Quid Pro Quo (2008) - Rotten Tomatoes

Quid Pro Quo (2008)



Critic Consensus: Despite a stunning performance by Vera Farmiga, Quid Pro Quo never develops its effective parts into a convincing whole.

Movie Info

A man who can't walk meets a woman who envies his condition in this offbeat black comedy. Isaac Knott (Nick Stahl) lost the use of his legs when he was eight years old in an auto accident that also claimed the lives of his parents. Despite being confined to a wheelchair, Isaac has enjoyed a successful career as the host of a talk show on a New York City public radio outlet. One day, Isaac is told an odd story about a man who arrived at a local hospital and demanded to have his legs amputated; the man was part of a secret subculture of able-bodied folks who wish to be paraplegics, using wheelchairs when they can and attempting to deaden their legs through artificial means. Isaac becomes fascinated with the idea of these wannabes, and begins studying the phenomenon for a piece on his show. Isaac's research leads him to Fiona (Vera Farmiga), a sexy but mysterious blonde who collects and restores Chinese art. Fiona is also the owner of a wheelchair she doesn't really need, and Isaac, who is increasingly attracted to her, wants to know all about her role in the fake-paraplegic underground. However, Fiona isn't about to give away any of her secrets for free, and Isaac discovers that the exchange of information and trust goes deeper the longer they know one another. The first feature film from writer and director Carlos Brooks, Quid Pro Quo received its premiere at the 2008 Sundance Film Festival.more
Rating: R (for some sexuality and language)
Genre: Mystery & Suspense, Drama
Directed By:
Written By: Carlos Brooks
In Theaters:
On DVD: Aug 20, 2008
Magnolia Pictures - Official Site


James Frain
as Father Dave
Kate Burton
as Merilee Ankany
Jacob Pitts
as Hugh Bone
Jeane Fourier
as Charlene Coke
Joshua Leonard
as Isaac's Dad
Show More Cast

News & Interviews for Quid Pro Quo

Critic Reviews for Quid Pro Quo

All Critics (35) | Top Critics (16)

Its biggest mystery is how it was financed (by Texas trillionaire and Dallas Maverick owner Mark Cuban, no less) and selected for distribution.

Full Review… | October 18, 2008
San Francisco Chronicle
Top Critic

Quid Pro Quo hovers in a noir-shaded twilight zone where repressed memories and guilt merge in an obsession with physical and emotional paralysis.

June 13, 2008
New York Times
Top Critic

The movie exerts a certain appeal without ever being convincing.

Full Review… | June 13, 2008
Top Critic

This warped masochistic cousin to David Cronenberg's Crash - not to be confused with the Oscar winner of the same name -- is well worth seeing for Farmiga's stunning performance.

Full Review… | June 13, 2008
New York Post
Top Critic

While a good director can spin a worthy movie from any subject, first-timer Carlos Brooks does surprisingly little with the jaw-dropper of a topic he chose.

Full Review… | June 13, 2008
New York Daily News
Top Critic

If you were a fan of David Cronenberg's Crash, you might just be the target audience for Quid Pro Quo, a perverse psychological drama about able-bodied people who yearn to become disabled.

Full Review… | June 13, 2008
Christian Science Monitor
Top Critic

Audience Reviews for Quid Pro Quo


Pretty disturbing, but only someone like Vera Farmiga could be sexy pretending to be crippled. Makes you wonder if these people really exist. Decent ending, even though I usually hate suprise twists.

Curtis Lilly

Super Reviewer

Quid Pro Quo is burdened with flaws, a tiny indie addressing a challenging subject with all the intelligence and moral rationality of your generic people-pleasing blockbuster. Nick Stahl's narration leaves nothing up to the imagination, filling in the ideological bubbles for the audience - and if they're taking the time to watch a film like this, I'm sure they don't need it. The script is far too shallow and unfair to even justify this movie getting made. Sexual deviance here is uniformly attacked as a sign of mental illness, and though there are sound arguments as to the sanity of someone who would willingly paralyze themselves to fulfill a fetish, Quid Pro Quo doesn't even let the innocent get away. Stahl meets the group of people who teach him of this lifestyle literally underground, in a dank basement under some anonymous building. The message the film is trying to send is clear - those with unconventional sexual views are somehow "dark."

But if you're starting to think I'm one of those crazy bastards who nitpicks the hell out of a movie trying to isolate some phantom ideology, let me assure you that the movie also sucks on other terms. Another casualty of the lousy writing, the plot is absolutely awful, telegraphed painfully far in advance. The twists are so easy as to almost be insulting. Quid Pro Quo throws around a few flashy visual tricks, but to no real effect; the aesthetics don't support any sort of tone or theme at all, and the camera work is just artsy for the hell of it. The music is really, really cheesy.

The only real reason to watch this is Vera Farmiga's interesting, technically-able performance as a woman irrevocably chained to her sexuality. She is two parts sad, three parts insane and five parts compulsively watchable. The character is not very well done, but her performance props it up just enough to sell it. Nick Stahl is serviceable but the character is even less interesting.

Drew Smith

Super Reviewer

Highly charged film about a very dark subject and a not often discussed subculture. A year ago this viewer had never heard of Vera Farmiga. But, the more I see of her work, the more impressed I become. Fiona (Farmiga) is a very disturbed young woman with a secret. Isaac (Nick Stahl) is a paraplegic public radio story teller who gets drawn into Fiona's world and uncovers a truth about himself that he ultimately does not want to face. Powerful performances propel the story that is at once sexy, disturbing, and revealing. Sexy, without being crude, disturbing without being gloomy, and revealing without being voyeuristic. This viewer was fascinated by the story, the acting, and the characters. Atmospheric lighting, and tight cinematography, along with good pacing kept this viewer glued to the screen. At under 90 minutes, this film said a lot in a short amount of time. Four stars.

Mark Abell
Mark Abell

Super Reviewer

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