Everyday incidents trigger in Irena alternately sweet and horrific memories, and these become like pieces in a jigsaw puzzle that is completed only when the film concludes, at last revealing its full meaning.
The Unknown Woman (2008)
Rated: Not Rated
Runtime: 1 hr 58 mins
Theatrical Release: 2008-03
Synopsis: Russian actress Xenia Rappoport gives a rich, complex lead performance in Giuseppe Tornatore's Italian thriller, THE UNKNOWN WOMAN (LA SCONOSCIUTA). Rappoport stars as Irena, a deeply troubled Ukrainian woman who has just arrived in Italy. She is desperate to get a job working in a... Russian actress Xenia Rappoport gives a rich, complex lead performance in Giuseppe Tornatore's Italian thriller, THE UNKNOWN WOMAN (LA SCONOSCIUTA). Rappoport stars as Irena, a deeply troubled Ukrainian woman who has just arrived in Italy. She is desperate to get a job working in a specific building, mopping floors and doing whatever is necessary, even giving significant parts of her payment to the super (Alessandro Haber) she convinces to hire her. After causing Gina (Piera Degli Esposti) to have a terrible accident, Irena takes over Gina's job, working as a nanny for Thea (Clara Dossena) and her parents, Valeria (Claudia Gerini) and Donato (Pierfrancesco Favino). While growing very close with the young child, Irena suffers from horrible flashbacks and bad memories in which she is a blonde involved in some kind of mysterious sex trade headed by a man called Mold (Michele Placido). Irena brutally teaches Thea how to fight back when she's picked on at school, the way Irena was unable to fight back for so long against Mold, but things threaten to implode when Valeria starts becoming suspicious of Irena's motives. THE UNKNOWN WOMAN is a modern-day film noir, with clues slowly being revealed until it all comes together in the end, with plenty of surprises. Tornatore, who has made such international hits as MALENA, THE LEGEND OF 1900, and CINEMA PARADISO--which won the Oscar for Best Foreign Language Film--keeps things moving at a steady pace, allowing the characters to grow in depth and emotion. THE UNKNOWN WOMAN captured five prestigious David di Donatello Awards in Italy, including Best Film, Best Director (Tornatore), Best Actress (Rappoport), Best Cinematography (Fabio Zamarion), and Best Composer (Ennio Morricone). [More]
Genre: Foreign Films
Starring: Xenia Rappoport, Michele Placido, Claudia Gerini, Margherita Buy, Pierfrancesco Favino
Reviews
It manages to be brutal, deranged, ridiculous and heart-rending, all at once.
Postures as empathetic while getting its leading lady out of her skivvies -- there's nothing bold about taking a stance against human trafficking
Meet the filmmaker that [Tornatore] is today -- sadomasochistic fantasist, exploiter of women and cheesy Hitchcock imitator.
An exceptionally well-made example of the kind of delirious, semi-Gothic, overcooked melodrama filmmakers from the Boot have long specialized in.
[A] baroquely lurid and undeniably fascinating exercise in pulp with a political angle.
An unstable concoction of political melodrama, film noir, and weepie.
It gets more and more ridiculous and unbelievable as it goes along, and the final scene is shamelessly manipulative.
It's an uneasy mix, and not an entirely successful one. But the film is flat-out gorgeous and contains moments of sheer lunacy.
A riveting lead performance by Rappoport [...] overshadowed by the more frequent potboiler preposterousness.
Just under two hours, sumptuously photographed in noirish shades and slathered in spine-tingling music by Ennio Morricone, it twists every which way to sustain suspense until the final frame.
A restless, panicked, devastating emotional roller coaster, meticulously planned and executed like a razor.
Tornatore is unable to sustain tension once the heroine’s agenda is revealed halfway through, and what follows veers between ploddingly dull and unintentionally risible.
There is a mystique in the flow of the opening scenes that are reminiscent of David Lynch's style of filming.
The melodrama form allows Tornatore to examine such current issues as human trafficking and black-market babies within a yarn that, for all its sentiment, is never less than gripping.
Wanting it both ways, Tornatore presents the tragedy of sex slavery, while lavishly eroticizing it. And without a clue about female desires or dreams, whether sex slaves, servants or hysterical psychos, beyond their sexual apparatus. Unknown Woman, indeed
From its silly exploitation treatment of prostitution and sexual bondage you'd never imagine that Giuseppe Tornatore, the same director who created the magnificent "Cinema Paradiso," made "The Unknown Woman."
The Unknown Woman is a thriller and a love story, and those elements are mixed together in unexpected ways. It's a stunning film.
News
posted by Tim Ryan May 29, 2008
This week at the movies, we've got love and commerce (Sex and the City: The Movie, starring Sarah Jessica Parker and Kim...


Top Critic