The Rocker has the requisite vomit, the view of some very unfortunate hind quarters and the suds. It's also got a vein of sweetness and charm.
The Rocker (2008)
Tomatometer
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Reviews Counted:29
Fresh:11
Rotten:18
Average Rating:5.3/10
Consensus: With a predictable and lightweight story, the earnest efforts of the cast are squandered by The Rocker's bland script.
Rated: PG-13 [See Full Rating] for drug and sexual references, nudity and language.
Runtime: 1 hr 50 mins
Genre: Comedies
Theatrical Release:Aug 20, 2008 Wide
Box Office: $6,339,401
Synopsis: Slovenly drummer Robert "Fish" Fishman (THE OFFICE's Rainn Wilson) is booted out of his 1980s hair metal band, Vesuvius, right as they're signed to a big label, crushing his dreams and leading to a... Slovenly drummer Robert "Fish" Fishman (THE OFFICE's Rainn Wilson) is booted out of his 1980s hair metal band, Vesuvius, right as they're signed to a big label, crushing his dreams and leading to a 20-year stretch of office park employment. A second chance comes in the form of his overweight teenage keyboardist nephew (Josh Gad) who needs an emergency drummer for his band's gig at the prom. It's an odd match--an '80s metal guy in a teen emo-lite band (their name is A.D.D.)--but he's soon offering fatherly counsel to fatherless boy singer Curtis (Teddy Geiger), giving hair gel tips to the foxy bassist (Emma Stone), and working to get the band a club gig. Soon A.D.D. is signed to the same label as Vesuvius, poised for major MTV-stardom, all leading to a big arena spot as the opening band for the dreaded Vesuvius. Fish needs to overcome his tantrum-throwing ways and step up to the kit, if he wants to impress Curtis's hot mom (Christina Applegate) and outrock his former colleagues. A cross between rock star fantasia à la SCHOOL OF ROCK and the Will Ferrell School of man-child comedy, THE ROCKER benefits from tight editing and pretty decent songs. Real-life musician Geiger saves some rough stretches with his easygoing charisma, while Peter Best (the drummer dropped from the Beatles and hence the quintessential "dumped drummer") makes a cameo. It's directed by Peter Cattaneo of THE FULL MONTY [More]
Starring: Rainn Wilson, Christina Applegate, Jeff Garlin, Teddy Geiger
Starring: Rainn Wilson, Christina Applegate, Jeff Garlin, Teddy Geiger, Emma Stone, Josh Gad, Jane Lynch, Jason Sudeikis, Howard Hesseman, Bradley Cooper, Lonny Ross, Will Arnett, Fred Armisen
Director: Peter Cattaneo, Anthony B. Richmond
Director: Peter Cattaneo
Screenwriter: Maya Forbes, Wally Wolodarsky
Story: Ryan Jaffe
Producer: Shawn Levy, Tom McNulty
Director: Anthony B. Richmond
Composer: Chad Fischer
Studio: Fox Atomic
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Release:
Jun 16, 2009
Reviews for The Rocker
The melody of The Rocker feels predictable but the beat is refreshingly off-kilter.
The film equivalent of an inoffensive throwaway track, what we used to call a B-side, back in the days of Vesuvius.
The conflicts that arise are highly predictable. But there are plenty of funny moments, as well as a sweet subplot involving the unkempt drummer and the guitarist's no-nonsense mom.
A grubby little redemption comedy that in every way feels like a consignment-shop Jack Black vehicle.
If only the movie had some bite, some edge, some anger, some insight. Instead it's generic, staying far away from the darker temptations of the rock scene.
The Rocker is an amiable comedy, so efficiently constructed that you can practically see the computer software on how to write comedy screenplays at work. Nonetheless it is an enjoyable construction.
If this isn't the laugh riot of the year, it's still a pleasant surprise, particularly for teen audiences. And in comedy seasons like this one, that's sometimes more than enough.
The Rocker qualifies as a B-side, but it still makes for a passable summer single.
Watching Rainn Wilson gyrate in The Rocker, you can’t help wondering if Mr. Wilson is inhabiting a role that was originally turned down by Jack Black.
Manages to be a notably funnier than average summer comedy despite being a fairly shameless rip-off of School of Rock.
While nobody's expecting This Is Spinal Tap, both the audience and the cast -- which is strong all around -- deserve better than the generic script and bland direction here.
It sort of gurgles, with some pleasant-sounding pops here and there. But this is essentially a film that squanders a good idea by playing things too safely.
How much you ultimately like The Rocker will inevitably depend on how much you like Wilson. And a little goes a long way.
You want to like almost everyone in this film, but they're all undone by a weak script that really wasn't worth more than a Gilmore Girls subplot after all.
It's not exactly heartwarming to realize that The Rocker's Gen X fantasy of an escape from middle age is really a developmental nightmare.
I don't want to oversell The Rocker, but in a summer of erratic, assaultive comedies all up and down the budget scale, this Rainn Wilson vehicle -- a kind of Home School of Rock -- stakes out its own corner of the market.
Like its protagonist, the movie is sweet but slow and a little out of date.
Two great cuts don't make an album and two fine supporting performances don't make The Rocker worthwhile.
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| 66% 66% | Public Enemies |
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