Barbershop, he should know that when you make a socially conscious comedy, you've got to weave in plenty of wit alongside the wisdom.
This movie abruptly becomes a too-convenient black history lesson, complete with a truly egregious deus ex machina. The Salon is a cut below.
Like a perm that won't grow away, it's stuck in the race-comedy mold of Barbershop, Barbershop 2 and Beauty Shop. Been there, done that hair.
This is one of those films where everything simply feels wrong, from the clunky dialogue to the obvious staging.
The movie is a little windy and over-the-top, and the gossipy references to J-Lo and Anna Nicole Smith are woefully outdated.
Everything about it is whompingly (whoopingly?) obvious, from the hit-you-over-the-head narration to the tidy ending.
The Salon had any genuine sass clipped out of it to fit a PG-13 rating.
The main problem with the movie is the by now shopworn nature of its setting.
The comic equivalent of microwaved leftover food -- and pretty stale at that.
Good-natured but curiously flat, a bottle of root beer that's lost its fizz.
Writer-director Mark Brown, he of the Barbershop franchise, also has an inexplicable fondness for close-ups that cut off the tops of the actors' heads -- unfortunate in a movie about hair.
Latest News for The Salon
May 10, 2007:
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