It is dark, depressing and seems to be built entirely around a twist ending that feels less like a surprise and more like relief.
Passengers (2008)
Tomatometer
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Reviews Counted:10
Fresh:1
Rotten:9
Average Rating:3.4/10
Rated: PG-13 [See Full Rating] for thematic elements including some scary images and sensuality.
Genre: Dramas
Theatrical Release:Oct 24, 2008 Limited
Box Office: $270,659
Synopsis: After a plane crash, a young therapist, Claire (Anne Hathaway), is assigned by her mentor (Andre Braugher) to counsel the flight's five survivors. When they share their recollections of the... After a plane crash, a young therapist, Claire (Anne Hathaway), is assigned by her mentor (Andre Braugher) to counsel the flight's five survivors. When they share their recollections of the incident – which some say include an explosion that the airline claims never happened – Claire is intrigued by Eric (Patrick Wilson), the most secretive of the passengers. Just as Claire's professional relationship with Eric – despite her better judgment – blossoms into a romance, the survivors begin to disappear mysteriously, one by one. Claire suspects that Eric may hold all the answers and becomes determined to uncover the truth, no matter the consequences. [More]
Starring: Anne Hathaway, Patrick Wilson, David Morse, Clea DuVall
Starring: Anne Hathaway, Patrick Wilson, David Morse, Clea DuVall, Andre Braugher, Dianne Wiest
Director: Rodrigo Garcia, Ronnie Christensen
Director: Rodrigo Garcia, Ronnie Christensen
Producer: Keri Selig, Matthew A. Rhodes
Studio: Sony Pictures Entertainment
Reviews for Passengers
Even though Anne Hathaway is good, it’s no reason to get really emotionally invested in her quest
Did Hathaway know when she signed to this that it would be released just in time to embarrass her during her accolades for Rachel Getting Married?
Passengers is a supernatural thriller so mechanically inept and lacking in suspense that it doesn't even pass muster as lowbrow Halloween-ready entertainment.
The surprise ending isn't as shocking as those of Jacob's Ladder or The Sixth Sense -- two stellar examples of the genre -- but it's still dramatically potent.
The actors make a noble effort, but Passengers turns out to be just another dud in the genre of revisionist mysteries that have been messing with our heads since Haley Joel Osment saw dead people.
The biggest shock (aside from seeing how arbitrarily movies are chosen for theatrical release) is provided by an intrusively blown newspaper.
The film is a little too influenced by M. Night Shyamalan, which might be the wrong way to go given the reaction to his recent films.
This middlebrow tone poem aims for ambiguity but often veers into soporific, suspending answers (and often, viewer interest) en route to an ending that explains all.
Latest News for Passengers
September 28, 2008:
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