The Promotion may not be much, and you get to know that supermarket uncomfortably well by the end of the 85 minutes. But as I say: He’s an interesting writer.
The Promotion (2008)
Tomatometer
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Reviews Counted:20
Fresh:9
Rotten:11
Average Rating:5.2/10
Consensus: With a workplace-related theme worthy of satire, The Promotion features some sharp witticisms but ultimately disappoints.
Rated: R [See Full Rating] for language including sexual references, and some drug use.
Runtime: 86 mins
Genre: Comedies
Theatrical Release:Jun 6, 2008 Limited
Box Office: $362,531
Synopsis: THE PROMOTION is a low-key, deader than deadpan comedy-drama that fans of THE OFFICE should love. The film stars Sean William Scott (AMERICAN PIE) and John C. Reilly (TALLADEGA NIGHTS) as assistant... THE PROMOTION is a low-key, deader than deadpan comedy-drama that fans of THE OFFICE should love. The film stars Sean William Scott (AMERICAN PIE) and John C. Reilly (TALLADEGA NIGHTS) as assistant managers dueling for the same promotion within their Chicago-area grocery chain. Doug (Scott) is initially so sure the job is his that he takes all sorts of financial risks to impress his wife (Jenna Fischer); Richard (Reilly) is a transfer from Canada with an addiction to self-help tapes, plus a druggie biker past he needs to keep under wraps as the interview process heats up and the undercutting begins. Writer-director Steve Conrad continues exploring his fascination with how average Americans measure themselves and fight for their slice of the pie, a study he began in his acclaimed screenplays for THE PURSUIT OF HAPPYNESS and THE WEATHER MAN. As a director he's too caustic and straight-faced to be his generation's Frank Capra, but maybe that just reflects the more complex times. THE PROMOTION captures an America in regression, a land where once-certain futures are suddenly up for grabs, and the film's cagey shifts from improv-style comedy to personal drama keep one guessing all the way to the finish line. Sporting a fetching Scots accent as Richard's better half, the diminutive Lili Taylor (I SHOT ANDY WARHOL, THE ADDICTION) steals what scenes she can. The usually extroverted Scott gets props for playing his emotional cards close to the vest this time, but can't match Reilly for hangdog goofball timing. [More]
Starring: John C. Reilly, Seann William Scott, Jenna Fischer, Lili Taylor
Starring: John C. Reilly, Seann William Scott, Jenna Fischer, Lili Taylor, Fred Armisen, Gil Bellows, Bobby Cannavale, Rick Gonzalez, Chris Conrad
Director: Steve Conrad
Director: Steve Conrad
Screenwriter: Steve Conrad
Producer: Steven A. Jones, Jessika Borsiczky Goyer
Composer: Alex Wurman
Studio: Weinstein Company
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Release:
Sep 2, 2008
Reviews for The Promotion
A nice little comedy about what it takes to climb the corporate ladder and the toll such actions take on the psyche of a decent individual.
The Promotion works as a comedy because, in the depths of our dark hearts, we enjoy seeing the woes that beset our comic antagonists.
This is one of the more original movies of the year, and it’s the rare film that’s primarily about the workplace.
The strangely paced drama/comedy never finds much of a groove. Elements of conventional madcap comedy butt against more indie-ready scenes of relationship dysfunction, and the end result is more frustrating than interesting.
The Promotion uses the structure of a workplace comedy to pose gentle moral and ethical questions about treating people right (or wrong), about honor and ambition, truth-telling and back-stabbing.
The portrayal of employment in America is too close for comfort. Or comedy...Not the stuff of lighthearted summer comedy.
As a subtle expression of masculine angst, it's the timid flipside of Fight Club. As a gentle critique of the American dream's descent into empty consumerism, it's a less cutesy, less feminist Little Miss Sunshine.
The Promotion edges toward some pretty bleak stuff. Then it steps back and laughs, like an office slacker.
There's still a lot to like here, but ultimately the movie reflects its hapless hero a little too well. While we're constantly rooting for it to succeed, the finish line seems forever out of reach.
It's one of those off-balance movies that seems searching for the right tone.
By going easy on everyone, [director Conrad] turns what could have been a searing satire into a lukewarm comedy.
At last, we have a completely and profoundly American movie with all the classical skills of timing, editing and character development that we associate nostalgically with some Hollywood golden age.
Add watching The Promotion to the Geneva Conventions' list of humanitarian abuses.
Latest News for The Promotion
May 25, 2008:
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| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
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| Tomatometer Percentage | Movie |
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| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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