Janssen, who reportedly did her own pool shooting, is [best] served in the scenes with Gulley, which are wrenching in a coolly understated way.
Turn the River (2008)
Tomatometer
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Reviews Counted: 16
Fresh: 12
Rotten:4
Average Rating: 6.3/10
Runtime: 1 hr 32 mins
Genre: Dramas
Theatrical Release: May 9, 2008 Limited
Synopsis: Though most know Famke Janssen for action-oriented roles in the X-Men films, she bears the heft of this weighty drama with apparent ease. Janssen stars as Kailey, a woman who had to give up her son at birth, but now she's using her skills as a... Though most know Famke Janssen for action-oriented roles in the X-Men films, she bears the heft of this weighty drama with apparent ease. Janssen stars as Kailey, a woman who had to give up her son at birth, but now she's using her skills as a pool hustler to earn enough money to get him back. Actor Chris Eigeman (THE TREATMENT) turns director, writer, and producer with this acclaimed indie film. [More]
Starring: Famke Janssen, Rip Torn, Jaymie Dornan, Lois Smith
Starring: Famke Janssen, Rip Torn, Jaymie Dornan, Lois Smith, Matt Ross, Terry Kinney, Marin Hinkle
Director: Chris Eigeman
Director: Chris Eigeman
Screenwriter: Chris Eigeman
Producer: Ami Armstrong
Composer: Bryce Dessner, Padma Newsome
Studio: Screen Media
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Reviews for Turn the River
A well-acted, if not terribly well-crafted, character-driven drama without much in the way of a purpose.
Turn the River is a finely observed portrait of a desperate working-class woman who refuses to play by ordinary rules.
Turn the River lacks almost everything Eigeman has as a performer: charisma, wit and snappy delivery.
It's not sharp or ironic, but drab and downbeat. Unfortunately, it's also going to feel utterly familiar to those who've seen their share of independent dramas in the last 15 years.
A modest, grittily surfaced film that, while nothing earth-shaking, manages to hold your interest, despite its basic been-there/done-that premise.
A small-scale but thoroughly engrossing drama full of strong performances and sharp dialogue.
captures the scant, fetid tone of broken down pool halls and cracked glass bars infested with third-rate hustlers and frat boys slumming for a hustle
No glamorized games here, just a bleak look at a bleak story of a woman trying to crawl her way up from a life of limited options.
What Eigeman needs is a stronger sense of style and storytelling if he wants to elevate the material past the stock indie-miserabilism mark.
Skip the coda to this movie, with its tiny upswing of hope, and remember the days at the tables, as dim and endless as nights, and the click of the dialogue.
The movie has a mixture of edginess and melancholy that’s beautifully sustained until the climax, when the tang of realism becomes the cudgel of melodrama.
It's a bumpy film, and though no one may see it, it's impossible to imagine it playing as gracefully, like its effectively open-ended finale, without Janssen's conviction to her role.
Turn the River, sometimes like Kailey herself and sometimes not, has a laudable habit of pulling back at the right moments and proving its mettle in unexpected ways.
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